The Awards Season Round-Up 2017

Movie previews, Movie reviews

Hello!

With the Oscars happening tomorrow and the 2017 awards season coming to a close, I decided to do my own annual awards round-up type of a post.

Like I did last year (2016 round-up), I have combined the nominees from the various awards shows. Although the Oscar nominees make up the basis for all the categories, I have also added nominees from the Golden Globes, the Critics Choice Awards, the BAFTAs and the various guild awards (SAG, DGA, PGA, WGA) that the Academy overlooked. I allowed myself up to 10 nominees in every category except the best picture one – it was expanded to 12. I have not only noted my personal winners in each category but I also ranked all the runner-ups. Below, I have also written down my guesses of who will actually win an Academy Award in each category, because my subjective preferences not necessarily fit my more objective picks. Lastly, all the full reviews of the movies have also been linked.

Best Picture:

  1. Hidden Figures
  2. Arrival
  3. Hacksaw Ridge
  4. La La Land
  5. Hell or High Water
  6. Manchester by the Sea
  7. Moonlight
  8. The Lobster
  9. Nocturnal Animals
  10. Fences
  11. Lion
  12. Sully

The objective pick: While I’d be very happy if any of my top 3 films win the big award of the night, neither of them will. Best Picture will probably go to La La Land. Moonlight is my other guess.

Best Lead Actor:

  1. Andrew Garfield – Hacksaw Ridge
  2. Denzel Washington – Fences
  3. Casey Affleck – Manchester by the Sea
  4. Collin Farrel – The Lobster
  5. Ryan Gosling – La La Land
  6. Chris Pine – Hell or High Water
  7. Viggo Mortensen – Captain Fantastic
  8. Joel Edgerton – Loving
  9. Tom Hanks – Sully

The objective pick: the top three frontrunners for the award are Affleck, Gosling, and Washington. Gosling would be my choice because of the wide variety of skills required for his particular role (playing piano, dancing, and singing on top of acting).

Best Lead Actress:

  1. Isabelle Huppert – Elle
  2. Taraji P. Henson – Hidden Figures
  3. Ruth Negga – Loving
  4. Natalie Portman – Jackie
  5. Emma Stone – La La Land
  6. Amy Adamas – Arrival/Nocturnal Animals
  7. Meryl Streep – Florence Foster Jenkins
  8. Emily Blunt – The Girl on the Train

The objective pick: My personal winners – Huppert, Portman, and Stone – are the frontrunners for the Oscar. Stone will most likely take it even though Huppert does have a chance of stealing it. Portman deserves the win as well but she already has an Oscar.

Best Supporting Actor:

  1. Mahershala Ali – Moonlight
  2. Jeff Bridges – Hell or High Water
  3. Aaron Taylor-Johnson – Nocturnal Animals
  4. Lucas Hedges – Manchester by the Sea
  5. Dev Patel – Lion
  6. Michael Shannon – Nocturnal Animals
  7. Simon Helberg – Florence Foster Jenkins
  8. Hugh Grant – Florence Foster Jenkins

The objective pick: Ali should win this one. Patel, coming off of BAFTA win, might prove to be a legit competitor. Bridges or Hedges could also possibly steal the win.

Best Supporting Actress:

  1. Viola Davis – Fences
  2. Janelle Monae – Hidden Figures
  3. Naomie Harris – Moonlight
  4. Octavia Spencer – Hidden Figures
  5. Michelle Williams – Manchester by the Sea
  6. Nicole Kidman – Lion

The objective pick: this is one of the two categories, where my subjective and objective choices are one and the same. Davis has won all the important awards up until now and it is obviously her time to finally get an Oscar.

Best Director:

  1. Damien Chazelle – La La Land
  2. Denis Villeneuve – Arrival
  3. Mel Gibson – Hacksaw Ridge
  4. Barry Jenkins – Moonlight
  5. Tom Ford – Nocturnal Animals
  6. Kenneth Lonergan – Manchester by the Sea
  7. David Mackenzie – Hell or High Water
  8. Denzel Washington – Fences
  9. Garth Davis – Lion

The objective pick: the other category, where the objective and subjective winners coincide. Chazelle did a great job directing La La Land and, even if the film wasn’t my favorite of the year, his excellent work should be rewarded.

