Movie review: Bright

Movie reviews

Hello!

A Netflix Christmas offering – Bright – has landed on the beloved streaming platform. Let’s see whether it will make Christmas better or worse.

IMDb summary: Set in a world where mystical creatures live side by side with humans. A human cop is forced to work with an Orc to find a weapon everyone is prepared to kill for.

Writing

Bright was written by Max Landis – a screenwriter who is known for being ‘promising’ rather than for actually delivering quality work. In fact, only his debut Chronicle was worthy of attention, while the follow-ups American Ultra and Viktor Frankenstein were lackluster. Sadly, Bright is joining that list of disappointments.

Bright’s script had a lot of interesting layers, however, not all of the layers meshed together. To begin with, I appreciated the fact that Landis attempted to marry fantasy and modernism – two concepts that rarely work together, at least in my opinion. He also did a good enough job of building the world of his story, though, at times, the movie’s mythology seemed to have been made up as the story went along. The magic wand idea was silly but worked as a plot device. The idea of a bright or basically, a wizard, was an example of an old concept given a new name. The orcs and elves were cool additions, though I wanted to find out more about them – also, I’d have loved if they differed from humans more than just in their appearance.

Speaking about orcs, elves, human, and faeries – these different species provided the movie with some commentary on race and/or caste. Separate human racial comments also seemed to have been present in the film (a few lines about Mexicans being blamed for something suggested to me that there are separations not only between species but within human race itself too). The fact that elves were the top and orcs – the bottom castes made Bright seem a bit like Lord of the Rings in the modern era. Since the antagonism between the species appeared to have been rooted in history, one could theorize that Lords of the Rings is an imaginary prequel to Bright.

At its basic, Bright was a crime thriller with two cops (a rookie and a seasoned one – a Training Day pair) at its center. The focus on police officers allowed the movie to explore real problems within the force – discrimination, corruption, and coverups – in a fictional story. However, the movie’s narrow focus on its two leads was also a hindrance as all of the other characters were painted as one-dimensional villains to the two ‘heroes’. Bright had a tone of supporting characters with their own agendas and their sidelines did not jell well in the film but just sort of converged accidentally and resulted in a messy narrative.

Directing

David Ayer directed the film and did an okay job. He used to be a highly acclaimed critical director (the aforementioned Training Day, End of Watch, and even Fury were all critical hits), however, his career started going downhill with Suicide Squad and is not gonna fair any better after Bright (it has been deemed rotten, plus, the fact that Netflix is distributing it automatically makes it a lesser film to a lot of traditional people in the business). It’s a shame that Ayer wasn’t able to make Bright work as well as he could have as this movie was his safe space – a crime thriller – a genre he has worked and succeeded in before.

I loved the beginning of the visual world building – the opening sequence with the graffiti. However, I wanted Bright to have more unique settings throughout the rest of the picture. The action was good too, though it was mostly just typical gunfights. The pacing of the film wasn’t bad – Bright didn’t drag much.

Acting

The two leads of the film were played by Will Smith (Collateral Beauty), who I have already seen in this role many times, and Joel Edgerton (Midnight Special, Loving), who was the standout despite all that heavy make-up and prosthetics. The multiple villainous characters were played by Noomi Rapace (What Happened To Monday), who barely had any lines and was just mostly fighting – wonder how much of that was done by her and how much by the stunt double; Édgar Ramírez (Point Break, The Girl on The Train), who looked great – a real dapper elf – but didn’t have much to do; Lucy Fry, who had a somewhat redeeming role; Ike Barinholtz (he co-wrote Central Intelligence), whose character was absolutely repugnant, and Alex Meraz, who played a interesting gang leader, who seemed like the most unique chracter in the film.

In short, Bright was an okay picture at best that set out to accomplish a lot of things but felt short with most of them.

Rate: 3/5

Trailer: Bright trailer

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Movie review: The Girl on The Train

Movie reviews, Uncategorized

Hello!

The highly awaited adaptation of the best-selling thriller has finally reached cinemas, so let’s talk about it! This is the review of The Girl on The Train.

IMDb summary: A divorcee becomes entangled in a missing person’s investigation that promises to send shockwaves throughout her life.

The Girl on The Train is an adaptation of the book with the same name, written by journalist-turned-writer Paula Hawkins and published in January of 2015. It has taken Hollywood only around a year and a half to come up with the cinematic version of the same story. The book has been compared to Gone Girl – famous novel by Gillian Flynn (another former journalist, now a published author), but I would also suggest you check out the other two Flynn’s books – Sharp Objects and Dark Places – if you liked The Girl on The Train. J.K.Rowling’s first adult novel – The Casual Vacancy – might also be of some interest to you, as it explores similar topics to The Girl on The Train, namely the idea of the domestic affairs and the concept of the outside image. Another analogous book about a dysfunctional family that is on my to-read list is The Girl With The Dragon Tattoo and all its sequels.

