Movie review: mother!

Movie reviews

Hello!

While I’m definitely more of a mainstream pictures kinda cinephile, I’m not against more arty/experimental films. Darren Aronofsky represents both: while his style is very much unique, his name is well-known to even the most casual moviegoers. Let’s see what his latest movie – mother! – has to offer.

IMDb summary: A couple’s relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence.

Writing

mother! was written by Aronofsky himself. Now, going into the film, I knew what to expect and what not to expect. I didn’t think I was going to see a simple story – neither in its structure nor message. I was right: mother!’s narrative was quite complex (and looped) and it had an abundance of layers of meaning. While I think I understood some of the ideas the script was trying to portray, I’m sure a tonne of others just went completely over my head. Also, the meaning I got might not have been the meaning intended by the filmmaker or understood in the same way by the other viewers. This begs the question – if one makes a movie that is super hard to understand, isn’t he/she just being pretentious? Also, if one makes a movie that only a small percentage of audiences can understand, isn’t one damaging his/her career prospects (art films don’t pay much).

Anyways, let me tell you what mother! was about as explained by people smarter than me online (I’ll tell you my personal interpretation afterward). Supposedly, mother! was a metaphor of a film about the relationship between the mother nature (Lawrence’s mother character) and Judeo-Christian god (Bardem’s Him). The crowds symbolized Christians, while Adam, Eve, Cain, and Abel also appeared. Lawrence’s and Bardem’s child was a symbolic version of the baby Jesus. When put in relatively simple terms and while looking back at the picture, I do get that general idea and how it was portrayed. However, while watching the movie, only the Jesus similarly came to my mind. I’m not a religious person (actually, an opposite of that), so I don’t actively search for sacramental imagery or metaphors in the films I watch, so that’s probably why I missed it.

I, personally thought that mother! tried exploring the topics of inspiration and creation of both life and art. I also believed that its main concern was the differences between the female and the male creation (which kinda goes in line with the female mother nature and the masculine God portrayal).

Additionally, just looking on a surface level, I was quite frustrated with the main character of mother! because I perceived her to be a very much traditional (old-school) female figure. She was depicted as needy, dependent, and solely family orientated. If not for the later realization of the mother nature connection, I would have been (still kinda am) disappointed by this portrayal that didn’t achieve much in terms of moving the female characters forward. Why couldn’t mother nature be seen as strong and powerful and completely able to discipline its children a la humans?

Lastly, the commentary that I comprehend the most and was the most intrigued by was the one about fame, cult following, and celebrity worship. These things were portrayed as addictive and damaging: a cautionary tale. However, it looks like I misinterpreted the belief in god for the obsession with celebrities (and, honestly, they aren’t that much different). Besides, if one thinks of mother! as portraying celebrity culture, it’s interesting to note than Aronofsky would then be seen as being both cautious of and partaking in it by going to the film festivals and the premieres, by signing autographs or taking pictures.

Directing

I have highly enjoyed some of the previous films by Aronofsky (The Wrestler and Black Swan, specifically), respected others (Requiem for a Dream and The Fountain) and been angered by some too (Noah). Now, mother! encompassed all of the feelings mentioned.

I really loved the way the movie was filmed – by following the titular character and keeping the focus of the camera mostly on her.The handheld style and the mobile frame are generally very much indie/small budget films’ staples but here, they seemed refined, high-end, glamorous and expensive. mother! did not have a score, only diegetic sounds were heard. This added to the overall distinct ambiance of the film. The close-ups of eyes, the heart-imagery, and the fire/life effects were all interesting and disturbing visuals too. Lastly, there were quite a few tonal shifts in the film. In a heartbeat, mother! would go from low energy creepiness but almost normalcy to complete exaggeration and total escalation.

Acting

Jennifer Lawrence and Javier Bardem delivered stunning performances and basically carried this movie. It was so nice to see Bardem finally starring in a film worthy of his talents, instead of wasting them on Pirates 5. Lawrence was also really good. I loved her look – her grayish blonde hair both made her seem older, more sophisticated but also somewhat timeless/ageless too. I think she should just probably continue doing art/indie films (Joy) because she really doesn’t seem to enjoy the more mainstream work (The Hunger Games, X-Men, or Passengers). Ed Harris and Michelle Pfeiffer were also really good. I’m so happy that they too finally got a chance to showcase the full extent of their acting chops. Domhnall Gleeson (The Revenant, Star Wars, Brooklyn, Anna Karenina, Unbroken, American Made), his actual brother Brian Gleeson, and Kristen Wiig (The Martian, Ghostbusters) all had cameo appearances as well.

