Movie review: Sicario: Day of the Soldado

Movie reviews

Hello!

And welcome to a review of a sequel that I did not think Hollywood would make but I’m so glad they did. This is Sicario 2 or Sicario: Day of the Soldado.

IMDb summary: The drug war on the U.S.-Mexico border has escalated as the cartels have begun trafficking terrorists across the US border. To fight the war, federal agent Matt Graver re-teams with the mercurial Alejandro.

Writing

Sicario 2 was written by Taylor Sheridan – the same screenwriter who wrote the first Sicario as well as such great pictures as Hell or High Water and Wind River. I thought that the writing for the sequel was quite spectacular for the most part. I highly appreciated how topical the movie was, tackling topics that one sees on the news daily. I also loved the ambiguity in the script: the film didn’t have the clear ‘good side’ and it also did not have a conclusion or a clear ‘winning side’. No real happy ending in the film as in life.

The narrative was a bit convoluted and murky at times but I thought that was an accurate representation of the modern warfare. Plans rarely go as planned, layers of authority make decisions impossible to make, and various actors have their own agendas I also really loved how the movie touched upon the ideas of performance within warfare. It was also interesting to see the movie trying to deal with more personal stuff within a context of war.

My only gripe with the film was that I did not think its 3rd act was as strong as the first two. The intensity dropped, the story stopped, and the movie finished a bit of an underwhelming fashion. It tried setting up a sequel which is never an easy way to finish a picture.

Directing

Stefano Sollima, an Italian director, took over the reins of the now-franchise from Denis Villeneuve and crafted an intense and cohesive film, definitely worthy of the first one. The sequel was violent but maybe not as shocking as the first picture. The intensity was still palpable, though. The instrumental score, full of deep and low sounds could be felt in one’s body (if your cinema has a good sound system). The cinematography was great too – static continuous shots of Mexico’s landscape made nature seem both gorgeous and threatening/mysterious.

Acting

Soldado’s cast consisted of Benicio del ToroJosh Brolin, and Jeffrey Donovan reprising their roles, with Isabela MonerManuel Garcia-Rulfo, Elijah Rodriguez and Catherine Keener joining the film. I feel kinda bad for Emily Blunt, as she was sort of the star of the previous film but didn’t/couldn’t return (wasn’t asked to return?) for the sequel. Del Toro killed it in the role again and Brolin (Only the Brave, Hail, Caesar!, Everest) was amazing too (I loved the last shot of him in the hellicopter and just that tiny hint of emotion in his eyes due to the loss of his comrade). I do love the range of the two actors – from The Collector/a smuggler in the Star Wars Universe and Thanos/Cable to the characters in Soldado! Moner was able to showcase her acting abilities so much better in this film than in Transformers 6. It was also nice to see the movie showcasing some Mexican talent – another group of performers that goes underappreciated and underexposed so often in Hollywood.

In short, Sicario 2: Day of the Soldado is a great-looking and smart sequel that will definitely keep you glued to the edge of your seat for at least 2/3 of the film.

Rate: 3.9/5

Trailer: Sicario: Day of the Soldado

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Movie review: Deadpool 2

Movie reviews

Hello!

Welcome to a review of Deadpool 2. Took me absolutely forever (4 weeks and 3 screenings) to finally write it.

IMDb summary: Foul-mouthed mutant mercenary Wade Wilson (AKA. Deadpool), brings together a team of fellow mutant rogues to protect a young boy with supernatural abilities from the brutal, time-traveling cyborg, Cable.

Writing

The Deadpool sequel was written by the same duo that wrote the first film – Rhett Reese and Paul Wernick, however, this time around, the star of the movie – Ryan Reynolds – also got a writing credit. I thought that the second film’s writing was fairly similar to the first one’s writing in that, the screenwriters took a familiar plot and packaged it in new and exciting ways. While the first film was an origin story of sorts, the sequel did the typical superhero sequel thing and took away the familiar things from the hero, taught him a lesson, and expanded the universe. And yet, while we all have seen these elements before, they still felt fresh because they were accompanied by that unique to Deadpool tone: humor, references to the real world, the 4th wall breaks, etc. The Easter Eggs were plentiful and I don’t know if any one person can actually get all of them, I certainly didn’t. The Mid-Credits scenes contained the best jokes so make sure you wait for them! (Although you have probably already seen the movie as I’m so late with this review).

And yet, while Deadpool 2 was similar to the first film in a lot of ways, it also felt different because it came across as more sincere – seriously emotional (this come from the loss and the lesson elements in the picture). It also felt very comic-book and had an ending that combined Logan’s and Doctor Strange’s 3rd acts (save a kid + play with time). Cable worked well in the story, though his first appearance felt a bit out of nowhere. In general, this picture engrained itself more into the X-Men lore but in true Deadpool fashion, did not fully commit.