Best Original Screenplay:

  1. Yorgos Lanthimos and Efthimis Filippou – The Lobster
  2. Taylor Sheridan – Hell or High Water
  3. Kenneth Lonergan – Manchester by the Sea
  4. Damien Chazelle – La La Land
  5. John Carney – Sing Street

The objective pick: La La Land has won a few screenwriting awards but, if it wins the Academy Award, I will be furious. The story was the weakest part of the film and I’ll, genuinely, be happy if any other picture wins.

Best Adapted Screenplay:

  1. Eric Heisserer – Arrival
  2. Allison Schroeder and Theodore Melfi – Hidden Figures
  3. August Wilson – Fences
  4. Tom Ford – Nocturnal Animals
  5. Jeff Nichols – Loving
  6. Luke Davies – Lion
  7. Barry Jenkins and Tarell Alvin McCraney – Moonlight
  8. Todd Komarnicki – Sully

The objective pick: This category has the most equal race. Honestly, any nominated film deserves it. The Academy might give this win to Hidden Figures as they probably not gonna give it any other awards.

Best Animated Feature: 

  1. Zootopia
  2. Kubo and the Two Strings
  3. Moana
  4. Sing
  5. Finding Dory
  6. Trolls

The objective pick: I haven’t seen the 2 indie picture that were nominated but, that doesn’t really matter because Zootopia will take the win, as it should.

I hope you enjoyed flicking through my list of winners. Are you planning on watching the big show tomorrow or are you just gonna check who wins online, like I’m planning to do?

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Movie review: Jackie

Movie reviews

Hi!

Welcome to a review of the best 1960s film made in the 21st century. It’s Jackie.

IMDb summary: Following the assassination of President John F. Kennedy, First Lady Jacqueline Kennedy fights through grief and trauma to regain her faith, console her children, and define her husband’s historic legacy.

Writing and Acting: the main character and the lead actress

Like I did in the review of Elle, I’m going to combine the writing and the acting parts of this review because like Isabelle Huppert and Elle, Jackie and Natalie Portman are inseparable. Also, when watching Elle, I was sure that Huppert will take the Oscar for playing the titular character. Now, having seen Portman’s performance, I’m not that sure. Honestly, I’d be happy if either of them wins because they both deserve it. Portman already has an Academy Award for Black Swan, while it would be the first one for Huppert.

Anyways, let’s focus on Jackie. The picture’s screenplay was written by Noah Oppenheim who previously wrote some so-so YA adaptations, like The Maze Runner and Allegiant. I can’t actually comprehend how he could be the one who wrote all of these differents scripts. Not only are these films all very varied but the quality of the writing also differs drastically, with Jackie, obviously, being his best script yet. He did win ‘Best Screenplay Award’ at the 73rd Venice International Film Festival for it, so that should tell you all you need to know.

Speaking of the writing in more detail, the picture’s narrative was located in a limited timeframe and had a deep focus on the specific events. The movie was structured as a real-time interview with incorporated flashbacks. It portrayed Jackie as a complex and multifaceted individual. The differences between her public and private persona and between the pre-incident and post-incident Jackie were just fascinating to watch.

I’ve always imagined Jacqueline Kennedy as being sort of innocent, poised, and feminine figure. However, in truth, she was very much a strong-willed individual whose public appearances were always performative. Especially after the assassination, there seemed to be a certain amount of bitterness in her being that might have risen from the feelings of self-guilt. Her relationship with her husband was certainly not easy, with JFK having multiple affairs, but, in the end, she did love him and witnessed him being murdered in her arms. The film also raised the political questions of legacy (both hers and his) and also commented on the famous Camelot parable, but also showed Jackie’s more personal side through her adoration of arts and history, so kudos to the scriptwriter for showing multiple sides of the character/the real person. However, it was Natalie Portman who carried this movie and absolutely nailed the performance. The way she manipulated the different layers of the character and the way she transformed her look, behavior and speech were just magnificent to watch. Jackie would go from episodes of almost panic to showing imaginable strength in a heartbeat, so Portman was able to display a wide variety of her acting skills. She played Jackie as so much more than merely a President’s wife because she was indeed so much more than just that.

