Movie review: Blade Runner 2049

Movie reviews

Hello!

The long-awaited (by some) sequel to another 1980s hit – Blade Runner 2049 – has reached theaters, so, let’s see whether it was worth the wait and all the hype.

IMDb summary: A young blade runner’s discovery of a long-buried secret leads him to track down former blade runner Rick Deckard, who’s been missing for thirty years.

The original Blade Runner has been a cult classic for years but I’ve never expected it to get a sequel 3 decades later because of the lack of mainstream success. Undoubtedly, it has aged well: the story is still solid and is open to as many different interpretations as there are versions of the film. The pacing is a bit slow but that can be seen as a feature of the time. The effects are great too even if you can tell that they have that particular 1980s futuristic style. Even though I did like the original film, I wouldn’t have been as excited about its sequel if they hadn’t gotten Dennis Villeneuve to direct it. His attachment to the project was the factor that immensely increased my interest the movie! Besides, the marketing shorts, which filled in the 30-year-old gap between the two feature films – the anime Black Out 2022, and the live action shorts 2036: Nexus Dawn and 2048: Nowhere to Run – have acted as great tasters for the sequel and doubled the hype as well!

SPOILER ALERT

Writing

Blade Runner 2049 was written by Hampton Fancher (the writer of the original) and Michael Green (the writer of Logan, Alien: Covenant, and the upcoming Murder on the Orient Express, the co-creator of American Gods). This duo of scriptwriters did an amazing job: they paid homage to the original (both the plot and the thematic concepts) and expanded upon it/them extremely successfully.

The first two acts of the sequel were structured as a mystery: a smart yet straightforward one man’s quest for answers. The third act upped the complexity: it had a tonne of exciting reveals and a bunch of sidelines converging with the main one. The writing for the lead character was just brilliant too. Every act of the film had some kind of twist relating to him: either the fact that he was a replicant at the beginning, a potential offspring of a replicant in the second act and just a decoy for the actual child in the end. It was amazing to see a character go from not knowing who he was to finding actual answers but quickly realizing that he was asking the wrong questions in the first place. He both found and lost an identity before our eyes in the time span of two hours. It was such a great and different character arc.

Two huge thematic concepts that 2049 introduced were the virtual/holographic humans and the procreation ability of the replicants. These two ideas pushed the question of ‘what is humanity ?’ so much farther than I ever dream it could go. I still can’t wrap my head around these two concepts.

Directing

Denis Villeneuve, who has quickly become one of the most critically acclaimed directors of our time with films like Prisoners, Sicario, and especially last year’s Arrival, directed the Blade Runner sequel and did a spectacular job. To begin with, he stayed faithful to the original with the pacing and the style of the visuals. Having said that, Villeneuve also built upon what was already there. 2049 was a really long and quite a slow film, however, it never dragged. It was always intense, intriguing, and exciting – way more than the original ever was.

When it comes to visuals, they were just breathtaking. The set design (by Alessandra Querzola + production design by Dennis Gassner), the costume design (by Renée April), the lighting and the cinematography (by Roger Deakins) – all these different departments just brought their A-game and created such a cohesive masterpiece. The scope was epic and awe-inspiring. The shots were composed so beautifully, you could just freeze them and frame every single image. The colors were so vibrant and just popped off the screen. The shots also lingered a lot (that’s why the movie was so long) but the combination of the visuals and the amazing score made them so impactful, powerful, and effective. In general, the soundtrack (by Benjamin Wallfisch and none other than Hans Zimmer) was so cool and that new instrumental theme was so heart wrenching.

A lot of films have tried to emulate a similar style but none of them have come close to Blade Runner 2049 (Ghost in the Shell looked good but wasted the visuals on an awful story). A few of noteworthy sequences in this picture were: 1. the interplay between the shadows and the light in the pyramid; 2. the memory-construction scene – such a brilliant example of storytelling within a bigger story; 3. the zoom/enhance effect carried over from the first film; 4. a very unique sex scene (not an adjective I’ve ever thought I’d use to describe a sex scene; and 5. an impeccable looking de-aging moment – that technology has never looked better.

Acting

Blade Runner 2049 had quite an extensive cast, full of fan-favorite actors in roles of varying sizes. At the centre of it was Ryan Gosling, who has lent his talents to a variety of genres throughout his career, including but not limited to musicals (La La Land), art films (Only God Forgives), indies with mainstream appeal (Drive), mainstream romantic dramas (The Notebook), arty romantic dramas (Blue Valentine), comedies (Crazy,Stupid,Love), political dramas (The Ides of March), action comedies (The Nice Guys), biopics (The Big Short), and crime dramas (Gangster Squad). Finally, he has added sci-fi to this extensive list with the lead role in Blade Runner 2049, which he was just absolutely brilliant in: powerful, vulnerable, dramatic, emotional. Totally marvelous.

Harrison Ford has come back to another role from his younger days. He has already retired Han Solo and will be back as Indiana Jones in 2020. In Blade Runner 2049, he only appeared in the third act but that was enough to make an impression.

