Movie review: Inferno

Movie reviews

Hello, my dear readers!

The latest Dan Brown/Ron Howard/Tom Hanks collaboration – Inferno – has reached cinemas, so, let’s review it!

IMDb summary: When Robert Langdon wakes up in an Italian hospital with amnesia, he teams up with Dr. Sienna Brooks, and together they must race across Europe against the clock to foil a deadly global plot.

I have done a preview post for this film where I talked about all the books as well as the previous films of the franchise (you can find it here). As usual, I’ll try to list as many book-to-movie changes as I could spot, although it has been a few months since I’ve read the novel, so I might not have noticed everything. Once again, the critics are ripping this movie apart (like the earlier movies of the series), so I’ll also try to defend it from a fan’s perspective.

SPOILERS AHEAD

Writing

The screenwriter David Koepp adapted Dan Brown’s novel to the big screen and did a fairly good job. Koepp’s track record has been mixed. Although the movies he has written have been very financially profitable, not all of them were liked by the movie goers or the critics. He has contributed to such successes as Jurassic ParkMission: Impossible and Panic Room. However, he also co-wrote the horrible Indiana Jones 4 and directed one of the worst films of Johnny Depp’s career – Mordecai. Koepp has also written the second film of the Robert Landon franchise – Angels & Demons – it used to be my favorite, but I think Inferno has taken its place.

For the bigger part of the movie, narrative alterations have been minimal. Even the third act and the finale went down in a similar way in the book, however, the final end-game of the story was changed completely.

To begin with, the book started with Langdon already in the hospital, while the movie added an explanatory set-up (and yet ‘Would you press a button’ idea came from the book). The picture immersed the viewers into the film’s world first and then dropped Langdon in it, while the book used Langdon as the reader’s lens into the world of the story. The screenwriter also modernized the narrative by showing Zobrist giving a Ted talk like presentation and by using a drone to look for Langdon and Sienna.

The scriptwriter also added some shared history for Sienna and Langdon (met when she was a kid), introduced an idea that Langdon might be a carrier of the virus, and also added a new character of Christoph Bouchard – the inclusion of him allowed the film to explore the plot-line of a virus possibly being stolen and sold. Furthermore, Koepp cut Sinskey’s personal background and added some shared backstory for her and Langdon. He also streamlined the story and made it more linear, as usual for book-to-movie adaptations.

The film’s finale happened in the same location as did the book’s. The premise was also similar – Langdon + W.H.O. and Sienna were separately looking for the bag. However, that’s where the similarities ended. In the film, Sienna had mini bombs to break the bag – she didn’t have them in the book. However, the biggest change was the fact that the virus was actually contained in the movie, while the book explained that the bag has dissolved a week ago and that the virus was already out in the world. The film only talked about the virus killing half of the population, while, in the book, this was only a false facade to hide the fact that the virus would sterilize a third of world’s population. The book also had Sienna’s character surviving the whole thing and she even ends up working for World Health Organization to research the virus, though the book also made it explicit that the sterilization of some humans might be a good thing. The movie cut this kinda controversial ending and finished the picture with the good guys winning and Sienna dying for basically nothing. I wish the filmmakers would have had the courage to keep the novel’s ending.

The film had a lot of expositional dialogue and monolog – some of it worked well and seemed organic, some appeared forced and out-of-place. The character development through dialogue was good: e.g. Sienna mentioning her childhood and Langdon saying that he had a fear of tight spaces and a bad past relationship. However, before the 3rd act of the film began and all the characters had to get on the same page, that part of the exposition was a bit cliche and an extremely obvious plot device.

Directing

Ron Howard (Rush, In The Heart of The Sea) directed the picture, like the two previous features of the franchise and did a solid job. The pacing was really good for the majority of the film, but the movie did slow down during the Sienna/Zobrist flashback and before the 3rd act. The dream montages were effective and quite scary and Langdon’s disorientation was also portrayed well through the shaky cam, close-ups, and quick cuts. I also liked how the classical music was incorporated into the finale – it wasn’t just an outside soundtrack but an actual diegetic musical score. I also found it amusing that the 3rd act’s action happened in the water – fitting for Langdon’s swimming/water polo background.

