Movie review: Justice League

Movie reviews


Welcome to the review of the most polarizing movie of the year. Is anyone even surprised that the said divisive film is just another entry into the DCEU? This is Justice League.

IMDb summary: Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy.

Before moving on to the actual review, I wanted to give you my brief thoughts about the DCEU in general. When Man of Steel came out in 2013, I barely paid any attention to it because I wasn’t into comic book movies much (had watched some Marvel ones and enjoyed them but was still oblivious to the bigger universe). However, 3 years later (in 2016), I had already become a huge fan of MCU, had familiarized myself with the DC character on TV and had started to read comics regularly. Needless to say, I was looking forward to Batman v Superman and Suicide Squad. Both films left me sort of baffled. While I wasn’t a fan of the dark/grim atmosphere, I could understand it as a creative choice. What I couldn’t forgive was the messy and unfocused storytelling. Then Wonder Woman came along and was a breath of fresh air (with a meh third act). Now, Justice League is coming together for the first time on the big screen and I have mixed feelings even before I see it. I care about these characters, because I have been dazzled by them in the comics (I read way more of DC than I do Marvel), have caught up with them every week on TV (The Flash) or in animated films (DC animation used to be so good before it started going sideways with The Killing Joke debacle and Batman and Harley weirdness) and even though the movies themselves were flawed, I have enjoyed seeing these versions of Batman and Wonder Woman (somebody please fix Superman, though). I go into the screening hoping for the best while also worrying about the worst.



Justice League’s screenplay was written by Chris Terrio (the writer of Argoand BvS, while Zack Snyder helped out with the story. Joss Whedon (Avengers 1 and 2) also received a screenplay credit but it’s not really clear whether he got the credit because he actually changed some of the narrative of the film or just because he couldn’t get a co-directing credit together with Snyder. Anyways, I thought that the movie’s writing was a mixed bag.

Let’s start with the set-up. I highly enjoyed a lot of its elements but didn’t necessarily think that they all jelled well. The film’s set-up had two main goals: to introduce the new characters and the establish the team and to develop a villain for the story. The introductions of the new characters – Flash, Aquaman, and Cyborg – were brief but effective. Still, if these characters had solo movies prior to this film, I believe I’d have had a stronger connection to them. Since I already knew this universe’s version of Wonder Woman and Batman (BvS was basically his solo film), they were my favorites of the group.

The dynamics within the team were really neat. I liked the different pairings, the contrast between the rookies and the seniors, and the humor within the group. That last thing felt like an obvious influence of Joss Whedon. What I could have done without was all the sexual nods between Diana and all other members. I wouldn’t have minded a few of them, but the constant stream was not welcomed by me.

Speaking of the villain, Steppenwolf served his purpose but wasn’t amazing. What boggled me was the fact that the DCEU is or was supposed to be this realistic and sophisticated reimagining of the DC characters. And yet, all their villains have been super comic book-y and in no way fitting for the tonne of the franchise. The fact that the main villain had a disposable army, like in all the other comic book films, didn’t bode well for the picture either. Having said that, the army of parademons at least had a trait to make them more interesting – they were feeding on fear – and they also served a bigger purpose in the final act (a.k.a. took down Steppenwolf when he experienced fear).

Justice League also had a plethora of references to the future DCEU projects and I immensely enjoyed spotting them. The more into comics I get, the more Easter Eggs I recognize. I also love to research the references I didn’t spot. Honestly, a huge part of watching these films is reading/watching the coverage of them after the actual screening. Speaking about the future of the DCEU, Justice League had an ending that felt like an answer to the critique of the grimness of the franchise. The sense of hope for the future was established. Now, let’s just pray that the box office numbers allow the DCEU to deliver on their promise of course correction (the opening weekend’s numbers have not been great).


Zack Snyder (300, Watchmen, Sucker Punch) helmed the movie during the principal photography, while Joss Whedon directed the reshoots and was responsible for the final edit. The film that premiered in cinemas around the world was an amalgamation of the talents of both these filmmakers. Snyder’s input was evident in the actions scenes, while Whedon’s influence shined in the aforementioned humor of the feature.

Speaking of the action, the team had 3 big action scenes (the individual characters had some smaller action scenes in addition to the 3 team ones). The action sequence underneath the Gotham harbor was neat and a great first showcasing of the team’s powers together (I loved how the seniors Wonder Woman and Batman were doing the majority of the fighting, while the rookies Flash and Cyborg were more about helping the civilians). The Superman v League fight wasn’t bad either. The final action scene was entertaining but I wish it was more epic and more massive in scope. Well, at least they have some space to grow in the following pictures. They also have a lot of space for the improvement of the CGI: it should have been way more photorealistic. Overall, my favorite action scene did not even involve the Justice League themselves. It was the sequence on Themyscira that I found the most inventive and the most enjoyable.

The movie’s runtime has been cut short. What was supposed to be a 2.5 hours film, ended up being less than 2 hours. The set-up felt like it was missing some scenes and that’s why it might have felt choppy. However, the fact that the picture was shorter than expected, made it feel really quick and more fast-paced than it actually was/might have been. Nobody can say that it dragged.