The film also had quite a few female characters. Ana de Armas (War Dogs) was amazing as the virtual girlfriend, Sylvia Hoeks (Renegades) was wonderful as the warrior replicant, Robin Wright (Wonder Woman) was a badass police chief,
Mackenzie Davis (Black Mirror’s ‘San Junipero’ episode) had a fun appearance and, lastly, Carla Juri had a surprisingly important role. Guardians of the Galaxy’s Dave Bautista appeared in a short but the most dramatically challenging role of his career so far, while Captain Phillips’s and Eye in the Sky’s Barkhad Abdi also had a cameo (wish he got more roles). Lastly, Jared Leto (Suicide Squad) played the main antagonist and, although his role was unsettling and quite creepy, it seemed quite normal by Leto’s standards. He was great in it, though.

In short, Blade Runner 2049 was one of those wow pictures that stays with you, long after you are done watching it. Gorgeously looking, carefully written, brilliantly acted sequel that is *gasp* better than the original.

Rate: 4.8/5

Trailer: Blade Runner 2049

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Movie review: Dunkirk

Movie reviews

Hello!

A movie, that needs no introduction, has reached theaters, so let’s talk about it. This is the review of Dunkirk.

IMDb summary: Allied soldiers from Belgium, the British Empire, and France are surrounded by the German army and evacuated during a fierce battle in World War II.

Before we start discussing the film, I’d like to remind you that there already is a picture about Dunkirk, released in 2017 – Their Finest. It’s a completely different but as interesting take on the ‘event that shaped the Western world’. Also, my previous review of a Nolan film is the one for Interstellar.

Christopher Nolan

Both written and directed by Nolan, Dunkirk is the highly acclaimed director’s 10th feature film. It has already been labeled as his best film as well as a ‘masterpiece’ of modern cinema. With all of these accolades in mind, my expectations have also been really high. And while I certainly wasn’t let down, I haven’t been blown away either.

Writing

Dunkirk’s writing is unique (as should be expected from Nolan – the master storyteller) in that the film doesn’t tell a story of the evacuation but rather recreates the evacuation. The staples of the narrative, like the extensive dialogue or the character development, are mostly absent from the movie and the glimpses of the personal stories are scarcely dispersed throughout the intense action scenes. I believe that the lack of the character development actually serves the movie right because that makes the viewer see the characters as nobodies – a faceless mass of interchangeable soldiers – which is what they actually were. I did miss Nolan’s great dialogue, though, even if this film’s setting didn’t really call for it.

Even though, the picture doesn’t have much in terms of narrative, the plot that is in the film is told in a non-linear way (again, as it should be expected from Nolan). However, there isn’t too much of jumping around (Dunkirk is no Memento). The three main plot threads – the land, the air, and the sea – provide different and interesting perspectives on the evacuation but I wish that these viewpoints were wider within themselves. For example, I wanted to see the faiths of more than a few soldiers, or more than two planes, or more than just one civilian boat.

Another interesting choice that is made in the script is the decision to never call out the nationality of the enemy. Never once in the picture, do we hear the words ‘Germans’ or ‘Nazis’. It’s always ‘the enemy’. Is that the political correctness of today bleeding into a WW2 film or is the eternal shame and guilt of the German nation is slowly coming to an end?

Directing

Christopher Nolan has always been amazing at visuals and he proves that again with Dunkirk. The whole film feels, more or less, like the expanded version of the Saving Private Ryan opening beach sequence, with the levels of dread, fear, and destruction, never dipping below the maximum. The intensity is palpable, while the emotions – heart-wrenching. From a purely aesthetic view, the shots are masterfully composed, both in the air, on land, or in the water. To my mind, Dunkirk might not be his best film, but it is certainly a great-looking one.

Music

An element of Dunkirk that sometimes rivals the visuals as its best part, is the soundtrack by Hans Zimmer (a longtime creative partner of Nolan’s). The master composer (I feel like I used the word ‘master’ too much already) surpasses the sky high expectations and delivers an emotional, eerie, thrilling, and haunting score. The sounds of the bombs are so crisp and clear that one can definitely hear if their cinema’s sound system is lacking in quality (I’m not pointing any fingers).

Acting

Dunkirk has an extensive ensemble cast, full of newcomers as well as seasoned A-listers. All of them deliver excellent if brief performances. On land, we follow Fionn Whitehead (in his first film role), Aneurin Barnard (a Welshman playing a Frenchman disguised as an Englishman) and an ex-1D member and a successful solo artist Harry Styles. Nolan has claimed to not have known about Styles’ fame before casting him in the film. I find that doubtful because Nolan has a teenage daughter who might (must) have known who he was. Also, even if she (or he) wasn’t a fan, the 1D craze a few years back far exceed the limits of the fandom and was absolutely everywhere, so Nolan should have definitely at least have heard about him. Anyways, for whatever reason Styles was cast in the picture, he did act as a somewhat box office draw, as evident by a mother-daughter duo, who sat next to me in the cinema and could not shut up when his face showed up on screen. On a side note, I didn’t see anyone complaining about his involvement in the film or that his ‘famous face’ took the viewer out of the movie, but, somehow, Ed Sheeran signing three lines on Game of Thrones is a disaster that breaks the fictional world’s continuum?