Directing

David Leitch – the one half of the directing duo behind John Wick and the director of Atomic Blonde – helmed Deadpool 2 and did a spectacular job. The hand to hand combat was good and the bigger budget was well utilized on the bigger explosive action scenes. The pacing worked well too and the emotional core of the movie was also handled well. The soundtrack was fun too (what’s dubstep tho?:D).

Acting

Ryan Reynolds pulled double duty as both Wade Wilson / Deadpool and Juggernaut and was absolutely incredible. Nobody can deny that he was born to be Deadpool, not just play the role but fully embody it. Josh Brolin was amazing as Cable and topped his very recent performance as ThanosMorena Baccarin returned as Vanessa and had some neat scenes. Hunt for the Wilderpeople’s Julian Dennison joined the cast as Russell Collins / Firefist alongside another newcomer Zazie Beetz as Domino. Both of them were great and I can’t wait to see more of them in X-Force (potentially/probably). T.J. Miller (Ready Player One) also appeared in a film and in a significantly reduced role, probably because of all the legal issues that surround him. Brianna Hildebrand returned as Negasonic Teenage Warhead, while Deadpool’s BFF Colossus was again voiced by Stefan Kapičić. The movie also featured some fun cameos by Terry CrewsBill Skarsgård, Rob DelaneyBrad PittAlan Tudyk, and Matt Damon.

In short, Deadpool 2 is similar to the first film but also tops it with a stronger emotional core and more expensive action!

Rate: 4.5/5

Trailer: Deadpool 2 trailer

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Movie review: Ready Player One

Movie reviews

Hello!

Welcome to the perfect Easter movie all about them Easter Eggs – Ready Player One.

IMDb summary: When the creator of a virtual reality world called the OASIS dies, he releases a video in which he challenges all OASIS users to find his Easter Egg, which will give the finder his fortune.

Writing

Ready Player One was written by Zak Penn (who worked on The Avengers and some early 2000s Marvel movies) and the author of the original novel Ernest Cline. I have read the book last year and very much enjoyed it. While watching the movie, I didn’t remember all the details, so I wasn’t exactly sure what changes to the narrative were made. However, I do think that the film’s plot was a bit more streamlined than the book’s. Also, as a longtime fan of dystopias of all shapes and sizes, I loved an opportunity to immersive myself in a new one.

What certainly didn’t change (going from the book to the movie) was the plethora of Easter Eggs in the story. In the book, the extensive lists of references were easier to get (or google). Having said that, those lists did feel a bit tedious at times in the text, while a motion picture format is way a more organically fitting format for Easter Eggs. And yet, in my mind, references are harder to get and easier to miss in a visual form. Still, I was quite proud of myself for spotting a lot of cool nods in this film. I’m a sure that I missed a tonne as well too, though.

From the structural point of view, the movie’s writing was good. The opening set-up was a bit heavy-handed and had a lot of narration. That information was necessary for the following story, but I wish that it would have been presented in a less typical fashion. The rest of the narrative was fine – the quest story was entertaining and fairly cohesive, while the characters – interesting and well-developed enough too. Some of the dialogue sounded bit cheesy. Nevertheless, the overall theme and message – to focus on reality rather than the virtual world – was a neat one. Another side message that I got from the movie was a warning to the corporations to not mess with the nerds. Honestly, that just sounds like today’s online discourse when fans go mad if a big company attempts to do something different with the beloved properties.

Directing

Ready Player One was directed by the master Steven Spielberg (Bridge of Spies, The BFG), who somehow managed to find time to film this movie and to also make The Post, both to be released just months apart. I think he did a spectacular job. First of all, he made a good video game movie that is not even based on a video game but feels like a video game. And yet, in addition to feeling and looking like a video game, the movie also feels like a movie – it has a story and characters and a message. My one gripe with the film was that it was a bit long and did slow down in the second act.

While Spielberg has always been known for revolutionary computer effects, he has also always been a filmmaker who championed the practical aspect of the visual effects. Thus, it was really interesting to see him make a movie that is definitely about 80% CGI. This begs the question – how much of what we are seeing is Spielberg’s vision and how much is the impeccable work of the animation and the art departments? Whoever was responsible for those visuals, they were great: appropriately artificial looking yet somehow not fake. The throwback soundtrack was amazing too.

Acting

Tye Sheridan (the new Cyclops in X-Men: Apocalypse), Olivia Cooke, and Lena Waithe played the three main ‘players’ in the game and delivered great performances in both the reality and through motion capture as their characters’ avatars. Ben Mendelsohn (Darkest Hour) was a bit of a mustache-twirling villain. I think his villainous performance in Rogue One had more subtlety. T.J. Miller (Deadpool) was good as the comedic relief (not a big surprise). Simon Pegg (MI: Rogue Nation, Star Trek Beyond) also had a small role, while the new Spielberg favorite Mark Rylance (Dunkirk) was amazing and played such a relatable character (an antisocial nerd afraid of taking a leap. That’s literally what’s going to be written on my tombstone). Every time I see Rylance in a new film, I amazed by his versatility. No surprise that Spielberg is putting him in everything now.

