Movie review: The Disaster Artist

Movie reviews

Hello!

I just saw a great movie about an awful movie. This is The Disaster Artist.

IMDb summary: When Greg Sestero, an aspiring film actor, meets the weird and mysterious Tommy Wiseau in an acting class, they form a unique friendship and travel to Hollywood to make their dreams come true.

Disclaimer: prior to seeing The Disaster Artist, I wanted to watch The Room – the film whose behind-the-scenes story is the subject of this movie. However, then I thought that I already have a never-ending list of past quality pictures that I need to watch but don’t have time for. So, The Room fell off the list without even making on it. But, maybe if I truly love The Disaster Artist, I’ll give The Room a chance too.

Writing

The Disaster Artist was written by Scott Neustadter and Michael H. Weber (the duo has previously adapted two John Green’s book to the big screen – TFIOS and Paper Towns, they are also writing the New Mutants film for the Marvel Fox division), based on the book The Disaster Artist: My Life Inside The Room, the Greatest Bad Film Ever Made by Greg Sestero (Dave Franco played him in the movie) and a journalist and a critic Tom Bissell. I enjoyed the writing for this picture very much. First of all, as a cinephile, I love all things related to movies, so a film about a different film is right up my alley. Moreover, I adore movies that celebrate other films and The Disaster Artist did just that. It wasn’t making fun of The Room or Wiseau but showed a certain kind of appreciation of and respect to it and him. Also, the fact that the movie didn’t go for the easy jokes, made The Disaster Artist so much better and funnier in its own kind of way.

The writing for Tommy Wiseau as a character for this movie was intriguing. I don’t know how accurate it was but it certainly worked for the film. The fact that Wiseau was trying really hard to make something he believed in and loved came across very clearly. His personal quirks (that have now become infamous) were present in the film too. However, the movie did not single them out more than necessary. What The Disaster Artist seemed to be more focused on were Wiseau’s insecurities and feelings behind the quirks. I drew a conclusion that he was somebody who wanted approval of others but on his own terms (basically, he wanted a friend who would understand him and it’s a good thing that he found one in Sestero. It’s cute that they still talk every day, if the text at the end of The Disaster Artist is to be believed).

Lastly, Wiseau, The Room, and now The Disaster Artist also expressed some neat ideas about cinema and human behavior (how one is the expression of the other). My main takeaway from the 2017’s biopic was the idea that the making of The Room was therapy for Wiseau. In addition, the watching of The Room seems to bring a feeling of catharsis for the viewers too (otherwise, why would they be watching it?).

Directing

James Franco directed The Disaster Artist and did an impeccable job (this film was actually my first introduction to him as a director). Not only did he recreate the scenes from The Room spot on (as evident in the credits side-by-side comparison) but he managed to balance out the film – keep it respectful but also funny. The opening interview montage, full of celebrity cameos, added a slight documentary feel to the movie, while the handled cinematography made it undeniably indie. The late 1990s/early 2000s soundtrack was fun (especially for somebody who grew up on that bad pop music). The funniest sequences of the feature, in my opinion, were the audition montage and the nude scene shoot. Lastly, the shots of the audience laughing while watching The Room felt very meta, as the actions of those moviegoers were mirrored by the audience of The Disaster Artist.

Acting

The Disaster Artist had a display of some bad acting from some great actors. James Franco not only directed the film but played the lead Tommy Wiseau (real Wiseau cameos during the end credits scene that nobody waits to see). I have enjoyed a lot of Franco’s dramatic roles before (like the one in 127 Hours) and I have liked some of his comedic work (he was hilarious in both Sausage Party and This is the End). I feel like, in this film, he combined all of his talents and delivered a brilliant dramatic and comedic performance. He nailed Tommy’s laugh and the vaguely Eastern European accent (though I’m not sure that Wiseau’s own accent is truly Eastern European – this comes from somebody who has spent years trying to lose her accent from the same region, so I think I’d recognize that particular accent in another person).

Dave Franco (Nerve, Now You See Me, The Lego Ninjago, Jump Street) played Greg Sestero and was really good too. He brought innocence and excitement to the role of the young Sestero (he was barely 20 or in his early twenties when shooting The Room). The Disaster Artist marked the first time that both Franco brothers appeared on screen together. Would love to see them collaborate on future projects!

Seth Rogen (Steve Jobs), in addition to producing the film, also had a role as Sandy Schklair, the script supervisor on the production of The Room. He was delightful to watch on screen: his scene about the check going through received a lot of laughs from the audience in my screening. Alison Brie starred as Amber, Sesteros’ girlfriend, while Ari Graynor played the actress who portrayed Lisa (yup, the same one that’s tearing Wiseau apart) in The RoomJosh Hutcherson (Mockingjay) and Zac Efron (BaywatchMike and Dave, We Are Your Friends) also both appeared as the members of The Room’s cast. They got a chance to recreate an incredible scene from The Room (that literally does not connect to anything else in that film) in The Disaster Artist.