Back to the cast I was discussing in the first place, the ‘land’ portion of the plot also had Kenneth Branagh (director of Cinderella and the upcoming Murder on the Orient Express) and James D’Arcy (Agent Carter) as two officers of exposition and trailer one liners. The ‘on the sea’ perspective had Mark Rylance (whose career really took off only in 2015 with Bridge of Spies, then The BFG, and soon Ready Player One), accompanied by a screen newcomer Tom Glynn-Carney and a bit more experienced Barry Keoghan. A longtime creative partner of Nolan’s  Cillian (Free Fire) also appeared in the film, in the probably the most fleshed out role. The ‘air’ part of the plot was acted out by Jack Lowden and another of Nolan’s usuals – Tom Hardy (Mad Max, Legend, The Revenant) with his face half-obscured as always.

In short, while I might not think that Dunkirk is a masterpiece, I unquestionably agree that it is a great film. The visuals are stellar, the acting is effective, and the writing – full of bold choices that I might not like but can and do appreciate.

Rate: 4,3/5

Trailer: Dunkirk trailer

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Movie review: Pirates of the Caribbean: Dead Men Tell No Tales

Movie reviews

Hello!

The summer movie season is already in full swing. Let’s see what it has to offer in Pirates of the Caribbean: Dead Men Tell No Tales also known as Salazar’s Revenge.

IMDb Summary: Captain Jack Sparrow searches for the trident of Poseidon.

Let’s start with a disclaimer: I have always been a fan of this franchise despite its flaws. The third’s film is my favorite (and I’m definitely in the minority) and its third act – one of my most rewatched action sequences. Also, the role of Jack Sparrow is the only kooky role that I still like Johnny Depp in.

Writing:

Pirates 5’s screenplay was written by Jeff Nathanson (Catch Me If You Can, Indiana Jones 4, next project – the live action Lion King) with some input on the story by Terry Rossio (who had a hand in creating these characters in the first place). In general, I have mixed feelings about the quality of writing for this film and wish it was better because it could have been (like the writing for so many blockbusters these days – come on, Hollywood, just hire some amazing TV writers!).

To begin with, I thought that the set-up for the narrative was too reliant on coincidences, while the twists and turns in the plot – just way too convenient. The film was also going all over the place with the multiple plotlines that were just thrown together. It was nice to see all the old characters and the new one were good too but I just wish they all would have fit into the narrative more organically. Another problem with the reveals in the story is that they came out of nowhere. They were surprising, for sure, but not in a good way. Not in a way ‘I didn’t see it coming but I can retrace the steps of the reveal now’ but more like ‘Oh, so you have come up with this like a year ago and not when you released the previous movies in the series’.

Having critiqued the script, I would now like to mention a few neat writing moments which really impressed me. First, I loved seeing the young Jack Sparrow. In addition to the de-aging technology being really impressive, it was really nice to see Sparrow as an efficient and clever sailor and not just drunk and babbling, even if lovable, idiot. The explanation of how he got the iconic costume and the name was also much appreciated. I also liked the fact that the story of The Turners was continued through their son. The new female lead was also a well-enough written character – I liked that she was a person of science who was confronted by the irrational legends and myths. The feminism aspect could have been handled better, though. The writing for the villain – Salazar – was also quite good. He is no Davy Jones, but then again, Jones had 2 movies worth of development while Salazar had only half of that. Jones might also get even more (further on that in the After-Credits section). Lastly, I also enjoyed the attempt at expanding the mythology of this world.

Directing

The Norvegian directing duo – Joachim Rønning and Espen Sandberg – best known for their Kon-Tiki film (about an expedition on a raft across the Pacific Ocean) helmed Pirates of the Caribbean 5 and did a good job. Having previous experience with water-centric films definitely helped them because the movie did look gorgeous. The locations themselves and the way they were realized on screen were just spectacular. The action wasn’t bad either – it was definitely entertaining and exciting, just not as impressive as it used to be before. This might be because I have seen too many Pirates of the Carribean movies or just action films in general. One particular action sequence – the first one centered on the robbing of the bank – really reminded me of the 3rd act heist in Fast Five but only done with horses instead of the fast cars. The visuals of the map in the final act (the island that’s the perfect image of the sky) were really cool-looking too.

No Pirates of the Carribean review cannot not mention the soundtrack of the film. It was really nice to hear the iconic theme music as well as the rest of the soundtrack, which, this time around was not done by Hans Zimmer but by his long-time collaborator/student Geoff Zanelli.

Acting

Johnny Depp (Transcendence, Alice, Black Mass) was fine in the movie. He was doing the same thing he always does, but I have already said, this is the only role of his that I can stomach his eccentrics in. Please, God, don’t let him screw up Grindewald in the Fantastic Beasts sequel.

The two new leads this movie introduced were both YA alumni – Brenton Thwaites (of The Giver) and Kaya Scodelario (of The Maze Runner). They were better replacements to Orlando Bloom and Keira Knightley than the romantic couple from the previous film – On Stranger Tides – played by Sam Claflin and Àstrid Bergès-Frisbey. I hope that Thwaites’s and Scodelario’s careers can get a boost from this movie but I don’t think we will see more of them in these roles. Maybe in a supporting part in a sequel but I don’t see them getting a solo/duo spin-off (more on that in Post-Credits section).