Directing

A Chilean director  Pablo Larraín, with whose previous work I’m sadly not familiar with, directed Jackie and did a spectacular job. I loved the temporarily appropriate aspect ratio and the whole old-school feeling of the film. The documentary-like handheld camera work for the flashbacks and the steady mostly 180° shots for the interview sequences also worked. The fact that the interview was shot from the straight-on perspective made the actors’ performances even more effective. The viewers could feel like Jackie was basically speaking directly to them/at them. The filmmakers’ choices of music were also interesting (soundtrack by Mica Levi). The instrumental theme of the picture was very classic with a slightly modern edge. A few moments of it reminded me of the sounds one would hear in a neo-noir thriller.

The supporting cast

The secondary roles of the film (as famous as the role of Jackie herself) were played by moderately known actors. Peter Sarsgaard starred as Robert F. Kennedy, Greta Gerwig played Nancy Tuckerman, Billy Crudup was Theodore H. White/The Journalist, and John Hurt appeared as Father Richard McSorley. The casting director also did a good job in finding an actor who looked quite similar to JFKCaspar Phillipson. Granted, he appeared in only a handful of scenes, but since everybody knows how JFK looked in real life, it was nice to see the picture trying to be as accurate and as seamlessly realistic as possible.

In short, Jackie was a great personal biopic that showed the complexities of the JFK’s assassination’s aftermath and neatly spotlighted the woman who was in the middle of all of it – Jacqueline Kennedy (Onassis)Portman’s performance as the titular character was just brilliant and spectacular.

Rate: 4.2/5

Trailer: Jackie trailer

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Movie review: Elle

Movie reviews

Hello!

The awards season is usually dominated by American and British films, while the non-English language pictures tend to be relegated to the Best Foreign Film Category. However, sometimes a movie escapes this section and gets wider recognition. The French language films (or pictures made by the French) are the ones that succeed at this the most often (The Artist, Amour) and 2016’s Elle is hoping to one of them.

IMDb summary: A successful businesswoman gets caught up in a game of cat and mouse as she tracks down the unknown man who raped her.

Writing and Acting: The main character and the lead actress

Elle is getting the most recognition for the performance of the lead actress – Isabelle Huppert. The film’s story revolves solely around her as the titular character. At first glance, the movie appears to be just another rape victim story that so often gets reduced to just being the awards bait for great actresses (like Downton Abbey’s rape plotline for Joanne Froggatt’s character). However, the character of Elle is so much more than a rape victim: she is complex and multifaceted and so much more than just the victim of her incident. The great Isabelle Huppert meticulously maneuvers this labyrinth of character traits and delivers a mesmerizing performance. And even though I would love for the Academy, the various guilds, and the Hollywood Foreign Press Association to recognize actresses that play more contemporary strong female characters, I cannot be that mad at them for rewarding Huppert, as she both conforms to the needs of this traditional role and also confronts them.

Now, let’s go over the writing for the main character in more detail. The script was penned by David Birke, based on the novel ‘Oh…’ by Philippe Djian. While I did not necessarily agree with all of their ideas, the film’s writing certainly raised questions.

  1. The fact that the female character is reluctant to speak out and treats the whole situation almost nonchalantly does not set the best example. The romanticization of the rape (Stockholme Syndrome) could also be seen as a problematic or at least a controversial choice.
  2. And yet, I applaud the film for being open about women’s sexual lives. This topic is becoming less and less of a taboo, especially, when films like Fifty Shades of Grey are being made, are seen by many, and then are discussed online (even if not in the most productive way).
  3. While the role of a rape victim might appear as a very traditional female role, the film’s complex commentary on rape and consent is really contemporary and extremely relevant.
  4. The background writing for the main character is super unique too because the female lead is portrayed as working in the field of video games. I don’t think I can name another film with a female character working in such a stereotypically male field.
  5. The personal background of the main character is super rich too. All the different relationships are super complex and interesting separately but the interconnectivity of them is the thing that makes them realistic and even more interesting. The father-daughter relationship affects mother-daughter relationship, while the friendship between the two co-workers suffers because of the cheating.
  6. The fact that the main female character is open to the idea of having multiple lovers and at least a dozen of admirers (employees) was not only a fresh development in the portrayal of female characters but also makes it more believable that this silence and nonchalance would be the way for her to deal with the incident (even if I don’t personally agree with her decisions).
  7. The fact that her father was a murderer and that she might also have violent tendencies adds another interesting layer to the character. Her jealousy and selfishness that would sometimes result in despicable and frankly creepy actions made it hard to see her as a victim but I also think that this might have been a conscious choice. This might show that bad things happen to bad people too or that the victimization or the sainthood of the victims are fickle facades that might not actually be true.