Acting

  • Tom Hanks as Robert Langdon was good as always. I’m one of a few people who actually like Hanks as this character and I also cannot ever find anything wrong with his acting abilities – in my opinion, he is one of the best and most reliable actors (quality-wise) of today. I don’t think that I would be able to pick my favorite movie of his because I have seen so many and all of them have been great, so I’m just gonna list his latest and upcoming performances. Hanks recently starred in Bridge of Spies, A Hologram for the King, and Sully (which will only premiere in the UK in December – so annoying). Going forward, he will star and produce The Circle and will also come back to voicing Woody in Toy Story 4
  • Felicity Jones as Dr. Sienna Brooks was great as well. Since I knew the big twist of her character, I think I noticed a few hints at it in Jones’s performance. She had a weird look here and a strange expression there, so I was expecting the reveal and was mostly sure that it wouldn’t be cut. I was first introduced to Jones in The Theory of Everything, since then she has moved to way bigger things. On top of being in Inferno and another possible awards’ contender for this year – A Monster Calls – she will also play the lead in Rogue One: A Star Wars Story.
  • Ben Foster as Bertrand Zobrist was good. He didn’t get a lot of screen-time – he actually mostly appeared in flashbacks or in videos. Nevertheless, he played a solid mad genius. Foster’s recent performances include The ProgramThe Finest HoursWarcraft and one of my favorite movies from this year Hell or High Water.
  • Omar Sy (The IntouchablesJurassic Worldas Christoph BouchardSidse Babett Knudsen (A Hologram for the King) as Elizabeth Sinskey and Irrfan Khan (Life of Pi, Jurassic World, The Jungle Book Hindi version) as Harry Sims were also great in their supporting roles. Khan probably stood out the most out of the three of them just because his character was so interesting – wish we could have explored his backstory and his company more.

In short, Inferno was a solid action adventure film with some art history sprinkled on top. It had an okay writing, good directing and nice performances. It wasn’t a special or groundbreaking movie, but I still had fun with it and definitely do not understand why critics hate it so much.

Rate: 3.5/5

Trailer: Inferno trailer

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Movie review: Hell or High Water

Movie reviews

Hello!

Today, we are talking about one of the most critically acclaimed indie films of 2016. It’s the review of Hell or High Water.

IMDb summary: A divorced dad and his ex-con brother resort to a desperate scheme in order to save their family’s ranch in West Texas.

Writing

Actor-turned-screenwriter Taylor Sheridan wrote Hell or High Water’s script and did an amazing job. This screenplay was actually the winner of 2012’s Black List and I’m really happy that it was turned into a movie, even if 4 years later than it should have been. Sheridan also penned the script for last year’s Sicario – a standout movie of 2015. Both Sicario and Hell or High Water share some similarities: the two stories are both set in the southern states of the US and the particular setting has a role in the narrative. Also, both movies are quite slow – the plots are allowed to unravel by themselves, the films are never rushed and the important moments aren’t just montaged through.

Hell or High Water’s story is also really successful in its emotional appeal. It deals with the universal topic of family and explores the relationship between two brothers superbly. It also does a good job of making the viewers sympathize with all the characters. I, personally, wanted the brother to succeed, even though they were criminals, and I also wanted the two rangers to succeed in their quest.

These sympathies arose from the subtle character development, which was dispersed throughout the whole film. By listening to the dialogue and seemingly random banter we find out a lot about the characters: we discovered the reason for the heists and why the brothers seemed to have an estranged relationship. The friendly teasing between the rangers helped us to get a few hints into the history of the two law-enforcers – we uncovered the ancestry of one of them and the approaching retirement of the other.

Lastly, I really loved the way the ending of the film was written. I always enjoy this type of open-ending when it is done right. Sometimes, when the movie just ends abruptly, without answering any questions, the whole story falls flat but, when the film leaves you with just one or few unresolved issues, like Hell or High Water did, the narrative both finishes and is permitted to live on in the minds of those who witnessed it. Both the characters and the viewers will be haunted by this story.