In short, Ready Player One is an entertaining extended homage to pop culture and a lovely celebration of all things nerd.

Rate: 3.8/5

Trailer: Ready Player One trailer

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5 ideas about a movie: Only The Brave

Movie reviews

Hello!

A touching cinematic ode to the fallen firefighters – Only The Brave – has reached theatres, so, let’s review it.

IMDb summary: Based on the true story of the Granite Mountain Hotshots, a group of elite firefighters risk everything to protect a town from a historic wildfire.

  1. I haven’t seen a lot of movies focusing on firefighters before. There have been a fair few films telling the stories of the police officers or the doctors, so it was only right that the firefighters and their important work should also be spotlighted. And that’s exactly what Only The Brave did. The picture was directed by Joseph Kosinski (director of Tron: Legacy and writer/director of Oblivion, who is also set to direct Top Gun 2) and written by Ken Nolan (Black Hawk Down, Transformers 5) and Eric Warren Singer (American Hustle). The script was based on a GQ article “No Exit” by Sean Flynn.
  2. In general, Only The Brave’s writing was good and ticked off all the boxes of the biographical drama to do list. The set-up and the character development was present, the narrative unraveled smoothly, and the emotional punch was strong. The film’s 3 acts had distinct qualities. The first act/the set-up acted as the ‘origin’ story of the Grand Mountain Hot Shots, the middle part showed their career highs and strengthened the connection between the viewer and the characters, while the last act revolved around a game-changing event. The conclusion of the movie used that aforementioned connection to make its viewers teary-eyed during the third act. In addition, I found that idea of nature as fuel for fire very interesting and unique – never seen nature from that perspective myself.
  3. The character development was mostly given to two characters – Miles Teller’s Donut and Josh Brolin’s Supe. We got to see their struggles and their family lives. Jeff Bridges’s character was there to push the plot forward, while Taylor Kitsch’s character was used as the comedic relief (‘2 dads and a baby’ moment was so funny). The other guys were there for the atmosphere. The said atmosphere started out quite unappealing, especially for me as a female viewer. I do get that guys talk like that (by that, I mean borderline sexist) in an all-male environment, but that doesn’t mean that I’d like to see it. What I did enjoy seeing was the training of the group as well as their growth from bullying each other to legitimately caring for one another.
  4. The directing of the film was quite good. The pacing was okay and the intensity of the action sequences was fine too – the movie did succeed in conveying the risks that these people were taking. The southern rural US setting was well-realized too. The burning bear visual was neat, while the other scenes of fire looked realistic. The nice dedication at the end of the film and the photos of the real-life counterparts of the characters were both nice touches.
  5. The cast of the film was quite extensive, but, as I have said, only a handful of characters were focused on. Josh Brolin (Hail, Caesar!, MCU) played Supe and was good, though I have already seen him in a comparable role (Everest and Sicario both come to mind). Similarly, Jeff Bridges also played a role he has played before (in Hell or High Water or even in Kingsman 2). Miles Teller (War Dogs, Allegiant, FF) was good too and I kinda feel that his character, at least during the first act, was basically the person that everyone images Teller to be in real life (he doesn’t have the greatest image in the media). Taylor Kitsch (American Assasin) was okay as well, but I wanted to see something more out of him. Jennifer Connelly (Noah, she was also the voice of Karen (the suit’s AI) in Spider-Man: Homecoming) played Supe’s wife and she actually had more to do than the characters of wifes or girlfriends usually do in films like these.

In short, Only The Brave was a well-made and a heartfelt biographical drama, worthy of a watch but not necessarily at the cinema.

Rate: 4/5

Trailer: Only The Brave trailer

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Movie review: Geostorm

Movie reviews

Hello!

A film from the producers of Independence Day (yeah?) and Independence Day: Resurgence (oh). This is Geostorm!

IMDb summary: When the network of satellites designed to control the global climate start to attack Earth, it’s a race against the clock to uncover the real threat before a worldwide geostorm wipes out everything and everyone.

Writing

Geostorm was written by the director of the film Dean Devlin (he is a longtime producer) and Paul Guyot (a TV writer). Usually, movies like this one have a whole army of writers, so I was actually quite surprised to see only 2 writing credits for this one). The picture’s writing was exactly of the quality that I expected it to be, while the story was predictable, typical, and full of far-fetched science (again, as it was supposed to be). It also had the most cliched lead – a family man with a broken family (father-daughter AND sibling issues).

The best part about the writing was the interplay between the movie’s messages and the current political climate.  To begin with, the whole movie was basically an awareness campaign for climate change – a development that some (you know who) still think is a hoax. Like all disaster films, the movie also showed the people trying to control or fight nature, while we should have left it alone long ago.

The more obvious political message, or the anti-political one, was the portrayal of the film’s villain (who had that ‘Make America Great Again’ attitude) and the anti-weaponization idea (I suppose that by the anti-political tone I also kinda mean if not ‘anti’ then at least un-American tone too). And yet, even though the film was made for an international market and had an international cast, it still had a typical American hero front and center. China, being the box office power it is, also was spotlighted a bit. Basically, Geostorm seemed like an old school/90s very typically American (but also somewhat un-American) film disguised as a ‘dumb’ actioner for the foreign audiences.

