5 ideas about a movie: The Boss Baby

Movie reviews

Hello!

The newest DreamWorks animated picture – The Boss Baby – is currently in theaters, so, let’s talk about it!

IMDb summary: A suit-wearing briefcase-carrying baby pairs up with his seven-year-old brother to stop the dastardly plot of the CEO of Puppy Co.

  1. The Boss Baby was written by Michael McCullers, based on the picture book of the same name by Marla Frazee.  The film’s story was absolutely ridiculous but nonetheless really fun. The movie focused on the theme of family – a common and classical topic for kid’s animation. The Boss Baby also found a new inventive way to answer a question – where do babies come from? – this question seems to be popular with the animators in Hollywood, as the recent picture by Warner Animation – Storks – also tried to answer it. This picture also highlighted the sibling rivalry and the sibling relationship. Lastly, I loved how the film celebrated the children’s imagination – a crucial part of any childhood.
  2. One of the strongest parts of d The Boss Baby was the picture’s humor. The film used both more adult jokes (like business and movie references, e.g. ‘Cookies are for closers’ from the trailers) and more child-friendly gags (e.g. the insane action and the fart jokes). The picture also had some callbacks to the stereotypical horror movie scenes which felt a bit weird in a children’s movie but were appreciated by me as a grown up viewer.
  3. The Boss Baby was directed by Madagascar trilogy’s Tom McGrath.The actual 3D animation was okay – good but not groundbreaking. I think that I and a lot of movie goers just got used to usually good-looking computer animation, so it does not amaze me/us anymore. The film also had a few months of 2D animation and this one montage which felt very old school because of the accompanying music – song ‘Cheek to Cheek’ from 1935 movie musical Top Hat. The character design was also fine, although one supporting character – Stacy – reminded me a lot of Wreck-it-Ralph’s Vanellope – a beloved animated character. Lastly, the film’s visuals also were cute enough to match its narrative idea of cuteness as a threat.
  4. The titular character of the movie was voiced by Alec Baldwin. Baldwin embraced the absurdness and the hilariousness of the story and the whole movie and just nailed his performance. He has a long history of voice acting: Baldwin has narrated quite a few documentaries as well as voiced a handful of characters in animated films.
  5. Shrek’s voice actor Miles Christopher Bakshi played the child version of Tim (The Boss Baby’s brother), while Toby Maguire lent his voice to the adult Tim. Other well-known actors/TV personalities like Steve Buscemi, Jimmy Kimmel, and Lisa Kudrow also had roles of varying sizes.

In short, The Boss Baby is a perfectly passable animated picture. It doesn’t have the most original story or fresh visuals, but it definitely provides a fine time at the cinema for both kids and adults who can’t grow up (me!).

Rate: 3.3/5

Trailer: The Boss Baby trailer

Movie review: Beauty and the Beast

Movie reviews

Hello!

The Disney’s juggernaut Beauty and the Beast has landed in theaters, so, let’s review it!

On a personal note, Belle was always the character I most closely identify with, in that we were both more interested in books than the real world. Also, weirdly enough, Disney fairytales seem to be the only romances I can stomach because l seem to prefer love stories set in a fantasy world rather than real one.

Disney has made quite a fair few of the live-action fairytales: Alice and its sequel, Oz The Great and Powerful, Maleficient, Into The Woods, Cinderella, The Jungle Book, The BFG, and Pete’s Dragon. The re-tellings started dark (almost as a comeback to the original print version of the tales) and have gotten lighter and more faithful to the Disney animated versions. The new Beauty and the Beast film is the most faithful to its animated predecessor out of all of them because the live action movie will also be a musical. While all the other live-action adaptations have featured some variations of the traditional songs neither of the previous movies have been full-on musicals.

Writing

2017’s Beauty and the Beast’s script was written by Stephen Chbosky (The Perks of Being a Wallflower) and Evan Spiliotopoulos (The Huntsman: Winter’s War). I thought that the duo of writers crafted a beautiful and faithful adaptation that was inspired by both the Disney animated version and the original French fairytale (which I, sadly, haven’t read in its original form but have definitely read a few re-tellings). I didn’t notice any big changes from the animated film but I highly appreciated all the additions. I really liked that they expanded Gaston’s character: gave him a war background and made him more cruel and villainous not just empty. I also enjoyed seeing Agatha or The Enchantress taking on a more active role in the story. Similarly, both Belle and the Prince received more development – their family backgrounds were incorporated into the narrative. That really helped The Beast’s character – his vainness was justified by his upbringing and, thus, made him more likable.

Speaking more about the writing for Belle – I really loved the fact that this time around Belle tried escaping from the very beginning and that it was explicitly stated that she find out about the curse. Moreover, I loved that they added the idea that both Belle and The Beast were outsiders and that that helped them reach a common ground.