The villain of the picture – Salazar – was played by Javier Bardem – Hollywood’s go-to Spanish actor for villainous roles (No Country For Old Men, Skyfall). Well, one can’t argue that Bardem is really good at playing these types of characters and he was truly menacing as Salazar – the hunter of pirates. His next project is Aronofsky’s Mother!. 

Geoffrey Rush was also, once again, back in the role of Barbosa. While I felt that his character was kinda tacked on, it was nice to see a different side of him. His demise, however, was mostly wasted and should have been built-up more (both story-wise and emotionally).

David Wenham also appears in a film, playing a secondary villain and a high-ranking officer in the British Navy. He is basically just a replacement for the character that Tom Hollander played (and in a much better way) in the original trilogy.

Post-Credits

If you sit through the 10 minutes of the credits, full of digital artists’ names, you will be treated to a potential teaser for a Will Turner spin-off. I really liked the character in the original trilogy and Orlando Bloom does not seem to be doing much, so a Will Turner or a Turner family-centered spin-off might actually be quite good or could at least happen. Maybe Keira Knightley could also be in it and actually get a few speaking lines (she just cameos and says nothing in Dead Men Tell No Tales). Thwaites’s Henry Turner and his new girlfriend, played by Scodelario, might also have a place in that picture.

In short, if you are a fan of the franchise, you will probably be able to overlook the problems with the movie (like you did many times) and will enjoy it for what it is. For all the regular movie goers – Pirates 5 is a good enough time at the movies but not a required viewing.

Rate: 3.3/5

Trailer: Pirates of the Caribbean: Dead Men Tell No Tales trailer

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Movie review: Hidden Figures

Movie reviews

Hello!

Welcome to a review of a movie that would have been on my Top 10 films of 2016 if I have seen it before the end of the year (when will the studios realize the benefits of the global day-in-day releases?). This is Hidden Figures!

IMDb summary: Based on a true story. A team of African-American women provide NASA with important mathematical data needed to launch the program’s first successful space missions.

Similarly to Loving and Fences, Hidden Figures is a different kind of movie that spotlights the African-American talent. It’s set during the civil rights movements but doesn’t directly relate to it, even if some of the movement’s ideas are addressed in the film in a really powerful way. This movie also stands out as one of the major female-driven films of the awards season. It has been praised by critics but most importantly it managed to debut at the top of the box office list in the US, meaning that a lot of mainstream moviegoers saw it!

Writing

Hidden Figures was written by Allison Schroeder and the director of the picture Theodore Melfi, based on the book of the same name by Margot Lee Shetterly. I absolutely adored the film’s story. I knew about Katherine Goble Johnson before seeing the film (thank you, SciShow on Youtube) but I loved getting to know more about her as well as other African-American women working at NASA. I immensely enjoyed seeing all the different parts of NASA (the 3 of them worked in different departments – calculations, engineering, and computing) and the space race through their distinct perspective. It was actually really interesting to finally see a Cold War movie that didn’t focus on the local conflicts in Vietnam, Korea or Berlin, but a one which looked at the more passive but no less interesting space race.

In addition, I liked that not only the professional but also the private lives of the 3 main characters were presented. This made them all into more well-rounded and realistic characters. Hidden Figures’ writing also focused a lot on the importance of education, portraying it as a key to a better life. I have always been a strong believer of this statement, so the film automatically appealed to me. It was also quite cool that the picture underlined the importance of mathematics, as it is usually the most hated subjects in school (I actually quite liked it). The film’s story, even though set in 1960s, was also contemporary and very topical, if you think about its possible relation to the Women in STEM program.

Lastly, Hidden Figures tackled all kinds of discrimination, mainly sexism and racism but also general discrimination in the work place. Even though half a century has passed, all of these types of bullying are still happening today and should be stopped. Hidden Figures contributes to this conversation by a lot. And even though the film deals with serious topics, it still ends on a positive note and has a very satisfying ending. Katherine, Dorothy, and Mary are not just heroes to all girls or African-Americans. They should be idols to all underdogs and, let’s be frank, we are all underdogs in one field or another.

Directing

Hidden Figures was directed by Theodore Melfi and he did a superb job with his 2nd feature (St.Vincent was his directorial debut). The movie was balanced and well-paced, both entertaining and intellectually engaging. It was compelling, suspenseful, and intense and these feelings were only strengthened by the fact that it told a real and not a fictional story. The picture had a few very powerful scenes, like Taraji P.Henson’s character’s speech about the bathroom discrimination as well as Janelle Monáe’s courtroom speech. The film also has a few more personal and touching moments to counteract the powerful and serious scenes, like Mahershala Ali’s character’s proposal to Taraji P. Henson character.

Hidden Figures also had a magnificent soundtrack by Hans Zimmer, Pharrell Williams (he also produced the film), and Benjamin Wallfisch. It was upbeat and fun and really helped to lighten up the serious mood of the picture. When watching the film, I didn’t know who composed the movie’s music, but now, seeing who was involved, I’m not at all surprised that I liked the soundtrack. I mean, Hans Zimmer and Pharrell Williams!? Such a great combo of class and pop!