To me, the dichotomy of private and public life was one of the most interesting aspects of the source material. The novel also appealed to my inner stalker – I, as the main character Rachel, like to watch strangers around me and imagine their lives or imagine myself in their place. I guess that tells you something about my less-than-stable mental state. I promise I’m not a drunk, though.

Last year, both Gone Girl and Dark Places have been adapted to films and The Girl with The Dragon Tattoo has been turned into a couple of movies (both in Sweden and the US) and I’m sure that the adaptation of The Girl on The Train will be compared to all of them. Some will even go as far as to compare it to Hitchcock’s classics, which isn’t really fair, in my opinion. But, enough of the introduction, let’s get into the actual review of the picture.

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!SPOILER ALERT!

Writing

The Girl on The Train’s script was written by Erin Cressida Wilson. She penned last year’s Men, Women & Children – the only recent film with Adam Sandler that I didn’t hate – I actually even enjoyed it. As per usual, some of the details of the story were changed when adapting the narrative. To begin with, the action was relocated from London to New York for no obvious  creative reason, other than to appeal more to the American audiences. I would have preferred it to be set in England – the gloomy and rainy London would have fit the story more than the city who never sleeps – NY. The screenwriter also cut a few of the creepier details that were in the book, namely a couple of messed up sex scenes. She also gave more traits to some characters: Rachel liked to draw and we actually saw her go to an AA meeting and Megan liked to go on runs. Cathy’s character was altered a bit too, while the character of Martha was an original creation for the picture. The role that the media played in the murder mystery was also diminished in the film.

Other than that, the characters pretty much stayed the same – they were all damaged people, some for a reason, others – without explanation. Then again, some people just are the way they are and there is no deeper tale behind their personality. Rachel basically was digging a hole for herself throughout the film, Megan was playing with fire and got burnt, and don’t even get me started on Anna – she was so willing to turn a blind eye to everything that she kinda made me sick. The 2 male character got a bit less of development but they were both kinda similar – abusive in one way or the other to some extent. Inspector Riley’s character was actually better in the film than in the book – she was super annoying in the novel and actually quite efficient and clever in the film, though she still went after a wrong person.

The narrative was more compressed in the movie than in the book, but all the main themes stayed the same: the desire to create a family was still the most driving plot point of the story (so stereotypical and one that I cannot understand or agree with, then again, I’ve never been family-orientated and this story only reassured my beliefs) and the private life and the public exterior were juxtaposed. The characters looked at each other for an ideal example and lived in a past way too much. The movie also showed the complexity and the dark side of relationships and love and looked at a very important aspect of the modern life – mental problems and depression.

Directing

Tate Taylor, whose previous films include The Help and Get on Up, directed The Girl on The Train and did a fine job. The camera was a bit static, but the visuals of the train in the background of various shots were nice. All the close-ups also worked to make the movie a bit more intimate experience. And yet, the film was quite slow and the numerous flashbacks didn’t really allow the story to go forward – it seemed like something was holding the movie back. The levels of intensity were also low and the buildup to the big twist was basically non-existent. Nevertheless, I did enjoy the big reveal even if I knew it beforehand. I wish that particular sequence would have been longer, though – the picture wrapped up really quickly when the real killer was announced to the audience and the characters. Overall, the directing was a bit flat and I wish Taylor would have done more with the material.

Music

The movie’s soundtrack by Danny Elfman wasn’t really noticeable (which sometimes is a good thing). I liked the instrumental score but wished they used more actual songs. For one, I really liked the trailer’s song Heartless and that comes from a person who highly dislikes Kanye West.

Acting

  • Emily Blunt (Edge of Tomorrow, Into the WoodsSicarioThe Huntsman) as Rachel Watson was absolutely amazing. She played such a believable drunk person – her performance was never over-the-top or too cartoonish. She basically carried this whole movie by herself and I really wish that her work in this film would be recognized with at least a Golden Globe nomination. Her 2 upcoming film are both animated but I’m sure that we will soon get a few announcements about her being cast in some live-action flicks.
  • Haley Bennett (Hardcore Henry) as Megan Hipwell was also really good. She reminded me a bit of both Jennifer Lawrence and Rosamund Pike. Furthermore, Bennett’s acting range is amazing – the character of Megan was completely different from her last cinematic character in The Magnificient Seven. Would love to seem more of her work.
  • Rebecca Ferguson (MI5, Florence Foster Jenkins) as Anna Watson was also great. While reading the book, I really disliked Anna and thought she acted a bit creepy and Ferguson portrayed that well.
  • Justin Theroux as Tom Watson. Theroux played a good villain – that of the worst kind. He seemed to be a good husband and father on the outside, but deep down was a manipulative liar, who managed to believe his own lies, and had no regard for other people’s mental or physical lives. While reading the book, I guessed that he was the killer when I still had around 50 pages left to the big reveal. He just seemed too normal to be a character in the book full of broken people. Going forward, Theroux will be voicing a lord in The Lego Ninjago Movie
  • Luke Evans (The Hobbit trilogy, Dracula Untold, High-Rise) as Scott Hipwell was fine in the role. I kinda feel like he was used as an eye candy for the first half of the film, though. He only said his first line in the 45th minute of the film (I checked). Nonetheless, his few emotional scenes with Blunt were my favorite parts of the movie. His next film is the live-action remake of Beauty and the Beast, which I’m super excited about!
  • Allison Janney as Detective Sgt. Riley was really good. Janney’s performance made me like the character of Riley much more than I did in the book. Coincidentally, I only just saw another film with her – she had a small role in Miss Peregrine’s Home for Peculiar Children.
  • Édgar Ramírez (Joy, Point Break) as Dr. Kamal Abdic was fine. He was clearly not Bosnian (that was a big deal in the book) but they still tried to mention his ethnicity in the film which didn’t work. In the book, he was the survivor/refugee of the Yugoslavian wars and this impacted the media’s perception of him as the supposed killer. In the film, they just had Rachel throw the line ‘Where are you from?’ as a possible nod to his background in the book, but that didn’t really work.