Speaking of the ‘happy’ (millions died, don’t mention it) ending of the film: I, as a realist and a cynic, generally have a hard time stomaching the positivistic happy endings, which are all about the single humanity, solidarity, peace and bright future. I, honestly, stopped believing in that dream long ago and nothing that’s happening in the world today is work towards persuading me otherwise. Well, at least the movies try.

Directing

Independence Day films’ producer Dean Devlin had his directorial debut with Geostorm. I guess he did as good of a job as this genre requires of him. The action was fine, the story made sense in the context of the film (suspension of disbelief is key). The effects were okay. Some of them looked like they belonged in the 1990s, the others in the 2010s. The space stuff looked best, but the weather catastrophes looked kinda awful and very obviously CGI. It was basically a remake of 2012 movie for 2017.

Acting

Gerard Butler starred as the lead and did an okay job. This is the type of movie that he usually makes but I don’t really know why executives still cast him because he is no longer a box office draw. Also, even though I buy him as an action hero, don’t push your luck and make him a scientist too. That’s a bit harder to comprehend. Lastly, why is he always made into an American (or an Egyptian character)? Can’t we hear his actual Scottish accent just once?

The supporting cast of the film included Jim Sturgess (whose performance I did enjoy. I’m also more inclined to give him a pass as he has starred in one of my favorites movies of all time – Cloud Atlas – and also had a role in Stonehearst Asylum); Abbie Cornish; Ed Harris (mother!, also, please, shoot more Westworld ASAP), and Andy García (a Cuban-American actor in the role of the President: should I read into this?). The film also had a bunch of international actors whose character’s only character trait was their nationality (that’s not how you do diversity, Geostorm). The film starred Germany’s Alexandra Maria Lara, Ireland’s Robert Sheehan, Hong Kong’s Daniel Wu (Warcraft), Mexico’s Eugenio Derbez, Adepero Oduye of Nigerian ancestry and Egypt’s Amr Waked in a role of a Frenchman. Also, Zazie Beetz, who will play Domino in Deadpool 2, had a minor role.

In short, Geostorm was exactly what you would expect it to be. I didn’t expect nothing, so the movie was also nothing.

Rate: 2,7/5

Trailer: Geostorm trailer

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Movie review: The Hitman’s Bodyguard 

Movie reviews

Hello!

With the summer movie season coming to a close, let’s discuss one of its last offerings – The Hitman’s Bodyguard!

IMDb summary: The world’s top bodyguard gets a new client, a hit man who must testify at the International Court of Justice. They must put their differences aside and work together to make it to the trial on time.

Writing

The Hitman’s Bodyguard was written by Tom O’Connor and this picture was only his second screenplay to be produced. The script had both fun and dumb moments. The set-up, as well as the shared backstory of the protagonists, was good, while the dialogue and the banter were actually quite funny. The movie also had way more emotional depth than I expected it to. However, the antagonist was quite awfully written. I’m really over Eastern European politicians or mob bosses as villains in Hollywood films, mostly because I’m from that region but also because American screenwriters tend to reduce them to cinematic caricatures instead of portraying them as actual real-life threats. The fact that the writers (or somebody behind the scenes) thought that they needed to clarify that Belarus used to be a part of the Soviet Union with that sub-heading was kinda sad too.

Directing

The Hitman’s Bodyguard was directed by Patrick Hughes, who also did The Expendables 3. The influences of his previous picture could certainly be felt in his current one: while the last of The Expendables films was an intentional homage to the 80s actioners, the critics can’t really pinpoint the exact decade Hughes was referencing with The Hitman’s Bodyguard. I saw it being called ‘a love letter’ to both the 80s and 90s, but to me, it felt like an early 2000s action film, especially because of the split-screen opening sequence. The hand-to-hand combat was choreographed quite well, while the car chases were also entertaining and exciting enough. The soundtrack by Atli Örvarsson, full of well-known old-school pop songs, was a fun addition to the film too. The movie actually had two very enjoyably-cringy musical moments – the sing-off between Reynolds and Jackson and the nun bus scene. Another humorous sequence was Reynolds’s monologue to the bartender with action happening in the background (it wasn’t the most original but still a well-executed sequence).

Acting

The best part about The Hitman’s Bodyguard was its two leads – Ryan Reynolds (Life, Deadpool) and Samuel L. Jackson (Avengers, The Hateful Eight, Kong, Tarzan, Miss Peregrine) and their amazing chemistry. It was interesting seeing Reynolds trying to play ‘the straight man’, while it was also fun to see Jackson going absolutely crazy, even though he has done that before, for example, in Kingsman. Jackson has appeared in a tonne of films lately, I wonder whether the audiences will get bored of him or whether he is actually priceless in a supporting role.