Directing

A Scottish director David Mackenzie did a magnificent job directing Hell or High Water. He utilized the setting of Texas splendidly and showed the rural areas, the open spaces and the little beat-up towns in long and extremely long tracking shots. He also gave the story a lot of breathing room – although every scene was carefully and beautifully crafted, the movie seemed to flow very organically and naturally. The feature’s color plate was also really nice – warm tons filled the screen and made every shot look like an old vintage photograph.

I also loved all the shots were the modernity and the traditional old-school ways of life were juxtaposed. The setting of Texas, where people still live in old ranches and work with cattle and horses but also have modern gas pumps, was an appropriate location for this juxtaposition. To me, the scene in the gas station was amazing – not only did it have us that unexpected fight but we also got a frame with both a horse and a cowboy and a new sports car with two fake gangster youngsters. Lastly, the fact that everybody seemed to have a gun in the film was not only a funny aspect of the movie but also a very realistic one.

Music

Hell or High Water’s soundtrack by Nick Cave and Warren Ellis really added to the atmosphere of the film. Fitting to the setting of Texas, the film’s visuals were accompanied by cool country music. The picture also had this really nice instrumental theme to supplement the long tracking shots of the characters driving or moving through a frame in any other way.

Acting

  • Jeff Bridges as Marcus Hamilton, a Texas Ranger was amazing. The way he delivered the jokes and teased other characters was truly enjoyable to watch. It’s probably one of Bridges best performances out of the recent years because he did have a few flops lately, like The Giver or Seventh Son. I hope this role is the signal that he is back on track and I do hope that his contribution to Kingsman 2, coming out next year, will be worth the wait.
  • Chris Pine as Toby Howard was also really good. I’m starting to like Pine more and more in these rugged, less clean-cut and more challenging roles. Yes, he is also good in Hollywood blockbusters, like Star Trek and Into the Woods, but is more fun to see him try something different. A few recent smaller films of his that I suggest you watch are Z for Zachariah and The Finest Hours. Of course, let’s not forget to check out his blockbuster work too – Wonder Woman is only 10 months away.
  • Ben Foster as Tanner Howard was also really good. I’ve only recently started noticing him in films, the last one being The Program, in which he played the lead role of Lance Amstrong. In a few weeks, Foster will also play the main antagonist in Inferno, which I’m also looking forward too.
  • Gil Birmingham as Alberto Parker, Hamilton’s partner was also really good. I hope that the teases that his character received weren’t too offensive to both Mexicans and Native Americans. I really loved his speech about how the white colonialists took everything from his character’s people, only to lose the winnings of the pillage to the banks.

In short, Hell or High Water is one of the best films of the year so far. It’s masterfully crafted and slow, but immensely engaging. The acting is amazing, the writing is spectacular and the directing – excellent. A must watch for any fans of Westerns and heist movies.

Rate: 5/5

Trailer: Hell or High Water trailer

P.S. Weirdly, my next movie review will also be that of a Western – The Magnificient Seven.

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Movie review: Warcraft

Movie reviews

Hello!

Welcome to another movie review. This time, we are discussing Warcraft or Warcraft: The Begining – Hollywood’s latest try to make video game movies a thing.

IMDb summary: The peaceful realm of Azeroth stands on the brink of war as its civilization faces a fearsome race of invaders: orc warriors fleeing their dying home to colonize another. As a portal opens to connect the two worlds, one army faces destruction and the other faces extinction. From opposing sides, two heroes are set on a collision course that will decide the fate of their family, their people, and their home.

As you all probably know, Warcraft: The Movie is based on a series of video games (Warcraft and World of Warcraft). I, personally, knew nothing about the game except that it was set in a fantasy world. So, I was part of the audience, which would either make or break this movie – a non-fan who still chooses this film over the others.