Acting

The three leading ladies of the film were played by Taraji P.Henson (Empire), Octavia Spencer (The Help, Snowpiercer, Zootopia, Divergent) and the newcomer Janelle Monáe. I absolutely loved the individual performances of all the actresses as well as their chemistry in the group scenes. In my mind, the cast is the film’s strongest element so it is not surprising that the movie received a lot of SAG nominations. Octavia Spencer has been getting the majority of the recognition but I would have preferred if they would have spotlighted Taraji P. Henson in the lead actress category instead. Spencer already had her big win with The Help andmore importantly, I thought that Henson’s performance was stronger. If the voters wanted to only reward the film’s in the supporting actress category (like they are doing now),  Janelle Monáe should have received a nomination instead of Octavia Spencer. Monáe is a true breakout star of 2016, as she was also in Moonlight. Don’t get me wrong, Spencer was great too but it would have just been nice to reward the other two actresses as well or instead.

The picture also has a splendid array of secondary characters who were brought to life by great actors. Big Bang Theory’s Jim Parsons played a familiar role (he can’t seem to escape the nerdy scientist part) and did a great job. His character was the one that bullied Katherine the most, but I think that he would have been jealous of anyone. Sadly, Katherine’s gender and skin color made her an easy target. Kirsten Dunst (Midnight Special) also played a part in the film and had an amazing line that just summed up the movie perfectly. I, of course, mean her statement about how the USA are fast to space but slow when it comes to the progress on the ground. Mahershala Ali, who was in Moonlight too, also had a small role and did a nice job. The mainstream audiences know him best from Luke Cage, so his career, both the mainstream and the indie parts of it, are on the rise. Lastly, even Kevin Costner (Draft Day, McFarland, USAdelivered his best and the most interesting performance in years.

In short, Hidden Figures was an excellent film that told an important and fascinating story but did that in an entertaining way. The movie was really well-made behind the scenes and it also had the best on-screen ensemble I’ve seen in a couple of years.

Rate: 4.8/5

Trailer: Hidden Figures trailer

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Movie review: Batman v Superman: Dawn of Justice 

Movie reviews

Hey Hey Hey!

The wait is finally over! We now have a movie that shows the two greatest superheroes fighting one another. Without further ado, let’s dig-in into Batman v Superman: Dawn of Justice.

IMDb summary: Fearing the actions of Superman are left unchecked, Batman takes on the man of steel, while the world wrestles with what kind of a hero it really needs. With Batman and Superman fighting each other, a new threat, Doomsday, is created by Lex Luthor. It’s up to Superman and Batman to set aside their differences along with Wonder Woman to stop Lex Luthor and Doomsday from destroying Metropolis.

Before we start: I have done a preview post for this film, in which I discussed my hopes for the movie and gave you my thoughts on the casting choices, Snyder’s previous work and DCCU in general. I won’t be repeating those things in here, so I highly suggest that you check out that other post first!

Since I’m posting my review on Saturday and the movie has been out for a couple of days, I will be talking about SPOILERS!

Audience

Before BvS was released, a lot of news sites reported that the majority of the presale tickets were bought by men. Saturday, 9am screening that I went to (definitely the earliest screening I’ve ever been to) was also predominately male. I think there was only around 30 people watching the film with me, and only 4 of them were female (me included). The audience was also very adult-centric – there were only 3 or 4 kids in the cinema.

I don’t really know what to make out of this. I refuse to believe that women don’t like comic book movies. Moreover, I cannot believe that children are not interested in a film like this one.

Also, before the movie, they showed The Lego Batman teaser – it was very appropriate and extremely funny (definitely a lot funnier than the film that followed).

Story: Writing, Tone, and Plotlines

BvS’s script was written by Chris Terrio and David S. Goyer. Terrio is best known for writing the screenplay for 2012’s Argo, while Goyer has written all the Blade movies, all of Nolan’s Batman films and Man of Steel. With such an accomplished duo, it’s quite strange to see that Batman v Superman did not turn out that great, when it comes to story. Let’s go over all the different story and plot points (the good, the average and the bad) one by one:

  • To begin with, BvS was a more Batman-centric movie and that’s perfectly understandable – they needed to establish him as a character. The opening of the film nicely dealt with Bruce’s backstory – the death of his parents and his obsession/fear of bats.
  • – The film had a lot of dream sequences and it was extremely hard to understand, which scenes were set in reality and which ones – only in the minds of the characters (I still don’t know who was the person in Bruce’s dream that told Batman that Lois Lane is the key – I read that it was probably the Flash, travelling back in time. The other dream sequence (Nightmare one) was also an Easter Egg for Darkside (maybe)). Anyway, the decision to blend the reality and the dreams together might have been a creative choice, however, it made the narrative unclear and hard to understand/follow.
  • – The film was more than 2 hours long but all the characters lacked development – I wanted to spend more time with all of them and wasn’t satisfied with a few scenes that I’ve got.
  • – However, there were characters that we spent way too much time with and the pay-off, concerning these characters, was not that great. Those senate hearings and Lex Luthor’s and Senator Finch’s scenes seemed to last forever and didn’t really accomplish much.
  • – Basically, the movie had way too many plotlines and was jumping around way too much. In short, there was at least 5 great movies inside this 1 (average) film. The first two parts of the picture also lacked action and the whole set-up for the final act was generally a bit boring, although it had a few exciting moments.
  • The mother-son relationship was really important in this film and it was actually nice to see this particular family relationship explored on screen. Movies usually tend to focus on father-son or father-daughter relationships. I also enjoyed the clever idea to use both Clark Kent’s mother’s and Bruce Wayne’s mother’s name – Martha – as a linguistic plot-device that not only united them but helped to show their humanity.
  • -/+ While I enjoyed seeing Batman and Superman united in battle, I think that they became ‘friends’ too quickly. It would have been more believable to see them calling each other ‘partners’ or something like that.
  • – Speaking about the believability – BvS (like all others DCCU films) really want to be grounded in reality, that’s why they are so dark and gritty. However, I do believe that real life also has lighter moments. Reality doesn’t automatically mean darkness and depression. Sophisticated and serious superhero films can be at least slightly funny as well (I’m not saying they all have to be comedies like Deadpool). I wish that we would have gotten at least a few more lively/amusing-ish moments to balance out the darkness – the only scenes that had a lighter tone were the romantic ones and I had a lot of problems with them separately.
  • Also, while the first two acts of the film were somewhat realistic and very dark, the final act of the film left the reality behind. And you know what? THAT WAS THE BEST PART OF THE FILM. The more over-the-top and comic book-y it became, the better the film was. That last act improved my opinion on the whole film and definitely increased the rating.
  • +/- More on the final act: Doomsday’s birth and evolution were cool scenes to look at, but felt a bit rushed. Also, the portrayal of the government forces was very one-sided aka negative.
  • – The lighter aka romantic scenes involved Clark Kent and Lois Lane. While the scenes were cute to look at, they did feel out of place. Also, Lois Lane was such a damsel in distress – she was incapable of doing anything by herself and that annoyed me quite a lot.
  • +/- The ending of the film was quite a brave choice on the filmmakers part. However, since the audiences are quite familiar with the ideas of resurrection not only in comic book films but in movies in general, it was quite hard to feel really emotional about the death of Superman. As soon as he died on screen, my mind started racing on how he will be brought back to life. And even before we got that slight teaser (just before the film cut to black), we all knew that he is coming back. So, basically, it was really hard to think that Superman’s death will stick and that it will have any real consequences.
  • I enjoyed the fact that the characters’ alter-egos were as important as their superhero identities. This idea was nicely portrayed in the double funeral of Clark Kent.
  • + BvS also gave us more than a few very on-the-nose teasers for all the other Justice League members as well as the Justice League itself. We saw: the Flash, stopping the store from being robbed, Aquaman, attacking or threatening someone, and Cyborg, just in the process of creation.
  • Lastly, I might be nitpicking, but it seemed that this time they destroyed more stuff aka two cities – both Gotham and Metropolis. The damage that Man of Steel has done now seems minuscule.

Visuals: Directing, Action, and the Costumes

Zack Snyder did a very nice job directing the action scenes. I only wish that we would not have needed to wait for the said action scenes for more than 1.5h. The picture’s color scheme was also very Snydery – dark and shadowy (unnecessarily grim, like the story). The action scenes that we got in the 3rd act of the film were definitely enjoyable,so let’s discuss them a bit more:

  • The titular fight between Batman and Superman was really cool: the Batman’s protective costume was nice, while the usage of the Krypton – a clever solution. I also loved how Superman just slightly pushed Batman with one hand and Bruce went flying. The only thing that I didn’t like about that fight is the fact that Lois Lane just had to appear out of nowhere in the end.
  • The DC’s trio vs. Doomsday was also an exciting battle. This one was very comic-book-y, thus, very unbelievable, thus – the best part of the film. I loved Superman and Doomsday, flying in space, I loved Batman, trying to come up with a solution (because he knew that he can’t fist-fight the devil), and Wonder Woman, just charging into battle.

Costumes and Props

The characters’ costumes are of course very iconic and there is really no point in talking about them in detail, since, they have been revealed long before the movie was released. However, I do want to mention a few things about them:

  1. I loved Batman’s eyes in all of his costumes. I loved how bold his real eyes looked in his normal costume and how threatening were the light-up eyes in his armor.
  2. Superman’s cape game was strong. He looked amazing while flying or just floating in the air.
  3. Lastly, Wonder Woman’s light-up lasso was super cool – it looked amazing on screen.

Music

The film’s soundtrack was created by Hans Zimmer and Junkie XL. Junkie XL has previously worked on music for Man of Steel and a bunch of other films (Mad Max: Fury Road, Black Mass, Point Break and Deadpool). Zimmer needs no introduction – he is the king of movie soundtracks in Hollywood (Gladiator, Pearl Harbor, The Last Samurai, Nolan’s Batman films, Pirates of the Carribean franchise, Inception, Interstellar, 12 Years a Slave, Man of Steel and a plethora of other movies have been scored by him).