Directing

A well known Dutch filmmaker Paul Verhoeven, best known to the mainstream audiences as the man behind such films, like Total Recall and Showgirls, directed Elle and did a magnificent job. He unfolds this story brilliantly: the viewer is dropped into the film’s world straight up, without any set-up. The rape is showed in the first sequence and later on revisited and showed from different perspective and angles to not only enhance its effect but also to show the different outcomes of it. The whole ‘cat and mouse’ game is also realized neatly: it is slow but suspenseful and intense. The film is truly a psychological thriller with some elements of a great scary movie. It reminds me of Gone Girl, The Girl with a Dragon Tattoo, and Panic Room. And yet, it differs from these American films in its atmosphere: European films always seem realistically glamorous instead of being cinematically glamorous. The level of sophistication is also much higher.

Supporting Cast

The film has an extensive supporting cast full of European talent. The secondary roles are filled by Christian BerkelAnne ConsignyVirginie EfiraLaurent LafitteCharles Berling, Alice IsaazJudith Magre, Jonas Bloquet, Vimala Pons and Lucas Prisor and all of them do a fabulous job.

To conclude, Elle is either empowering or subversive and either traditional or contemporary (or both in both cases) film with a complex female lead who is brought to life by the astonishing Isabelle Huppert whose performance is subtle and restrained but still extremely powerful.

Rate: 4.5/5

Trailer: Elle trailer

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R.I.P Oscar de la Renta

Beauty&Fashion

Yesterday, the world has lost a truly inspirational and iconic designer – Oscar de la Renta. He died at age 82 from cancer. Throughout his life, the Dominican designer worked with Cristobal Balenciaga, dressed first lady Jacqueline Kennedy and established his company in New York in 1965 – that’s only a few of his many achievements.
De la Renta’s signature was timeless femininity in his designs: elegant and flattering silhouettes, full girly skirts, dresses cinched at the waist, floral patterns and soft, pastel colors. His ready-to-wear creations made label Oscar de la Renta known and beloved by many celebrities, he was an inspiration to other designers and an idol to the simple fans of fashion, like me. Although my personal style is quite masculine and edgy, I adore the softness and feminine feeling Oscar’s clothes bring. I don’t think I could pull off such grace and delicacy.
In honor of Oscar de la Renta, I decided to share with you my favorite designs from his collections (pre-fall, fall, spring and resort) from these past few years (2011-2015). Photos are taken from style.com site.

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Collection: Magazines

Beauty&Fashion

Hi!

I have previously shared my nail polish collection and posters/quotes collections with you. This time, I will show you my magazine collection and boy; I do have a lot of magazines.

My collection consist of 71+ magazines, most of them are fashion and art journals, but there are also a few lifestyle ones. If you look closely, you might find couple of political magazines as well.

Lithuanian magazines:

Cosmopolitan Lithuanian version – I usually buy these if a celebrity I like is on the cover.

L’OFFICIEL – a Lithuanian version of a popular French fashion magazine – I get them cheaply at a book fair in spring. Of course, they are a couple of months old, but I get all the latest fashion news from other sources, so it’s nice to flip through them even if they are out of date.

MADA (Fashion) magazine – well, these magazines should belong in a museum, because they are from 2007-2009. They were the predecessors of L’OFFICIEL magazine in my country. My old school’s library actually gifted them to me for volunteering there.