Elodie Young played Reynolds’s love interest and did a nice job. She had a very good weekend, with not only The Hitman’s Bodyguard hitting theatres, but The Defenders (where she stars as Elektra) landing on Netflix. Salma Hayek (Sausage Party) had a tiny but hilarious role as Jackson’s love interest, while Gary Oldman (Dawn), for whatever reason, played the main caricature of a villain. Joaquim de Almeida also had a cameo role and an important plot-point was kinda spoiled by his involvement in the film (he just usually plays two-sided characters so I was fairly certain that he will be shady in this movie too).

In short, The Hitman’s Bodyguard is predictable but an entertaining enough action comedy that has a very expendable villain but is elevated by its two leads.

Rate: 3.5/5

Trailer: The Hitman’s Bodyguard

5 ideas about a movie: The Emoji Movie

Movie reviews

Hello, my dear readers!

Yup, I did it. Didn’t much want to but did it. Let’s just get this over it. This is the review of *sigh* The Emoji Movie!

IMDb summary: Gene, a multi-expressional emoji, sets out on a journey to become a normal emoji.

Before I sink my teeth into that trainwreck of a film, I’d like to praise the animated short that preceded the main feature. The Emoji Movie was accompanied by Puppy!, a Hotel Transylvania short directed by Genndy Tartakovsky. The short picture was cute and relatable and once again proved to me that Hotel Transylvania franchise is the only Sony Pictures Animation series that is worth something. Now, onto the main attraction.

  1. The Emoji Movie was directed by Tony Leondis (he has worked for all the big animation studios before, but only on their lesser known projects), from a script written by Leondis himself, Eric Siegel, and Mike White. The film has already been compared to Inside Out (cause of the focus on emotions), Wreck-it Ralph (cause both films revolve around technology based characters), and The Lego Movie (cause of the obvious corporate advertisement aspect). However, even though The Emoji Movie might be topically similar to these pictures, it vastly differs from them in quality.
  2. If we take the movie’s concept on its own – the emoji culture – it sort of sounds like a good idea. Nevertheless, if we just dig a tiny bit deeper, we soon realize that there is literally no inspiration for a story – an actual narrative – to be created out of the concept. That’s the main problem of this film – the narrative was simply worthless and just a collection of cliches. The conflict of the plot was super artificial too. The film attempted to have an emotional core but did not succeed at all.  Actually, when the emoji characters tried to display or withhold emotions, they seemed borderline psychotic rather than fun or relatable.
  3. The Emoji Movie seems to have been made by filmmakers (or a board of executives) that have zero understanding of their audience. It appears that they were trying to make a movie for a stereotypical millennial who doesn’t really exist. This could be obviously seen in the humor of the film. While half of the jokes were plain bad, the other half was an obvious example of the writers trying too hard and attempting to be cool and ‘in-with-the-kids’. Plus, the tongue-in-cheek jabs at social media culture didn’t really have a place in the film either. One cannot both perpetuate the culture and critique it in the same film.
  4. Despite generally hating the movie, I still found a few positive things in its script. Mostly, these were the spot-on inclusions of the phone related stuff. For example, I liked the fact that the film acknowledged the smiley emoji as being the OG emoticon and how the favorites section was turned into a VIP club.  The realization of the whole phone world wasn’t bad, actually. I liked the inclusion of the spam emails, the viruses, the cloud, Instagram, CandyCrush, Dropbox, Firewall, JustDance (even if the addition of apps was just for promotional/financial purposes) and the viral videos. The 3D animation style was good too but it always is nowadays.
  5. The voice cast of the film consisted of: Deadpool’s T. J. Miller (he was a good choice for such an ”out-there” project, I just wish that the film would have been crazy in a good way and worth his talents), James Corden (he was trying his best and his voice was instantly recognizable), Anna Faris (she was fine), and Logan’s Sir Patrick Stewart (he had like 5 lines in the film and, honestly, the only reason he was cast was so that this  film could have an honor of being the movie that turned a respectable actor into literal poop).

In short, The Emoji Movie was a mess, not even worth the ‘meh’ emoji.

Rate: 2/5

Trailer: The Emoji Movie trailer

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Movie review: Atomic Blonde

Movie reviews

Hello!

Accidentally, this week my blog has a theme – alternative (not DC or Marvel) comic book movies. On Tuesday, I reviewed Valerian (based on a French comic book) and today, we are talking about Atomic Blonde!

IMDb summary: An undercover MI6 agent is sent to Berlin during the Cold War to investigate the murder of a fellow agent and recover a missing list of double agents.

Writing

The movie Atomic Blonde is based on a 2012 graphic novel ‘The Coldest City’ by Antony Johnston and Sam Hart. The screenwriter Kurt Johnstad (writer of the 300 movies) was the one who adapted this property. It was actually quite refreshing to see a film written by a single person rather than a group of screenwriters of varying experiences. And yet, the writing was still a mixed bag. I loved the main narrative and its structure – the story was presented in a flashback with the verbal exposition being given in an interrogation room. So, the plot was both told and shown. The set-up for the story and the decision to start it from almost the very end also helped to establish the main character. In the first seconds of her appearance, we realized her occupation, her relationships, and her vulnerabilities.

