Movie review: Blade Runner 2049

Movie reviews

Hello!

The long-awaited (by some) sequel to another 1980s hit – Blade Runner 2049 – has reached theaters, so, let’s see whether it was worth the wait and all the hype.

IMDb summary: A young blade runner’s discovery of a long-buried secret leads him to track down former blade runner Rick Deckard, who’s been missing for thirty years.

The original Blade Runner has been a cult classic for years but I’ve never expected it to get a sequel 3 decades later because of the lack of mainstream success. Undoubtedly, it has aged well: the story is still solid and is open to as many different interpretations as there are versions of the film. The pacing is a bit slow but that can be seen as a feature of the time. The effects are great too even if you can tell that they have that particular 1980s futuristic style. Even though I did like the original film, I wouldn’t have been as excited about its sequel if they hadn’t gotten Dennis Villeneuve to direct it. His attachment to the project was the factor that immensely increased my interest the movie! Besides, the marketing shorts, which filled in the 30-year-old gap between the two feature films – the anime Black Out 2022, and the live action shorts 2036: Nexus Dawn and 2048: Nowhere to Run – have acted as great tasters for the sequel and doubled the hype as well!

SPOILER ALERT

Writing

Blade Runner 2049 was written by Hampton Fancher (the writer of the original) and Michael Green (the writer of Logan, Alien: Covenant, and the upcoming Murder on the Orient Express, the co-creator of American Gods). This duo of scriptwriters did an amazing job: they paid homage to the original (both the plot and the thematic concepts) and expanded upon it/them extremely successfully.

The first two acts of the sequel were structured as a mystery: a smart yet straightforward one man’s quest for answers. The third act upped the complexity: it had a tonne of exciting reveals and a bunch of sidelines converging with the main one. The writing for the lead character was just brilliant too. Every act of the film had some kind of twist relating to him: either the fact that he was a replicant at the beginning, a potential offspring of a replicant in the second act and just a decoy for the actual child in the end. It was amazing to see a character go from not knowing who he was to finding actual answers but quickly realizing that he was asking the wrong questions in the first place. He both found and lost an identity before our eyes in the time span of two hours. It was such a great and different character arc.

Two huge thematic concepts that 2049 introduced were the virtual/holographic humans and the procreation ability of the replicants. These two ideas pushed the question of ‘what is humanity ?’ so much farther than I ever dream it could go. I still can’t wrap my head around these two concepts.

Directing

Denis Villeneuve, who has quickly become one of the most critically acclaimed directors of our time with films like Prisoners, Sicario, and especially last year’s Arrival, directed the Blade Runner sequel and did a spectacular job. To begin with, he stayed faithful to the original with the pacing and the style of the visuals. Having said that, Villeneuve also built upon what was already there. 2049 was a really long and quite a slow film, however, it never dragged. It was always intense, intriguing, and exciting – way more than the original ever was.

When it comes to visuals, they were just breathtaking. The set design (by Alessandra Querzola + production design by Dennis Gassner), the costume design (by Renée April), the lighting and the cinematography (by Roger Deakins) – all these different departments just brought their A-game and created such a cohesive masterpiece. The scope was epic and awe-inspiring. The shots were composed so beautifully, you could just freeze them and frame every single image. The colors were so vibrant and just popped off the screen. The shots also lingered a lot (that’s why the movie was so long) but the combination of the visuals and the amazing score made them so impactful, powerful, and effective. In general, the soundtrack (by Benjamin Wallfisch and none other than Hans Zimmer) was so cool and that new instrumental theme was so heart wrenching.

A lot of films have tried to emulate a similar style but none of them have come close to Blade Runner 2049 (Ghost in the Shell looked good but wasted the visuals on an awful story). A few of noteworthy sequences in this picture were: 1. the interplay between the shadows and the light in the pyramid; 2. the memory-construction scene – such a brilliant example of storytelling within a bigger story; 3. the zoom/enhance effect carried over from the first film; 4. a very unique sex scene (not an adjective I’ve ever thought I’d use to describe a sex scene; and 5. an impeccable looking de-aging moment – that technology has never looked better.

Acting

Blade Runner 2049 had quite an extensive cast, full of fan-favorite actors in roles of varying sizes. At the centre of it was Ryan Gosling, who has lent his talents to a variety of genres throughout his career, including but not limited to musicals (La La Land), art films (Only God Forgives), indies with mainstream appeal (Drive), mainstream romantic dramas (The Notebook), arty romantic dramas (Blue Valentine), comedies (Crazy,Stupid,Love), political dramas (The Ides of March), action comedies (The Nice Guys), biopics (The Big Short), and crime dramas (Gangster Squad). Finally, he has added sci-fi to this extensive list with the lead role in Blade Runner 2049, which he was just absolutely brilliant in: powerful, vulnerable, dramatic, emotional. Totally marvelous.

Harrison Ford has come back to another role from his younger days. He has already retired Han Solo and will be back as Indiana Jones in 2020. In Blade Runner 2049, he only appeared in the third act but that was enough to make an impression.

The film also had quite a few female characters. Ana de Armas (War Dogs) was amazing as the virtual girlfriend, Sylvia Hoeks (Renegades) was wonderful as the warrior replicant, Robin Wright (Wonder Woman) was a badass police chief,
Mackenzie Davis (Black Mirror’s ‘San Junipero’ episode) had a fun appearance and, lastly, Carla Juri had a surprisingly important role. Guardians of the Galaxy’s Dave Bautista appeared in a short but the most dramatically challenging role of his career so far, while Captain Phillips’s and Eye in the Sky’s Barkhad Abdi also had a cameo (wish he got more roles). Lastly, Jared Leto (Suicide Squad) played the main antagonist and, although his role was unsettling and quite creepy, it seemed quite normal by Leto’s standards. He was great in it, though.

