Movie review: Allied

Movie reviews

Hello!

Today, I’m reviewing Allied – the movie that ‘broke’ Brangelina, the ‘it’ couple of Hollywood. Okay, I’m kidding –  I don’t actually believe or care much about the rumors. To me, Allied is, first and foremost, a film by a director that is of my native descent (Zemeckis is half-Lithuanian).

IMDb summary: In 1942, an intelligence officer in North Africa encounters a female French Resistance fighter on a deadly mission behind enemy lines. When they reunite in London, their relationship is tested by the pressures of war.

Writing

Steven Knight wrote the screenplay for Allied. So far, his accomplishments have been a bit average: I absolutely loved his small film Locke and really enjoyed the stories of The Hundred-Foot Journey and Pawn Sacrifice. However, Knight also penned the script for the so-so picture Burnt and wrote the completely awful Seventh Son as well. His next film will be a different Brad Pitt picture – Wold War Z 2. Speaking of the writing for this film, quality-wise, Allied was a mixed bag , just like Knight’s track record.

I felt that Allied contained two distinct stories which could have been explored in two separate movies. The first suspenseful act of the two characters falling in love on a mission was cool and interesting. It was a successful homage to Casablanca and the Golden Age of Hollywood. The second story – the home life and the investigation – was much slower and less interesting than the preceding set-up. Nevertheless, I did enjoy the fact that this film focused more on the romance and less on the war because I have already seen enough historical films, in which the romantic aspect is relegated to the sidelines and feels out of place. Allied made a decision to be a romantic movie first and a war drama second and stuck with it. I, as I have mentioned, enjoyed and liked this idea, but I can also understand that some people might see it as too sappy and melodramatic. I, personally, found it touching and heartbreaking, although not Casablanca level heartbreaking (Allied didn’t reach the levels of ‘We’ll always have Paris’ is what I’m saying).

Having said that, Allied still did have some pretty nice lines of dialogue and some rather cool concepts. I don’t really know why but I liked the trailer line: ‘Being good at this kind of job is not very beautiful’. I also enjoyed the ideas about love in war – the problem isn’t the action of getting involved, it is feeling something about the involvement. Lastly, I liked how the film underscored that the two main characters could never be trusted, as they were trained to lie.

Directing

Robert Zemeckis, who is responsible for creating a whole slew of cinematic classics – Back To The Future trilogy, Who Framed Robert Rabbit, Forrest Gump, and Cast Away and whose latest films include The Walk and Flight, directed Allied and did quite a good job. The film looked beautiful visually, although the CGI at the beginning (the desert) seemed a tiny bit fake and took me out of the film. Other historical settings were realized nicely, though. Zemeckis also used a lot of time jumps in the film and they did make sense for the most part. Lastly, I did like his long takes that some critics panned. At first, they seemed unnecessarily long to me as well, but then I realized that they were this long for a reason and were meant to show or to indicate something extra.

Acting

I think that the lead duo – Brad Pitt and Marion Cotillard – did an amazing job. First, they had crazy good chemistry and made a believable couple – their back and forth dialogue was superb, especially in the first act. Secondly, I think that the two actors nailed the ‘fake’ spy acting and didn’t make it seem cartoony. I was also quite surprised to see Lizzy Caplan in a supporting role and thought that her character was interesting, although, I question the motives behind the decision to include her character. A trio of actors, who seem to constantly appear in historical movies – Jared Francis Harris, Matthew Goode, and Simon McBurney, rounded up the cast of Allied and brought solid performances too.

Actors’ film recommendations:

  • Brad Pitt: Seven, Fight ClubMr. & Mrs. Smith (why not, it is still a good movie), Inglorious Basterds, Fury, The Big Short, By The Sea (even more ironic, as this one is directed by Jolie).
  • Marion Cotillard: Macbeth, The Dark Knight Rises, Inception, Big FishLa Vie en Rose for which she won an Oscar should also be on this list, even though I haven’t seen it yet. 
  • Lizzy Caplan: Now You See Me 2, Mean Girls (what a throwback).
  • Jared Harris: Benjamin Button, Lincoln, The Man from U.N.C.L.E.
  • Matthew Goode: Downton Abbey, The Imitation Game, Watchmen.
  • Simon McBurney: MI:Rogue Nation, Magic in the Moonlight, The Theory of Everything, Jane Eyre.