The spy-world was also well realized, with some of its details being quite fascinating. I loved how the film spotlighted the way spies deal with their lives, both physically and emotionally (ice baths, drinking, smoking). The historical tie-ins – the TV announcements about the state of Berlin Wall – were cool too and help to ground the movie. The ideas of spies deceiving each other and always having multiple ulterior motives were quite neat as well.

My few gripes with the film were a single logical flaw and the conclusion of the story. The thing that didn’t make much sense was the fact that James McAvoy’s character was trusted by others when he was obviously acting shady. Plus, the picture’s motto was ‘Never Trust Anyone’, so the fact that the characters turned a blind eye to his deceptions was kinda dumb. Secondly, the film’s story had a lot of twists and turns at the end, which were really heavily piled one on top of another. I wish that these reveals would have been given earlier or handled in different a way because it felt like the movie had multiple endings and didn’t know when to stop.

Directing

The longtime stunt coordinator, stuntman, and fight choreographer who recently transitioned into directing – David Leitch – helmed Atomic Blonde. His previous directing credits include the first John Wick (with Chad Stahelski), while his upcoming project is the Deadpool sequel. Not surprisingly, Atomic Blonde has been nicknamed online as the female version of John Wick and, while the comparison is valid, Atomic Blonde is also very much its own thing. It has its own cool action scenes, which were choreographed superbly and showcased fighters using a lot of everyday props rather than guns. The way these fight scenes were modified for someone, who is physically weaker (a female body) was interesting too. I also loved the car chases with all the old, now vintage, cars (no yellow Fast&Furious Lamborghinis here). 

The overall tone of Atomic Blonde was also really cool. I’d describe it as gritty glamor. The gritty part comes from the bloody action and the truthful depiction of the life of spies. The glamor could be seen in the costumes and the hairstyle of its lead – Charlize Theron had an impeccable look with her long, classic coats and platinum blonde hair. The cool color pallet added to the glamor too. The punk influences of 1989/1990s Berlin (the combo of grit and glamor) were also felt in the movie, from the locations of the underground clubs to the visuals of the graffiti on the wall. The soundtrack of the picture also emerged up from this general feel and tone. The composer of John Wick and Guardians of the Galaxy films, Tyler Bates, did a great job on the Atomic Blonde score, by mixing together 90s English and German songs as well as their more modern reworkings.

The director Leitch also did a brilliant job of filming the action in a variety of angles. Every trick in the book was used – from long panning shots and zoom ins/outs to close-ups to handheld shots with and without the cuts. That continuous action sequence in the apartment building was especially amazing. Genre wise, Atomic Blonde certainly felt more like a drama/thriller rather than just an action film. Its pacing wasn’t super fast – the movie didn’t really drag (except maybe the ending) but it never got as exciting as it could have been.

All in all, though I had some problems with the directing of the film, I enjoyed it overall and I still think that Leitch can nail Deadpool 2. We all know that he can deliver a magnificent action sequence, I just wonder whether he can do humor and comedy.

Acting

Atomic Blonde had quite a stellar cast. Charlize Theron (The Huntsman, Mad Max, FF8, Kubo) was front and center, demanding all the attention for the best reasons. She was amazing in the role, especially in its physical aspects (she did lots of stunts herself). James McAvoy (X-Men) was cool and creepy in his role. His persona in this film felt like just another personality of his character in SplitSofia Boutella (The Mummy, Star Trek, Kingsman) was also good, though her performance was brief. John Goodman (Kong, Trumbo), Eddie Marsan (Their Finest), and Toby Jones rounded out of the cast.

In short, Atomic Blonde is a very entertaining thriller that has a lot of cool aspects but also some minor flaws. Not a perfect film but definitely worth a watch.

Rate: 3.7/5

Trailer: Atomic Blonde trailer

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Movie review: Spider-Man: Homecoming 

Movie reviews

Hello!

The 3rd cinematic reimagining of the Spider-Man character has reached cinemas in a form of Spider-Man: Homecoming. Let’s see whether third time’s a charm!

IMDb summary: Peter Parker, with the help of his mentor Tony Stark, tries to balance his life as an ordinary high school student in New York City while fighting crime as his superhero alter ego Spider-Man when a new threat emerges.

SPOILER WARNING

Writing

Spider-Man: Homecoming was written by 6(!) people and it wasn’t a mess. The scriptwriters included the comedy writing duo Jonathan Goldstein and John Francis Daley, the director Jon Watts, Christopher Ford (who wrote Robot & Frank), Chris McKenna (he worked on The Winter Soldier), and Erik Sommers (wrote The Lego Batman Movie).  The script was a perfect blend of two coming of ages stories: one of growing up into an adult and the other one of evolving as a hero. I loved the two narratives separately as well as how they worked together.