In short, The Girl on The Train was an okay movie. The strongest part of it was the acting, while the directing and the writing had to take the back seat. It is not a must watch, but the fans of the book, as well as those who like character/actor-driven films, should check it out.

Rate: 3.5/5

Trailer: The Girl on The Train trailer

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5 ideas about a movie: Joy

Movie reviews

Good morning/day/evening!

This week, I am trying to catch up on all the awards nominees and I think I am succeeding so far. So, let’s discuss David O.Russell’s and Jennifer Lawrence’s 3rd movie together – Joy. On a surface, it’s basically a story about selling fancy mops on QVC. However, that’s definitely not all that this movie is about. In addition, this film is one of the most light-hearted pictures of the awards’ season. The issues, explored in the film, were not as dreadful and depressing as in The Revenant, Spotlight or The Big Short . Nevertheless, the ideas, which were presented and analyzed, are as important and as serious as those darker ones.

IMDb summary: Joy is the story of the title character, who rose to become founder and matriarch of a powerful family business dynasty.

  1. David O. Russell both wrote and directed Joy. I have only seen a few of his films, both starring B. Cooper and  J. LawrenceSilver Linings Playbook (which I loved) and American Hustle (which surprised me in a positive way). My feelings for the film Joy are somewhere in the middle of the love to surprise specter. I thought that the movie was a bit unfocused and the directing was only okay, nothing too spectacular or interesting. Though I liked the usage of that bad old film and the dream/nightmare sequences – they were pretty interesting.
  2. Joy’s story is based on true events and real people, however, a few things have been changed, so it’s a semi-fictional, semi-real story. The movie basically explored my biggest fear in life – exceeding in high school and going down hill from there. It also analyzed the family dynamics in one extremely dysfunctional family, which made my relatives looked so much more normal.
  3. Jennifer Lawrence was really great in the film, as it was expected. I loved that her character was strong without being bitchy or nasty to others (only when needed – loved her facial expression in the final negotiation scene). She was also very patient, nice and tolerating – all the traits that I wished that I had. I also loved the fact that she was a self-made woman with infinite amounts of persistence. Lastly, I loved the short hair up-do and what it symbolized. Since The Hunger Games (Part 1/Part 2) franchise has come to an end, Lawrence now only has one franchise left – the X-men. However, Apocalypse is probably her last film in the series, as she does not want to play Mystique anymore (because of that blue costume and nakedness). So, my prediction is that Lawrence will stick with independent and smaller films going forward. However, she will be in Passengers alongside Chris Pratt, which started as a small film, but then it casted two of the biggest stars in the world right now, so a lot is expected from it.
  4. I don’t know if I was meant to, but I really disliked the majority of the supporting characters. If these characters were intended to be terrible and just plain crazy, then the actors did a very nice job bringing them to life – I hated every single one of them. Robert De Niro played the awful father (I especially disliked him because of that line that Joy could not have been more than the housewife) while Virginia Madsen played the most uncaring and selfish mother in the world. Joy’s half-sister, played by Elisabeth Röhm, and Joy’s father’s girlfriends\ and Joy’s financier, portrayed by Isabella Rossellini, were also both atrocious characters.
  5. The film had a few positive characters, like Bradley Cooper’s Neil (Cooper was also in Aloha and Burnt this year – both quite mediocre films, but definitely still watchable), Edgar Ramirez’s Tony (recently saw this actor in Point Break) and Dascha Polanco’s Jackie – Joy’s best friend. Sadly, these characters were a bit one-sided and were not developed at all. By far the most likable character of the film (excluding Joy) was her grandma, played by Diane Ladd, who also served as the narrator of the story. She did have a lot of development as well, but the viewer could, at least, care for her a little bit, because of her relationship with Joy.

All in all, if Joy wasn’t an awards contender, I wouldn’t have probably watched it, as it is not the type of movie I enjoy. However, it is important to broaden one’s views in life, so I am glad that I’ve checked it out. Lawrence was amazing once again in a story that everybody can relate to. The messy beginning of the film and the unlikeable supporting character were the only things that brought the movie down.

Rate: 3,75/5

Trailer: Joy trailer

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