In general, I have always been fairly skeptical about video game inspired films. I have seen the worst (Hitman Agent 47), the bad (Pixels, Prince of Persia), the okay (Need For Speed) and the great (Scott Pilgrim vs. The World – a film that is not even based on a video game but feels like one). I still need to watch The Angry Birds Movie and I am also quite interested in Assassin’s Creed film because I’m a fan of Fassbender and I have read an Assassin’s Creed comic.

Speaking about Warcraft – it is currently my favorite cinematic adaptation of a video game. I don’t know why the critics are so harsh to judge it and are not evaluating it for what it is. I had an amazing time watching the picture, was a bit lost at first, but quickly found my way. I can’t say ‘No’ to a movie that deals with high fantasy concepts (like LORD, GOT). I’m actually even considering trying out the game or at least researching the role a bit.

SPOILER ALERT

Writing

The film was written by Charles Leavitt and the director Duncan Jones. I though that Warcraft’s script was a bit better than Leavitt’s last film’s – In The Heart Of The Sea – script and vastly better than his second to last’s film’s – Seventh Son – screenplay.

The film had a lot of characters and they didn’t receive much development but I think that they all got enough to peak my interest. I also liked the fact that the characters died, thus, the stakes were high. The ending was kinda weird but I understood why they left it so open – they are hoping for a sequel. I also wish that the film succeeds adequately for this story to be allowed to continue on the big screen.

The film also had nice themes and messages. I liked the notion that the traditions are superior to the leaders. I also liked the inclusion of values such as family, honor, sacrifice and tolerance. The importance of survival and creating/finding a home was also a nice advice to spread.

Directing

The movie was directed by Duncan Jones. I really enjoyed his debut film – an independent sci-fi feature Moon. I also liked what he did with Warcraft. I appreciated the plethora of locations and the world-building in general. The action was also exciting – the shots from the ground-up and the over-the-shoulder-reverse shots actually allowed me to feel like I was in a video game. The CGI was also the best that I’ve seen in years – the faces of the Orcs looked alive – with real emotions and real sweat, blood, tears. The end credits were also excellent.

Acting

The movie’s few had quite a few unfamiliar faces (at least to me), but I did enjoy all of their performances. Some were better, some were worse, but on average, everybody did good.

I really liked Viking’s Travis Fimmel in the lead as Lothar. He was charming, witty and a skilled and loyal fighter. MI: Ghost Protocol’s Paula Patton as Garona was also a nice and interesting character and I liked her role during the finale. The Finest Hours’s Ben Foster as Medivh, the Guardian was also good but a bit cartoonish at times. I was also pleased to see one of my favorite actors Dominic Cooper (Need For Speed and Preacher) as King Llane and I did like his noble act at the end. Cooper’s co-star on Preacher Ruth Negga (Agents Of S.H.I.E.L.D.) played the Queen Taria and also did a wonderful job – I loved her final speech as well as her interactions with Garona. The last human character, Ben Schnetzer’s Khadgar was a bit annoying at times, but I have a feeling that he will play an even bigger role in the future films.

The CGI/motion capture part of the cast consisted of Toby Kebbell as Durotan, Robert Kazinsky as Orgrim, Daniel Wu as Gul’dan and Anna Galvin as Draka among many others. As I have already mentioned, the effects looked amazing, however, the actors’ performances, underneath the motion capture technology, were also stellar. They not only looked like living beings, they were actually alive on screen. I’m not that familiar with the previous work of these actors, except Kebbell. He was in that awful Fantastic Four film last year, but I think he redeemed himself with Warcraft and will also be in Kong: Skull Island next year. Kazinsky had a small role in Pacific Rim, while Galvin has mostly done TV work. I haven’t seen any film’s with Wu before, but I did like him as the main villain – he did looked menacing and acted appropriately.

All in all, I had a great time with Warcraft. It exceeded my expectations and definitely pleased a non-fan. I had a few fans of the game sitting beside me at the screening and they also seemed really excited and entertained. Hope the sequel happens!

Rate: 4/5

Trailer: Warcraft trailer

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