In short, mother! was a unique film that both frustrated and intrigued me with its metaphors. Just now, while finishing this review, I came across another potential symbol in the movie and I imagine that I’ll find new ones the longer I think about it. If that’s your forte, then mother! is for you. If you want an easier but no less smart scary thriller, watch It again or for the first time.

Rate: ?/5 (I can barely put this film into words, let alone a single number)

Trailer: mother! trailer

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Movie review: Ben-Hur

Movie reviews

Hello!

Welcome to one of the last movie reviews of this summer. This time, we are discussing a film that was mostly panned by critics and was almost completely forgotten by the audiences – Ben-Hur.

IMDb summary: Judah Ben-Hur, a prince falsely accused of treason by his adopted brother, an officer in the Roman army, returns to his homeland after years at sea to seek revenge but finds redemption.

2016’s Ben-Hur is the 5th Ben-Hur picture in the last 100 years. This story is quite old, both literately and figuratively. Not only is the plot set in the ancient times, but the original source material – a book by Lew Wallace titled Ben-Hur: A Tale of the Christ – has been published at the end of 19th century. While I usually enjoy epic and historical movies, their religious aspects tend to be a hit and miss for me. I wasn’t the biggest fan of Noah and, while Exodus seemed like a fun action adventure, its casting had a lot of problems. Don’t even get me started on Gods of Egypt. The mosts successful religious movie to date is probably The Passion of The Christ, but other than that, religious action features are a hard sell for Hollywood. I’ve also personally noticed that I more interested in movies about pagans rather than any monotheistic religions.

Speaking about Ben-Hur – it is not as bad as everyone is telling you. It has problems, like any other film, but it also a fun adventure with some religious ideas that sometimes stick and sometimes don’t. I wish that the audiences wouldn’t have given up on it without even giving it a chance. At this point, I should also probably note that I haven’t seen any other Ben-Hur pictures because I wanted to allow this movie to stand on its own. I haven’t read the book either, but I’m strongly considering doing that, as I did enjoy the film overall.

Writing

Ben-Hur’s screenplay was penned by Keith Clarke and John Ridley. Ridley has an Academy Award for writing 12 Years a Slave, while Clarke is not that accomplished – he has mostly worked on documentaries until now. For the most part, I really liked the writing for this film. I thought they did a good job with the development and likeability of the two leads – you could actually understand both of their arguments. The supporting characters could have received a few more scenes, but the lack of development for them didn’t bother me much. The dialogue, the catchphrases as well as the repeatable lines that the characters would spit out to each other were all cool and worked well in the picture.

My biggest problems with the story were all related to the set- up also known as the first act. Messala’s decision to leave seemed a bit rushed – I would have like to see more of him and Judah as kids or teenagers. The parts of the story leading up to the big betrayal/accusation were also wonky – the film was going all over the place and seemed to be both rushing and dragging at the same time. However, with the beginning of the second act, which I thought was that sequence with Judah on the ship, the movie really found its footing. It had a clear direction and a cohesive, simple but interesting main storyline.

Ben-Hur also had nice topical ideas. It cleverly contrasted the ideology of Rome ‘let’s spread civilization through violence’ with the teachings of Jesus, which were all about the compassion, peace, and solidarity. The whole biblical ending seemed a bit weird and out of place, especially after that big action sequence, however, I do understand why it had to be there – they wanted to end the film with a positive message of forgiveness instead of the celebration of revenge. It was a truly happy ending in a classical Hollywood fashion.

Directing

Timur Bekmambetov, the director of Abraham Lincoln: Vampire Hunter and the producer of Hardcore Henry, directed Ben-Hur and did quite a nice job. Yes, some scenes were a bit overdramatized, but the ship sequence, as well as the final race, were both awesome. The whole setting and vibe of the film reminded me of HBO’s Rome, while the chariot race gave me flashbacks to a similar sequence in a French family film – Asterix at the Olympic Games. Ben-Hur’s CGI was also quite good – I have seen worse effects in the movie that cost even more to make. The credits of the film were also quite cool – those graphics were interesting and fit the movie perfectly.

Acting

The film didn’t have any really big name talent involved, so maybe that’s why the audiences passed it by. The most prominent name actor of the cast was probably Morgan Freeman (Now You See Me)  – he looked ridiculous with those dreads but worked well in the role of the mentor.