The credits scenes

Justice League had a mid-credits scene consisting of the race between The Flash and Superman – an iconic moment from the comics that was replicated only recently on DCTV with Supergirl and The Flash. The post-credits scene was a hint for the future alliance of the villains and also introduced the viewers to Deathstroke (who just appeared on DCTV/Arrow last/this week).


The DCEU casting choices have been their best choices concerning the series. Let’s go over the main players as well as their supporting characters.

  • Ben Affleck (The Accountant, Gone Girl) was great as Bruce Wayne / Batman. I really enjoyed his speech about his lack of humanity. Jeremy Irons (High-Rise, Assasin’s Creed) was neat as Alfred Pennyworth, while J. K. Simmons (The Snowman, Renegades, Patriot’s Day, La La Land) had a couple of scenes as James Gordon. I really want that Batman solo film to materialize and see more of these actors in the iconic roles.
  • Henry Cavill (The Man from U.N.C.L.E., Sand Castle) appeared as Clark Kent / Superman, while Amy Adams (Arrival, Nocturnal Animals) reprised her role of Lois Lane (the big guns). Cavill’s infamous mustache was very noticeable and his face looked really wonky in half of the shots. Subsequently, a lot of Superman’s scenes were distracting. However, he didn’t have much of them in the film. He is the character that has appeared in the biggest numbers of movies in the franchise, so we have already been exposed to him a lot. What I did like about Cavill’s performance in Justice League particularly was the fact that he was allowed to be positive and happy to be alive (in contrast to moping and feeling sorry for oneself).
  • Gal Gadot came back as Diana Prince / Wonder Woman and was as perfect as ever. I really want to see her in more movies, outside this or Fast&Furiousfranchises. Connie Nielsen briefly appeared as Hippolyta. I loved that moment with the signal fire for Diana.
  • Ezra Miller (Fantastic Beasts) as Barry Allen / Flash was the standout of the new characters and that was mostly due to Miller’s comedic talents. His enthusiasm was infectious and his reaction faces just hilarious. His love interest Iris West was set to be played by Kiersey Clemons (Flatliners) but was cut from the final film. We did get an intro to Barry’s father Henry Allen played by Billy Crudup (Alien: Covenant), though. That The Flash solo movie might actually be really good and could compete with the TV show.
  • Jason Momoa played Arthur Curry / Aquasman. I loved Momoa in the role but wish he was given something more to do with it. I’m hopeful about his solo movie, though. Amber Heard (Magic Mike XXL, The Danish Girl), who was introduced as Mera, will also re-appear in it.
  • Ray Fisher starred as Victor Stone / Cyborg and was probably the character most integral to the plot of the film. I didn’t know much about Fisher prior to this movie but was really impressed by his performance. He brought heart and soul to Cyborg – qualities which only a good dramatic actor can portray well.
  • Ciarán Hinds (GOT’s King Beyond the Wall) did the motion capture of and provided the voice for Steppenwolf. He was good enough in the role but I do wish that the design of the character would have been more interesting.

In short, Justice League was the second best film in the DCEU (and while it’s not much, it’s something). It had some great character moments (both action and humor ones) but was still plagued by the wider problems of the whole series. Nevertheless, the future is hopeful.

Rate: 3.5/5

Trailer: Justice League trailer



Movie review: Spider-Man: Homecoming 

Movie reviews


The 3rd cinematic reimagining of the Spider-Man character has reached cinemas in a form of Spider-Man: Homecoming. Let’s see whether third time’s a charm!

IMDb summary: Peter Parker, with the help of his mentor Tony Stark, tries to balance his life as an ordinary high school student in New York City while fighting crime as his superhero alter ego Spider-Man when a new threat emerges.



Spider-Man: Homecoming was written by 6(!) people and it wasn’t a mess. The scriptwriters included the comedy writing duo Jonathan Goldstein and John Francis Daley, the director Jon Watts, Christopher Ford (who wrote Robot & Frank), Chris McKenna (he worked on The Winter Soldier), and Erik Sommers (wrote The Lego Batman Movie).  The script was a perfect blend of two coming of ages stories: one of growing up into an adult and the other one of evolving as a hero. I loved the two narratives separately as well as how they worked together.

The Spider-Man side of the story was, thankfully, not an origin story, but still showed the character’s beginnings (Year One, basically). I loved the inclusion of the ‘Training Wheels Protocol’ and also enjoyed seeing that handful of moments of Spider-Man failing – they added a lot of realism and believability to the character. The plotlines concerning Peter Parker were also great. The advertised John Hughes-like feeling was actually present in the film and did work (we even saw a scene from Ferris Bueller’s Day Off playing on TV)! I also loved how the high school setting and the student characters were realized. Those awkward commercials were spot on, while the students weren’t just walking stereotypes – they were actually multidimensional. Flash was a popular rich kid, a bully, and a nerd (or at least a wannabe one), Liz was the ‘pretty girl’ who was also smart and a great leader, and MJ was a mixture of a nerd and a hippie. My favorite supporting character was Ned cause I could relate the most to him. I mean, I was making the Lego Star Wars figurines a day before I saw the movie. I also loved his unapologetic excitement about the amazing things that were happening to Peter cause that’s how I feel about Marvel movies. Peter’s family’s plotline also worked. I loved how the screenwriters acknowledged that everyone online loves the new Aunt May by making other characters (not just Tony Stark) flirt with her. I also liked how the death of Uncle Ben wasn’t pushed but only mentioned in passing.