Acting

  • Ben Affleck as Bruce Wayne / Batman. Affleck was really good in both the action scenes and the dramatic ones. He probably is the most accomplished actor of this cast, so it is no surprise that his performance was the best one. 2003’s Daredevil should just be wiped out of his resume. We will see Affleck in a cameo role in Suicide Squad, but if you want to watch a non-comic book movie, starring Affleck, I highly suggest both Argo and Gone Girl.
  • Henry Cavill as Kal-El / Clark Kent / Superman. I did enjoy Cavill’s performance but his facial expressions were a bit one-note. He was amazing in the action sequences, though. Last year, we saw Cavill in The Man from U.N.C.L.E. Currently, he is working on a war drama Sand Castle.
  • Amy Adams as Lois Lane. Adams was good in the role and it’s not really her fault that the character of Lois was written in the way it was. Basically, I felt that her character was out of place during the majority of the film. I would have liked to see more of her actual journalist side, maybe in scenes opposite Laurence Fishburne’s Perry White – the editor-in-chief of the Daily Planet. As an actress, Adams has had quite a long and rewarding career. I especially liked her newer films – American Hustle and Big Eyes.
  • Jeremy Irons as Alfred Pennyworth. My favorite lines of dialogue were spoken by Irons. I really liked his portrayal of Alfred as more of a partner, less like a servant. Also, I recently saw Irons in High-Rise and I also want to watch his other 2016 film – Race.
  • Gal Gadot as Diana Prince / Wonder Woman was my favorite character in the film. Gadot was amazing in the role. She shined in the action sequences and I only wish that she would have had more lines because, for the majority of the film, she just reacted to the events that were happening around her. I can’t wait for her own stand-alone film, coming out next year!
  • Jesse Eisenberg as Lex Luthor (?) – I forgot to talk about Eisenberg being cast as Lex Luthor in the preview but that was because I deliberately wanted to forget this development. From what I saw in the trailer, Eisenberg  did not play the true Lex Luthor – at least not the one that I grew up watching in the cartoons. There was also this rumor floating online that Eisenberg was playing Luthor Jr. but that just seemed like a cheap explanation. Also, Eisenberg’s Lex Luthor Jr. haircut reminded me way too much of the look that his American Ultra character had and it’s safe to say – I did not enjoy that stupid stoner action comedy. Now, having watched the film, I still have mixed feelings about Eisenberg in this role. I enjoyed the fact that he played very modern, young and hip entrepreneur. However, at the same time, my mind was screaming: ‘This is not Lex Luthor, neither Jr. nor Sr.’. His voice was also a bit squeaky throughout the film, so that did not make him seem as a threatening and serious villain. Nevertheless, I liked both his look and the way he acted at the end of the film, in the cell (he has finally lost that stupid hairstyle). So, maybe BvS was just an origin story for the true Lex Luthor? We will probably find that out in the Justice League films.

Lastly, the movie didn’t have a post-credits or end-credits scene, so there is really no point in waiting through more than 5 minutes of credits.

In the end, Batman v Superman: Dawn of Justice was a good film that could have been so much better. It unnecessarily wanted to be real and grim. The first two acts were messy and had too many plotlines, while the third act embraced the comic bookiness of the characters and made the ending of the movie – the best part of it. The acting was really good, Gal Gadot’s and Ben Affleck’s performances were the best. I went into this movie really wanting to like it and, to be truthful, was kinda let down. I am excited to see the standalone films of the characters, but I don’t think that they should rush with the Justice League movies, like they are doing right now. Maybe WB will prove me wrong next year.

Rate: 3/5

Trailer: Batman v Superman: Dawn of Justice trailer

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Movie review: Interstellar

Movie reviews

Hello!

On Monday, I went to see Interstellar – the newest film by the genius Christopher Nolan and this is going to be my review. Sorry that it comes out 4 days later than it should have – my PC crashed once again. SPOILERS AHEAD.

IMDb Summary: A team of explorers travel through a wormhole in an attempt to find a potentially habitable planet that will sustain humanity.

First of all, let’s begin by saying that I knew almost absolutely nothing about the film before going to see it. I have watched the trailer but deliberately didn’t read any of the reviews or articles about it. Only piece of information I had was that this was a Nolan movie and that was enough for me to get excited. Moreover, I enjoyed last year’s Alfonso Cuarón’s Gravity (you cannot not talk about Gravity when talking about Interstellar; everybody will compare them because they came out so close to each other).  I also wanted to see if McConaissance is continuing and was curious, whether this was Anne Hathaway‘s role that will finally stop all the hate she is getting.

Directing

As I have previously said and you have already probably known if you live on this Earth and go on the Internet regularly, this movie is directed by Christopher Nolan. I called him genius in my introduction because I really admire his work, The Dark Knight is a peak of superhero movies and simply a masterpiece, Inception is a psychological mystical thriller that questions reality and Interstellar is a bit of both.  It has the ability to question people’s existence like Inception and also an emotional impact of The Dark Knight. I really want to watch other, older Nolan movies, like Memento, Following, and Insomnia. He is probably the only director that big studious trust with huge amounts of money (Interstellar has cost $165 million) and a lot of creative freedom. This movie is an original idea in a reboot, sequel and spin-off world. I hope that this Warner Bros-Nolan relationship will continue because it has been working great so far.