The two leads were played by Jack Huston as Judah Ben-Hur and Toby Kebbell as Messala. The two of them were great in the roles, both in the dramatic and action sequences. Their chemistry was also believable. Huston is mostly known for starring in Boardwalk Empire, but he also had roles in American Hustle and Pride and Prejudice and Zombies. Kebbell has started in a few big films but without showing his face – he played Koba in Dawn of the Planet of the Apes, starred as Doctor Doom or at least Fox’s version of that character in Fantastic Four and was the actor behind the main Orc character in the Warcraft movie. Coming up, he has Kong: Skull Island.

The supporting cast consisted of Iranian actress Nazanin Boniadi as Esther, Ben-Hur’s love interest; Brazilian actor Rodrigo Santoro as Jesus; and Israeli actress Ayelet Zurer as Naomi, Ben-Hur’s mother. I love the fact that the casting director at least tried to make the movie more international and introduced me and other Western viewers to some new talent, although, Zurer should be quite familiar to us all – she plays Kingpin’s love interest on Daredevil. Two Americans – Sofia Black D’Elia as Tirzah and Moisés Arias (who is still stuck in the Hannah Montana times in my mind) as Gestas – rounded up the cast and also did a good job.

In short, Ben-Hur was a solid picture that exceeded my expectations. It needed some time to get into the right path but when it did – it was great! The story was interesting, the two leads were complex characters, brought to life by two amazing actors and the action didn’t suck either.

Rate: 3.5/5

Trailer: Ben-Hur trailer

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Movie review: Noah

Movie reviews

As you might know if you read my blog, me and my dad usually spend our father-daughter time at a movie theater. Last time it was my dad’s turn to choose a movie, so he picked Need for Speed (You can find its review on this blog).  This time I got to choose a movie so, I went for Noah – epic-biblically inspired movie based on myth of Noah – savior of humans. I didn’t choose this film because I am religious or something like that, but because of 3 reason that have names: Douglas Booth, Logan Lerman and Emma Watson. I have loved these actors since I first saw them in big movies.  Emma Watson is always going to be stuck in my mind as Hermione from HP but I was amazed by her performance in a The Bling Ring as well. (review coming soon).  Logan Lerman is perfect Percy Jackson but the first film I have seen him in was The Perks of being a Wallflower – a movie which, I believe, every teenager should watch. Speaking about Douglas Booth, LOL is still one of my favorite movies ever (I liked his chemistry with old Miley Cyrus) and I have watched his last movie – latest adaptation of Romeo and Juliet with Hailee Steinfield. So, with a mind set of “I just want to see my favorite actors” I didn’t really know what to expect from this movie. I was really surprised that director Darren Aronofsky (he did Black Swan back in 2010) picked this story to adapt into a motion picture. I mean, how can you show something that has happened before the recorded history? If you make something up, it becomes a fantasy movie, but you can’t make biblical stories into fantasy movie? Or can you? If I was confused before watching the movie, I am surely got even more confused after it. Maybe it is good to watch movies like that. It makes you think about stuff and really inspires you to dig deep and to look for answers. It was the same for me with the epic Cloud Atlas by The Wachowskis. I still think about it sometimes. But back to Noah. Film tells a story of the descendant of Seth (Seth was one of three sons that Eve and Adam had. When Cain killed Abel, Seth descendants became good people and Cain’s – bad ones.) Noah (played by Russel Crowe) was chosen by the Creator (God’s name is never spoken) to save the animals because they are innocent and to help kill all the people because they destroyed The Earth and turned their backs to the Creator. The main antagonist is played by Ray Winstone, his character name is Tubal-cain. The movie raised a question for me: what makes humans real humans? What is humanity really about? Is it an ability to forgive or ability to be just? When watching a movie I thought that Noah was just stupid for believing someone who may not even exist and for preparing to do some stuff that were not humanly at all. (Sorry if you didn’t understand what I meant by this, but if I explained it more I would have spoiled the entire movie.) I liked the performance of all actors; I believe they were chosen wisely.  However, one of the drawbacks of the movie was these really awkward situations. For example, all people should be vegetarians to be good, Noah is the first drunkard in the world. And finally, that massive rainbow at the end didn’t do any good as well. I would rate this movie 3.5/5. My dad really liked it and we had a very heated conversation about it in the car on a drive home. It is definitely not a movie to watch when you are lazy, but a serious film about humanity problems. I have read that the director said that this was the least biblical interpretation of a biblical story; so maybe, you need to watch it with a different mindset and expectations than those I had. If you give this movie a try and you get confused as I did, leave me a comment down bellow so we could discuss it. We might find answers then:) TRAILER:  https://www.youtube.com/watch?v=6qmj5mhDwJQ Image Image Twitter: https://twitter.com/LunaTheia Instagram : http://instagram.com/luknexx Tumblr: http://luna-theia.tumblr.com/