The feeling of a wider MCU was also there but all the tie-ins did not overshadow the standalone narrative of the film. Iron Man was, once again, kinda to blame for the creation of a new villain (the trend continues), but the character himself did not appear much on screen. He didn’t even have a full-on action scene, only a small one. I did, however, really love his and Peper Pots’s moment at the end. In addition, the idea to set the movie’s opening during the Civil War, but to show it from Peter’s perspective, was superb. Not only was that whole sequence funny, but its format – the vlog – was so appropriate for a high schooler and the tone of the picture. The fact that Vulture’s tech was made from the scraps from the previous MCU battles was neat too. I also loved how, by the time Homecoming rolled around, he has been doing his thing for at least half a decade already. However, I wish that the new Stark’s Damage Control Firm would have consisted of the characters from Agents of S.H.I.E.L.D. because there have been episodes of the show were those characters cleaned up the mess left by the Avengers. This would have a been a perfect moment to finally allow them to appear in a movie.

Finally, the two big reveals of the film were great too. I did not expect Vulture to be Liz’s dad (need to brush up on my comic book knowledge). The twist in the end fight, where Peter had to save Vulture rather than fight it, was brilliant too.


Jon Watts directed Spider-Man: Homecoming (he also co-wrote it) and did a spectacular job. This was only his 3rd feature film but he just absolutely nailed the realization of the character. The youthful vibe and the contagious energy were perfect. The sweet moments and the funky fast pace worked too. The way the intense action scenes co-existed next to the high school awkwardness was just wonderful. The action sequences were extremely cool and entertaining too (I just wish we haven’t seen big parts of them in the trailers). They had the staple Spider-Man swings but were also fresh and exciting. The 80s style credits were a nice finish as well. Watts also did a good job of integrating a character into the broader MCU while also showing the daily life and the ground level work that Spider-Man did on the streets. Homecoming was basically a PG version of the Marvel Netflix’s shows.

In summary, I can’t really explain it, but the experience of watching Spider-Man: Homecoming was one of pure fun. This film made me realize why Spider-Man is the best selling and the most popular Marvel character (or even the most popular superhero ever).

The credits scenes

Spider-Man: Homecoming, like all superhero films, had a few extra scenes during the credits. The mid-credits one worked as an epilog for the standalone story of the film and expanded on the character of Vulture, by showing that he has an honor code. The post-credits scene was a continuation of the gag involving Captain America. Cap broke the 4th wall and praised the fans for their patients, while also making a fun of them. The 4th wall breaking joke did work in a Spider-Man film because of who the character is and because of the funny tone of Homecoming (however, it wasn’t as appropriate as it were for Deadpool).


After blowing everyone away as Spider-Man/Peter Parker, Tom Holland (In The Heart Of The Sea) has grown into the character and has become the best version of the character I have seen on film. He was actually believable as a high schooler, a nerd, and the friendly neighborhood Spider-Man. Peter’s classmates, played by Jacob Batalon and Tony Revolori (The Grand Budapest Hotel), were really good too, as the best friend and the bully, respectively. Laura Harrier played the love-interest, while the highly discussed role of MJ, played by Zendaya (who will soon star in The Greatest Showman), was just a slightly bigger than a cameo. Angourie Rice (The Nice Guys) also had a cameo appearance as a potential love interest in the later films.

The ex-Batman and ex-Birdam Michael Keaton (Spotlight) donned another comic book costume inspired by a bird and nailed the villainous role. He was menacing but also someone that a viewer could identify with. Marisa Tomei was good and her aunt-nephew relationship with Peter was believable and cute. Donald Glover’s (The Martian) involvement in the film was a nice thank you for all his work in attempting to bring a Miles Morales/Spiderman film into existence. Lastly, Robert Downey Jr. (The Judge) reprised the role that has basically become an extension of himself but, thankfully, he didn’t steal the scenes he was in but rather embellished them. Jon Favreau’s (Chef, The Jungle Book) return as Happy Hogan was just delightful – he was in more of the film than RDJ and that actually worked in favor of the picture and made more sense for the story.

In short, Spider-Man: Homecoming is a triumphant return for the character of Spider-Man. Finally, the justice has been done and we have the perfect Spider-Man film. I, honestly, can’t remember the last Marvel stand-alone movie I loved this much (and Civil War doesn’t count, that was a team-up).

Rate: 4.8/5

Trailer: Spider-Man: Homecoming trailer