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Acting

Matthew McConaughey was amazing in his role as Cooper. The McConaissance continues. I hope he will receive at least an Oscar nomination. While I might think that the whole movie won’t get a Best Picture nomination (more about that later) he definitely deserves another Best Actor nomination and/ or another win (however, the competition is really strong this year – actually, it is getting stronger every year). The reason why I believe he should be nominated is that he sold the emotional connection between the father and daughter. You were really rooting for him to come back to his family. His scenes in space while piloting a ship or crashing one were also really well acted and believable.

Anne Hathaway’s character Brand wasn’t my favorite in the film and you know why? Because she just reminded me so much of Sandra Bullock. They both even look kind of the same. And I didn’t really understand some of her decisions when they were in space, they seemed a bit stupid. Although, her character was right in the end: They should have gone to the third planet because that one was survivable. I love Anne as an actress (even did a whole post about her), but they could have casted someone else instead of her.

INTERSTELLAR

Mackenzie Foy, who you might remember as Renesmee from Twilight saga, was really good in her role as young Murph. She sold the other part of the father- daughter relationship and I believe that she will go far as an actress. Jessica Chaistan who played the adult Murph was also really good; I could believe that Foy could grow up looking someone like Chaistan, so good casting of that role. I wasn’t familiar with Chaistan’s work before but I really want to know more about her and to watch more of her work – she got me hooked.

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Michael Caine wasn’t a particularly likeable character and I didn’t really connect with him much. He wasn’t used enough as in his other recent film – Stonehearst Asylum (review).

TARS voiced by Bill Irwin was such a likeable robot, I loved his humor.

Wes Bentley was quite good in his role as well but, when SPOILER they killed him off,  I wasn’t really surprised. They definitely weren’t planning to kill off Oscar winners or fan boy favorites in the first hour of a 3 hour film.

Murph’s science partner/ love interest (?) was also a so-so character; he kind of appeared out of nowhere two hours into the film. He was played by Topher Grace and, after googling him, I had found out that he was Murph’s husband,.

Cooper’s son played by “the other Affleck” (Casey Affleck) was also an undeveloped character. It seemed that his father forgot all about him or even didn’t care much in the first place.

Matt Damon as Doctor Mann was really good in his role but his intention were unclear to me.

Addressing the longevity of the film, it didn’t seem too long for me because I was really engaged in the story. However, I do believe that the first two hours felt quite disconnected from the final act.

Story

The film tried to connect 2 different plotlines: family drama and astronomy/end of the world crisis. I believe that they really succeed for the bigger part of the film. At first, they started with a family story that quite coincidentally turned into a space odyssey. Then they moved to a science fiction part of the film and exposed the viewers to a tremendous amount of real scientific facts about the universe. But then, the movie kind of lost it for me because it ventured into mystical and supernatural territory. Everybody, who has seen the movie, knows which part I am talking about. While I do love physics and astronomy and believe that people will be able to understand dimensions and space-time as physical elements and will reach huge scientific heights someday, I couldn’t wrap my head around it at that very moment. I had the same problems with Luc Besson’s Lucy with Scarlet Johansson. Do you remember the scene where she is transferring her brain, which is working 100 percent, into a computer? And that computer turns into…. I don’t even know how to describe it. But in both cases, I felt that the ending was too detached, too unrealistic and too unimaginable for a human mind and even a bit illogical. And the concluding idea that love is the most powerful and, moreover, a quantifiable element tried to turn movie back to a family drama storyline but didn’t succeed. It sounds like I am nitpicking the movie but I actually really liked it and I am only thinking how Nolan could have made it even better. I had the same problem with another Nolan movie The Prestige
– the mivie was so grounded and the ending was completely out of the ordinary. Still, it’s a great film that messed my mind up (in a good way.)

I don’t have a favorite scene of the film because there were just so many great ones both visually and story wise; I do have a favorite scientific part of the motion picture – relativity theory. The running of time and different speeds of it fascinate me. I like to imagine that people will learn how to manipulate time and that we will learn how to live forever by travelling to places were time runs slower.

Visuals

The visuals of the space were breathtaking and that flying thought the wormhole scene was one of the most beautiful shot scenes I have ever seen. They also did an amazing job with Earth’s scenes and really established it as a horrible place to live.

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Music

I loved the musical score of the film by Hans Zimmer. It was even more memorable for me than Inception’s dunnnnn (Inception sound effect).

All in all, I had a great time watching this film, though some people didn’t like it as much (it has the lowest score of all Nolan movies on Rotten Tomatoes and critics aren’t super nice – that’s why I think it won’t get a Best Picture nomination). Personally, it appealed to me with the portrayal of unbreakable bond between father and daughter because I have a strong relationship with my dad. It satisfied the nerd side of me with the whole scientific stuff and once again made me believe in humanity and showed that we can go far as a species if we just work hard. I had issues with a few actors but the great performances of McConaughey and Chaistan as well as Foy made up for all the problems. Lastly, while the conclusion of the story was unbelievable and a bit insane, I really do hope that we will find a way to achieve inter-dimensional communication one day.

Rate: 4/5

Trailer: Interstellar trailer

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