In brief, Allied was a solid romantic war drama. It had good acting and a decent story and visuals. However, the film was not groundbreaking, which it could have been, knowing who was involved in its making, both in front and behind the camera.

Rate: 3,75/5

Trailer: Allied trailer

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Movie review: Miss Peregrine’s Home for Peculiar Children

Movie reviews

Good morning/day/evening!

Another YA adaptation from a once visionary director has hit theaters, so, let’s take it apart! This is the review of Miss Peregrine’s Home for Peculiar Children!

IMDb summary: When Jacob discovers clues to a mystery that stretches across time, he finds Miss Peregrine’s Home for Peculiar Children. But the danger deepens after he gets to know the residents and learns about their special powers.

Allow me to begin by saying that I think that this movie (and the book) has one of the coolest names ever. Yes, it is quite long, weird, and hard to remember, but that’s what makes it special. Just the name alone tells you a lot about the story, but, at the same time, doesn’t give anything away. I wanted to start this review with a compliment because I imagine I will be quite hard on the film in the following paragraphs since I had a number of problem with it.

SPOILERS AHEAD

The narrative: the book, the changes, and the screenplay

The trilogy of books by Ransom Riggs that inspired this film was one of the two YA series that I checked out this year, other being the Engelsfors series by M.Strandberg and S.Bergmark Elfgren. I have always been a fan of fantasy, so I knew that I would enjoy the novels. I also really liked the role that the old vintage photographs played in the making of the books and how they were used in the final product. Those pictures really made the series stand out from the other numerous YA franchises out there.

However, before going to see this film, I questioned whether it can become a successful cinematic trilogy since YA adaptations have been going down both in quality and in the box office numbers. Mockingjay Part 2 was a disappointing finale that didn’t earn as much as expected, Allegiant absolutely crashed and burn – didn’t even earn enough to get the final entry in the franchise made into a film and the release of The Maze Runner‘s final movie had to be postponed due to Dylan O’Brien’s injury on set. Will the audiences still want to see The Death Cure a year later? Will they show up to support an altogether new franchise? I guess, we’ll have to wait and see.

The film’s script was written by Jane Goldman – a long time co-writing partner of Matthew Vaughn. Together, they have worked on movies such as Kingsmen: The Secret Service, X-Men: First Class, Stardust and Kick-Ass. Miss Peregrine Home for Peculiar Children was her second solo writing project, first being the period horror picture The Woman in Black.

As usual, when adapting a piece of literature to the big screen, some (or a lot) of details of the narrative are changed. Miss Peregrine’s Home for Peculiar Children was no exception. For the first two acts, the film followed the book pretty closely but it did create a completely new and different 3rd act. Concerning the smaller alterations, I’ll try to list as much of them as I could spot:

  1. Emma’s and Olive’s abilities were switched. Emma had the power of air instead of fire, while Olive controlled fire rather than being able to float.
  2. Bronwyn was aged down, while Olive aged up. I understand why they did this: Regarding Bronwyn –  it is more striking to see a little girl lift huge weight rather than a teenager, whereas Olive had to be a teenager for them to have a second romantic couple in the film.
  3. The underwater ship scene went down a different way in the book. They probably wanted to make it more visually interesting in the film and I also think that this scene was the reason they switched Emma’s and Olive’s peculiarities.
  4. Miss Avocet’s involvement in the main narrative was altered.
  5. Jacob’s only normal human friend was cut from the beginning of the story and, in general, in the picture, Jacob was made into an even more of a social outcast than he was in the book.
  6. The hollows were eating the eyes of the peculiars instead of their souls. Since eyes are the window to the soul, this might have been the filmmakers’ attempt to visualize a soul as something material.
  7. Miss Peregrine’s kidnapping was altered and basically, all the 3rd act, which followed the kidnapping, went completely away from the book. The film’s final act had different locations than the book’s (the action happened in the house, on a big ship and in the circus, rather than on a small boat on a sea) and it was also more action-y in the cliche Hollywood way. The decision to use the ship allowed Emma to do more stuff and was a cool effect, but everything that happened after that fell flat. Personally, I think that the modern setting and fantasy don’t mix well, so the whole sequence in the circus in 2016 just seemed ridiculous. It might have looked cool and clever on paper but it appeared childish and stupid on screen. I also get why some people complain that the plot was hard to follow during the 3rd act because it actually was a jumbled mess.