In short, Blade Runner 2049 was one of those wow pictures that stays with you, long after you are done watching it. Gorgeously looking, carefully written, brilliantly acted sequel that is *gasp* better than the original.

Rate: 4.8/5

Trailer: Blade Runner 2049

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Movie review: La La Land

Movie reviews

Hello!

Today, I had a chance to see the current awards front-runner – the film La La Land – so let’s review it! I have read a lot of emotional (both positive and negative) tweets about it in my feed these past few weeks, but, as usual, I decided to make up my own mind by watching it.

IMDb summary: A jazz pianist falls for an aspiring actress in Los Angeles.

I would like to begin by saying that La La Land is very much an indie picture – it won’t please the majority of the mainstream audiences and it certainly didn’t appeal to the majority of the people at my screening, who were complaining throughout the whole runtime. Despite their actions, I took La La Land for what it was – a niche musical about Hollywood – and had a great time watching it.

Writing

La La Land was written by Damien Chazelle, who also directed the picture. Chazelle is best known for directing and writing 2014’s awards winner Whiplash, but he also wrote the recent 10 Cloverfield Lane. I, personally, found La La Land’s story to be interesting. It wasn’t the most original but it was executed quite well. I, as a fan of cinema, have always enjoyed movies set in LA and Hollywood. Musicals have also always been my guilty pleasure genre. La La Land combined both of these things in a more successful way than Hail, Caesar – another recent film about Hollywood that featured some musical numbers. Lastly, I loved all the homages in La La Land, especially, the Rebel Without a Cause recreation.

Thematically, the film was also quite good. The character development was great as well – the two leads appeared as fully rounded and real characters. I saw some complaints saying that the lead female character was really unlikeable. To my mind, firstly, the characters don’t necessarily have to be likable to interesting. Secondly, I thought that not only the female lead but the male lead had some qualities that made them unlikeable. Besides, real people aren’t always likable too, so why should then the movie characters be over-idealized versions of us? I though that the main pair’s relationship had its ups and downs and that both individuals involved were damaged as well as rewarded by it. She might not have gotten to fulfill her dreams without him but neither would he have reached his goals without her. Not surprisingly, one of my favorite scenes from the writing perspective was their argument over dinner – it had great timing and a lot of emotional weight. Overall, I did enjoy the message of the film, so dream big because somebody has to.

Directing

For the most part, I really enjoyed La La Land’s directing. I loved the mixture of the long tracking shots and the speedy montages. I liked the upbeat energy of it, the dreamy atmosphere, the colorful pallet as well as the beautiful settings and the whole mise-en-scene. However, I think that the picture’s pace was a bit uneven and that the film was a tiny bit too long.

My biggest problem with La La Land was the fact that the movie was confused about its genre. Maybe this was an intentional decision and if so, I don’t think that this particular blend of genres worked. La La Land, at times, was a realistic, grounded, quite modern film, close to a drama. However, a few scenes later, it would very much remind of a filmed theater performance – the levels of overdramatization would go through the roof. This would happen a lot during the musical numbers, which sometimes made the movie seem like a live TV special, like Grease: Live! and Hairspray: Live! I wish the filmmakers would have picked one direction and followed it: either make La La Land into a fully modern or a fully traditional musical.

So, even though La La Land didn’t reach the quality of Singing in the Rain, it still had some pretty enjoyable sequences. A couple of my favorites were all the times when Ryan Gosling’s character played the main theme of the film. I also really like Gosling’s and Stone’s interaction during the ‘I ran’ performance. The dream sequence was also lovely and looked visually stunning. I liked The Messengers’ gig scene too. However, my favorite sequence was the dance with the city’s skyline in the background. 

Music

Justin Hurwitz was responsible for the soundtrack and I think he did a neat job. Although I’m not the biggest fan of jazz, I did appreciate its tunes and all the nostalgia surrounding them in this film. Other songs were beautiful as well but not catchy in that pop-music kinda way. Nevertheless, City of Stars is a magnificent song.

Acting

Ryan Gosling and Emma Stone made for a great lead duo. Their chemistry was amazing as usual, as this was not the first time they worked together – they have also started in Crazy, Stupid, Love (one of my favorite romantic comedies) and a passable thriller Gangster Squad. Both of the actors did a good job with their singing – theirs were not the best singing performances I’ve seen in a film but they weren’t the worst either. I absolutely loved the dancing, though. I don’t know if the two of them are going to win any big awards in the acting category but I could definitely spot a few scenes that were included in their awards reels. For Gosling, it could have been any of the piano playing scenes, while for Stone it was most likely the audition storytelling/singing sequence.

A few of my favorite Stone’s film are Easy A, Magic in the Moonlight, Irrational Man, and Birdman. Going forward, she has a sport’s comedy Battle of the Sexes listed for next year. Gosling’s best film are Blue Valentine, Drive, The Big Shortand The Nice Guys. He will star in the Blade Runner sequel next year.

The film’s supporting cast didn’t have much to do in the film, but I’d like to mention two individuals who stood out. First one was, of course, well-known singer John Legend – has was great. The second one – J.K.Simmons – it was nice of him to cameo in a different movie by Chazelle as Whiplash earned Simmons an Academy Award and it was nice of Chazelle to include him in the film for the same reason.

To conclude, La La Land was a gorgeous looking film with a nice story, lovely performances, and great music. However, I can’t recommend it as a must-watch as I think that only a very open minded audience would enjoy it. With musicals, like this one, you just have to go with everything and do not find the random bursting out into song moments awkward or uncomfortable.

Rate: 4/5

Trailer: La La Land trailer

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