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American magazines:

Teen Vogue – about two years ago, my aunt gifted me the subscription of this magazine and I have been a loyal subscribed for 2 whole years and I am currently waiting for the first issue of my third year as a subscriber.

Seventeen – the same story as with Teen Vogue. However, I grew out of this magazine (and I only turned 17 like two months ago); it repeats a lot of the same themes and features the same stars on the cover.

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  1. British magazines:

VOGUE UK – the first issue of Vogue was actually a gift from my friends for my 15th birthday because, back then, my biggest dream was to work in that magazine and one day I wished to become the editor-in-chief of it. Good old days when I knew what I wanted to do.

ELLE UK and Harper’s Bazaar UK and InStyle UK– I buy them if I am interested in the life and work of the celebrity who is on the cover. As you can see, I love Jennifer Lawrence, Amanda Seyfried, Candice Swanepoel and Emilia Clarke.

Glamour UK – I pick this one the same way I pick Elle or InStyle. However, I really enjoy the articles which they publish and how you can always relate to the problems which are discussed.

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  1. Miscellaneous magazines: I haven’t taken a photo of them because they are just so random.

Between them, you might find a STAR magazine from 2005 (found it at a flea market and picked it as a joke), special collector’s issue of People’s magazine featuring One Direction (a friend brought this magazine from South Korea). The last interesting item is Citizen Today magazine about politics, economics and health care – don’t even ask me where I got it.

I hope you liked this little glimpse in one of few of my obsessions. Teen Vogue is definitely my favorite fashion magazine because it’s the most age appropriate for me.  When I need fashion advice, I always open it and find an inspiration to dress the way I like. For a quick life cheat – Glamour gives the best solutions and brings a smile to my face. Have a great week! Bye!

Style inspiration: skater skirt !

Beauty&Fashion

Hello everybody, how is your Saturday?

For today I prepared a fashion post. So, while snacking on chocolate chip cookies I am going to tell you about the most versatile clothing item ever invented. in my opinion, this well-deserved  tittle goes to the skater/circle skirt. It comes in variety of colors and flatters every body shape. My skirt is black, because it is my favorite color (keep in mind, I am no goth:) and I am going to show you two ways how to style it. Inspiration for these looks comes from a TeenVogue magazine, which celebrates individuality and simplicity while looking gorgeous and true to yourself. So here we go.

The main piece – black skater skirt is form NewYorker.

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1.Style – Sporty/Edgy

ImageAs InStyle magazine maintains, classical denim with a worn out look is on trend again. The collar shirt is from H&M and I rolled up the sleeves to give it more of a grungy look. The shoes are simple sneakers in a bold color (any tennis shoe would work here too). Accessories: stud bracelets I have made myself – they add an edgy touch and a sparkly grey broach in a shape of lizard is from FashionZone. It gives a bright and vibrant feel to the neck area without being to much. Statement necklace ,in this case, would not work, because it would just overcrowd the top of the outfit.

2. Style – Glamorous, but still Comfortable

ImageThe top of the outfit is this simple grey T-shirt with interesting ruffles on the sleeves. Brand – Madonna’s MaterialGirl. Shoes are last year’s dark blue flats with studs. (However, flats are taking over the fashion world this year as seen on the runway of Simone Rocha and Rochas at fashion week). I bought mine in a local boutique. Accessories: statement necklace in white and black colors with a bit of sparkle – this was a gift from my aunt. Bracelet – another gift, but this time from my friend. It is a snake wrapped around a wrist like a Isabelle’s whip in the Mortal Instruments series (told you, I am a geek too).

So these are two of many ways how to style a skater skirt. If you are cold, you can add leggings or tights underneath both of these combinations Like I said, it flatters every body shape and everybody can make it their own. I know that I for sure will be styling this skirt in a variety of ways this summer and these two are just couple of them. I hoped you enjoyed this post and maybe it gave you some inspiration. Bye:)

Links: http://www.newyorker.de/en/fashion-lifestyle/  http://www.teenvogue.com/  http://www.instyle.co.uk/  http://www.fzone.lt/   http://materialgirlcollection.com/fall_2012/

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