The Spider-Man side of the story was, thankfully, not an origin story, but still showed the character’s beginnings (Year One, basically). I loved the inclusion of the ‘Training Wheels Protocol’ and also enjoyed seeing that handful of moments of Spider-Man failing – they added a lot of realism and believability to the character. The plotlines concerning Peter Parker were also great. The advertised John Hughes-like feeling was actually present in the film and did work (we even saw a scene from Ferris Bueller’s Day Off playing on TV)! I also loved how the high school setting and the student characters were realized. Those awkward commercials were spot on, while the students weren’t just walking stereotypes – they were actually multidimensional. Flash was a popular rich kid, a bully, and a nerd (or at least a wannabe one), Liz was the ‘pretty girl’ who was also smart and a great leader, and MJ was a mixture of a nerd and a hippie. My favorite supporting character was Ned cause I could relate the most to him. I mean, I was making the Lego Star Wars figurines a day before I saw the movie. I also loved his unapologetic excitement about the amazing things that were happening to Peter cause that’s how I feel about Marvel movies. Peter’s family’s plotline also worked. I loved how the screenwriters acknowledged that everyone online loves the new Aunt May by making other characters (not just Tony Stark) flirt with her. I also liked how the death of Uncle Ben wasn’t pushed but only mentioned in passing.

The feeling of a wider MCU was also there but all the tie-ins did not overshadow the standalone narrative of the film. Iron Man was, once again, kinda to blame for the creation of a new villain (the trend continues), but the character himself did not appear much on screen. He didn’t even have a full-on action scene, only a small one. I did, however, really love his and Peper Pots’s moment at the end. In addition, the idea to set the movie’s opening during the Civil War, but to show it from Peter’s perspective, was superb. Not only was that whole sequence funny, but its format – the vlog – was so appropriate for a high schooler and the tone of the picture. The fact that Vulture’s tech was made from the scraps from the previous MCU battles was neat too. I also loved how, by the time Homecoming rolled around, he has been doing his thing for at least half a decade already. However, I wish that the new Stark’s Damage Control Firm would have consisted of the characters from Agents of S.H.I.E.L.D. because there have been episodes of the show were those characters cleaned up the mess left by the Avengers. This would have a been a perfect moment to finally allow them to appear in a movie.

Finally, the two big reveals of the film were great too. I did not expect Vulture to be Liz’s dad (need to brush up on my comic book knowledge). The twist in the end fight, where Peter had to save Vulture rather than fight it, was brilliant too.

Directing

Jon Watts directed Spider-Man: Homecoming (he also co-wrote it) and did a spectacular job. This was only his 3rd feature film but he just absolutely nailed the realization of the character. The youthful vibe and the contagious energy were perfect. The sweet moments and the funky fast pace worked too. The way the intense action scenes co-existed next to the high school awkwardness was just wonderful. The action sequences were extremely cool and entertaining too (I just wish we haven’t seen big parts of them in the trailers). They had the staple Spider-Man swings but were also fresh and exciting. The 80s style credits were a nice finish as well. Watts also did a good job of integrating a character into the broader MCU while also showing the daily life and the ground level work that Spider-Man did on the streets. Homecoming was basically a PG version of the Marvel Netflix’s shows.

In summary, I can’t really explain it, but the experience of watching Spider-Man: Homecoming was one of pure fun. This film made me realize why Spider-Man is the best selling and the most popular Marvel character (or even the most popular superhero ever).

The credits scenes

Spider-Man: Homecoming, like all superhero films, had a few extra scenes during the credits. The mid-credits one worked as an epilog for the standalone story of the film and expanded on the character of Vulture, by showing that he has an honor code. The post-credits scene was a continuation of the gag involving Captain America. Cap broke the 4th wall and praised the fans for their patients, while also making a fun of them. The 4th wall breaking joke did work in a Spider-Man film because of who the character is and because of the funny tone of Homecoming (however, it wasn’t as appropriate as it were for Deadpool).

Acting

After blowing everyone away as Spider-Man/Peter Parker, Tom Holland (In The Heart Of The Sea) has grown into the character and has become the best version of the character I have seen on film. He was actually believable as a high schooler, a nerd, and the friendly neighborhood Spider-Man. Peter’s classmates, played by Jacob Batalon and Tony Revolori (The Grand Budapest Hotel), were really good too, as the best friend and the bully, respectively. Laura Harrier played the love-interest, while the highly discussed role of MJ, played by Zendaya (who will soon star in The Greatest Showman), was just a slightly bigger than a cameo. Angourie Rice (The Nice Guys) also had a cameo appearance as a potential love interest in the later films.