In short, The Disaster Artist was an amazing movie that should be highly appreciated by any cinephile out there. Though it still did not fully convince me to watch The Room.

Rate: 4.5/5

Trailer: The Disaster Artist trailer

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Movie review: Nerve

Movie reviews

Hello!

Nerve – an original thriller in a sea of reboots, remakes and sequels – has finally hit theaters, so let’s talk about it!

IMDb summary: A high school senior finds herself immersed in an online game of truth or dare, where her every move starts to become manipulated by an anonymous community of “watchers.”

Writing

Nerve’s screenplay was written by Jessica Sharzer, who has mostly worked on TV until now. The script was based on Jeanne Ryan’s book with the same name, so it is not a totally original story, but at least it hasn’t been done on the big screen before. I absolutely loved the narrative of Nerve. I thought that it was probably the most contemporary thriller I’ve ever seen. Its topics were extremely relatable to all teenagers and young adults out there.

The cool update on the Truth or Dare game reminded me of YouTube Challenge videos and I think that the majority of the audiences of this film do watch YouTube and will understand where I’m coming from. On top of being extremely entertaining, the film also had some nice messages and things to say. It explored a modern friendship, full of jealousy and social stigmas. It showed the scary side of the Internet – the total loss of privacy – and cautioned its viewers to be careful. It also showed that computer skills and even hacking are useful traits to know in the modern world. Finally, the most important idea that Nerve spread was that one can be brave in the crowd or when he/she is protected by their username, however, the anonymous actions online have dire consequences in the real world to actual people and even oneself. This message should hang above everyone’s computer.

On a personal note, I loved the film Nerve because I could relate to it. I’m a kind of person who rarely takes risks or leaves her comfort zone, so I understood the character of Vee. In addition, being somebody who is usually in the shadow of her friends, I understood how the feeling of validation or acceptance can be intoxicating and addicting.

Directing

Nerve was directed  by Henry Joost and Ariel Schulman, who did the documentary Catfish and 3rd and 4th of the Paranormal Activity films. I really enjoyed the things they did with the project. The pace was always fast, so the story was unfolding non-stop. A small pause was taken before the big finale, but it didn’t seem like the movie slowed down – that break really built tension. When the actual finale of the film was happening, it did seem a bit over-the-top, but when everything was done and over, it somehow all worked. The actual visuals of the program, the various POV shots of the characters as well the POV of the game (webcam, front camera) were really cool and appropriate for the film. The end credits in the style of social media posts also rounded up the feature nicely. Nerve also had an amazing soundtrack, I was Shazam-ing all of the songs. It general, it reminded me a lot of a different film with a good soundtrack, which I saw at the end of last summer – We Are Your Friends.

Both WAYR and Nerve were obviously aimed at younger audiences because they explored the topics that actually interest teenagers – EDM and Social Media. The two films also had similar soundtracks, as I’ve mentioned. I also predict that both pictures will be similarly successful – they will either bomb at the box office or do okay, but then will dominate the streaming.

Nerve and WAYR also share similarities behind the scenes – they both were made by related people. Nerve was directed by H. Joost and A. Schulman, who did the Catfish documentary. This documental feature later had a spin-off TV show on MTV, created by Nev Schulman (brother of A. Schulman) and his business partner Max Joseph. Joseph had a feature film debut last year, directing none other but We Are Your Friends. So that’s some interesting behind the scenes trivia for you.

Acting

The film had a cast of up-and-coming actors who never really stuck with audiences.

Emma Roberts, who has been around forever, played the lead Vee and did a great job. Her chemistry with Dave Franco – another actor, trying to create a career for himself without the help of his family – as Ian was amazing as well. I first encountered Roberts in the early 2000s, in a Nancy Drew film. Lately, I’ve also seen her in Palo Alto and We’re the Millers. Later this year, she will also be in Billionaire Boys Club with a bunch of other young actors. Franco popped up on my radar in 2013’s Now You See Me and 2014’s Neighbors. He also starred in both films’ sequels. Dave Franco will now go back to working in the family and will star in his brother’s films Zeroville and The Masterpiece. Afterward, he has a comedy The Little Hours coming up.

The supporting roles of a film were kinda cliche but served their purpose. Juliette Lewis played the over-protective mother. Emily Meade starred as the outgoing friend of Vee’s – Sydney, while Miles Heizer was Tommy, Vee’s friend who secretly had a crush on her. The rapper Colson “Machine Gun Kelly” Baker starred as Ty, a fellow player of Nerve and was quite an interesting character. A bit cartoonish, but entertaining nonetheless.

The film also had a cameo, which I, as a fan of Youtube, really appreciated. The filmmaker and daily vlogger Casey Neistat made a small appearance in the movie and his presence actually made sense.

All in all, Nerve was an entertaining picture, that had a surprisingly serious cautionary message. It had a great cast, interesting visuals, and a perfect pop soundtrack. I wouldn’t be surprised if the app like Nerve will be created in a near future. For now, we at least have Pokemon Go.

Rate: 4,25/5

Trailer: Nerve trailer

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