A few other points on the script of the feature. To begin with, the film had an awful amount of obvious exposition. The characters would just sit around listening to each other tell important points of the backstory. Half of that exposition could have been incorporated more organically. Secondly, the writing for Jacob was quite awful – he mostly stood around asking questions or reacting to stuff. He was quite a useless hero – it there will be a sequel, I want him to take charge of his situation much more. Actually, he kinda did that at the end of the film, although we didn’t see it because they just montaged through his individual travels. Thirdly, the writing for Jacob’s parents was paper-thin. They were super one dimensional – their one character trait was the fact that they don’t really care about their son. Lastly, gonna end on a positive note and praise the picture for adding a couple of interesting moments to the story: one, Peregrine shooting the hollow was a cool scene and, two, young Abraham’s call was a nice emotional detail.

Although I try my best to always allow the movie to stand on its own, this time, I’m just gonna come out and say that I liked the book’s story better. I’d love to see a sequel that is closer to the second book’s (Hollow City) plot but I doubt it’s possible since the narrative has gone into a way different direction.

Directing

Tim Burton used to be an imaginary and fantastic director but he seems to have run out of steam lately. I have even done a separate post on his filmography before Alice 2 came out earlier this year. Miss Peregrine’s Home for Peculiar Children and Tim Burton seemed like a match made in heaven between the source material and the director, however, the movie was just fine. Nothing spectacular or special. The visuals were great, I liked how the film opened with the photos and the letters – it was a nice optical callback to the photographs in the book. The CGI and the design of the monsters were cool too. The slight steampunk vibes were also appreciated. However, the decision to allow (or make) the actors overdramatize some line and scenes, the awkward and choppy editing and the pacing problems (rushing through the setup, dragging in the middle, rushing in the end) were just a few of the flaws of the flick that Burton should have fixed.

Acting

  • Eva Green (Casino Royale, Dark Shadows, 300: Rise of an Empire) as Miss Peregrine. Green is a fabulous actress and she should have been great as Peregrine but her whole performance seemed a bit off to me. She was younger than I imagined Peregrine to be in the book and she also portrayed the character more as a quirky but cool aunt, rather than strict but caring grandma. Nevertheless, she did seem more friendly and open in the movie, which I liked, though, her shaky introduction and the signature Tim Burton crazy/dead eyes weren’t great.
  • Asa Butterfield (Ender’s Game, Hugo, X+Y) as JacobButterfield is one of the most promising young actors working today but his performance here was a bit stiff and low energy. The writing for Jacob was problematic and the performance didn’t save the character either.
  • Ella Purnell (Maleficient) as Emma was good. She and Butterfield did have some chemistry, although, I still think that their love story was creepy and forced. Grandad and grandchild having the same girlfriend. Really!? It is kinda a Twilight type of a coupling, just with switched genders.
  • Lauren McCrostie as Olive was good. She didn’t have much to do, but I’d like to see more of her. Since they aged up the character, they should’ve used her more.
  • Finlay MacMillan as Enoch. Enoch was one of my favorite parts of the books. He could have been such a cool sarcastic character on screen but the actor just portrayed him as super annoying, which was a disappointment.
  • Samuel L. Jackson (Kingsman, The Hateful Eight, Marvel) as Mr. Barron. Jackson is a great actor but here he was kinda a caricature. He was funny and his portrayal of the character did work for the film, but, on its own, the performance would be considered a complete parody.

In summary, Miss Peregrine’s Home for Peculiar Children was promising but didn’t really fulfill any of the promises as much as it could have. The story started out good but fell flat in the 3rd act, the directing was disjointed and the acting – only so-so.

Rate: 2.7/5

Trailer: Miss Peregrine’s Home for Peculiar Children trailer

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