The ex-Batman and ex-Birdam Michael Keaton (Spotlight) donned another comic book costume inspired by a bird and nailed the villainous role. He was menacing but also someone that a viewer could identify with. Marisa Tomei was good and her aunt-nephew relationship with Peter was believable and cute. Donald Glover’s (The Martian) involvement in the film was a nice thank you for all his work in attempting to bring a Miles Morales/Spiderman film into existence. Lastly, Robert Downey Jr. (The Judge) reprised the role that has basically become an extension of himself but, thankfully, he didn’t steal the scenes he was in but rather embellished them. Jon Favreau’s (Chef, The Jungle Book) return as Happy Hogan was just delightful – he was in more of the film than RDJ and that actually worked in favor of the picture and made more sense for the story.

In short, Spider-Man: Homecoming is a triumphant return for the character of Spider-Man. Finally, the justice has been done and we have the perfect Spider-Man film. I, honestly, can’t remember the last Marvel stand-alone movie I loved this much (and Civil War doesn’t count, that was a team-up).

Rate: 4.8/5

Trailer: Spider-Man: Homecoming trailer

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Movie review: Life

Movie reviews

Hello!

Welcome to a review of the annual space movie. For the year 2017, it’s Life.

Life follows in the vein of the sci-fi space films, like 2013’s Gravity, 2014’s Interstellar, 2015’s The Martian, and, I guess, 2016’s Passengers. It’s also kinda similar to the earlier pictures, such as 2009’s Moon and 2007’s Sunshine. Life is the most similar to the last one because both films feature diverse groups of astronauts stuck on a space ship and have horror/slasher elements in addition to the sci-fi themes.

IMDb summary: A team of scientists aboard the International Space Station discover a rapidly evolving life form, that caused extinction on Mars, and now threatens the crew and all life on Earth.

Writing

Life was written by Rhett Reese and Paul Wernick (the duo previously co-wrote Zombieland and Deadpool). Story wise, the movie was not the most original but the narrative was still interesting and exciting. The two major themes were human intervention and survival. The character development was minimal but there were still a few nice character moments dispersed throughout. In fact, the movie’s main star was the alien – all the set-up focused on it rather than the humans. Life definitely depicted life beyond earth in an old-school way: the creature was instantly violent rather than communicative like the ones in Arrival. Whether the actual alien of this movie was just the rip-off of the Allien, I don’t know. It definitely appeared similar to that one and it was probably a good idea for this film to come out before Allien: Covenant.

In addition to there being some scenes to depict the character’s backgrounds, the picture also had a couple of sequences of the astronauts doing both scientific experiments and publicity for ISS. I really loved those parts and appreciated the fact that the scriptwriters attempted to show a variety of activities done by the astronauts. The ending of the movie was also interesting. I don’t know whether they didn’t explain what actually happened with the pods (how did they switch?) because they are hoping for a sequel or because they wanted to leave it open for speculation/discussion?

Directing

The Swedish director Daniel Espinosa directed Life. This was his second US-based picture, but he has also directed Child 44 in the UK (really enjoyed that one) and made a couple of films in both Denmark and Sweden. I quite liked what he did with Life. The visuals were just absolutely gorgeous and not once did I think that we weren’t in the real ISS. The pacing and the intensity were also great. The horror elements of the action weren’t cheesy either and didn’t rely too much on the jump scares but used the technique of suspense building and the visceral imagery to elicit a reaction. In fact, some of the scenes were quite gruesome and uncomfortable to watch but they were effective so I can’t fault a movie for that. The camera work was also pretty impressive, especially one of the early long shots that seemingly went all through the space station. The alien POV was also a neat effect.

Acting

The film had a very diverse cast for a narrative reason rather than just for a financial one. The astronauts were played by Jake GyllenhaalRebecca FergusonRyan ReynoldsHiroyuki SanadaAriyon Bakare, and Olga Dihovichnaya.

Seeing Gyllenhaal on screen in yet another movie made me realize that he is one of a few actors who is constantly working. He never seems to fall off the radar even if his pictures don’t earn much. A few of his recent films that I enjoyed are Everest, Southpaw, and, especially, Nocturnal Animals. It was also really nice to see Ferguson in yet another American film (she began her career in Sweden, but has already appeared in MI5, Florence Foster Jenkins, and The Girl on The Train) and I’m excited to continue following her career. For Reynolds, this was his first post-Deadpool film and I think that his role in the marketing campaign for Life was expanded because he is the man behind the Merc with a Mouth. The ad campaign led me to believe that he will be an important part of the picture so I was quite surprised with his character’s story arc.

Sanada, weirdly enough, portrayed a character in Life who very closely resembled his character in Sunshine – a movie which I already mentioned in this review because of its and Life’s similar stories. What a coincidence that these films share an actor too. Bakare has mostly done TV work before now, but he also had cameos in big films like Rogue One and The Dark Knight. Lastly, Dihovichnaya is a newcomer to the Western mainstream cinema but is an established actress in Russian-speaking indie cinema market. I hope that her work in Life will provide her with more opportunities in the West.

In short, Life was a well-made space horror flick. It had a great cast and neat, suspenseful action, which will entertain the majority of the cinema -goers, and an open ending for those who appreciate the intellectual layer in their sci-fi.

Rate: 4/5

Trailer: Life trailer

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