Finally, to address the issue that a lot of people pointlessly made a big deal of – LeFou being gay or having a ‘gay moment’ in the movie (wtf that even means?). Personally, I loved all the subtle progressive additions to the plot: I absolutely loved the moment with the three musketeers being dressed in the lady’s outfits and one of the giving a positive reaction. The way that moment came into play later, during the final dance with that musketeer and LeFou briefly meeting was also nice. Even though the idea that feminity and homosexuality go hand-in-hand is bit stereotypical, it was still a nice moment and a definite step (even if a tiny one) forward. Additionally, the fact that LeFou realized that he was too good for Gaston was so important! In general, I really enjoyed what they did with the character. I applaud the filmmakers for seeing an opportunity to make a modern and sophisticated alterations/enhancement and taking it. Moreover, the screenwriters still managed to keep the comic relief aspect of the character and even made his jokes more mature and commentary-like instead of the slapstick cartoonish humor of the animation.

Directing and Visuals

Bill Condon, who has a diverse list of movies in his filmography, ranging from Twilight 3 and 4 to The Fifth Estate and Mr. Holmes, directed the picture and did a brilliant job. From the opening shot of the film, the visual were just plain gorgeous. The CGI characters and the backgrounds and the actual physical props blended seamlessly (hats off to both the production design and the special effects teams). The opulent opening sequence acted as an amazing visual set-up and explained the Prince’s greed and vainness effectively. The Sound of Music reference with Belle singing on the hill was also nice. The final action sequence appeared to be elongated and was definitely more suspenseful than the one in the animated version – I can easily see why they did that – even fairytales have to have a big 3rd act action sequence in Hollywood’s mind. My only criticism for the movie was that the second hour before the 3rd act felt a bit slow. And yet, I still understand why they had to slow down – they needed to show Belle and The Beast falling in love. In fact, I actually appreciated that the falling in love montage was longer, and, hence, more believable. In general, the picture had all the right feels – from the heartbreaking sadness to the Disney staple of eternal romance. Lastly, the animated character credits and the French translations for the credits were neat finishing touches.

Musical Numbers

Alan Menken was responsible for the music of the picture and did an amazing job. I felt that all of the musical numbers lasted for a longer time (the movie is half an hour longer than the animated picture) and I also loved the huge scope of them – they had way more extras and dancers than I expected. All the theatricality and drama of the performances was just great as well. All the old songs sounded familiar and yet brand new. I loved all the classics – Belle, Gaston, Be Our Guest, and, of course, Beauty and the Beast. The new songs – How Does a Moment Last Forever, Evermore, and Days in the Sun were also great and fit the old soundtrack well. The fact that the filmmakers got Celine Dion to sing one of the new songs during the credits was also great and a nice reference to her work on the animated film. I also really liked the Ariane Grande/John Legend version of Beauty and the Beast.

Acting

Emma Watson as Belle. Watson is always going to be Hermione in the majority of people’s minds but I hope that she will also get remember as Belle as she was stunning in the role: sweet but also tough enough. I also thought that she did a good job with the singing. Next step for her career is to star in an awards movie and maybe even snag a nomination for it.Some of her recent films include Noah, Colonia, and the upcoming The Circle.

Dan Stevens as The Beast. He was amazing. I could actually see him through all the motion capture CGI and his singing was also excellent. Steven’s career has had its ups and downs. He first got on everyone’s radar through Downton Abbey, but then he made a decision to leave the show just after a couple of seasons in order to star his movie career Well, that didn’t happen as soon as he probably planned. The role of The Beast is his most high-profile role to date but his performance 2014’s The Guest has also been positively accepted. Interestingly, Stevens also made a decision to go back to TV – be it in a very different role than the Cousin Matthew one – this time playing the titular mutant on Legion.

Luke Evans as Gaston. A perfect casting if I have ever seen one. Evans was just oozing charm as Gaston and even though I wanted to completely despise the character, I just couldn’t. Evans got his big break with The Hobbit movies and Dracula Untold and he was also recently in an indie experimental film High-Rise and The Girl on The Train big screen adaptation.

Josh Gad as LeFou was also brilliant. I really liked actually seeing him on screen after only listening to him in Frozen (he was Olaf for those not in the know).

My favorite voice actors were Emma Thompson as Mrs. Potts and Ewan McGregor as Lumière. Thompson just has a motherly sounding voice that was perfect for Mrs. Potts, while McGregor was super funny as Lumière. I can’t really comment on McGregor’s French accent or lack of it, cause I don’t speak French but I know that he had some difficulties with it. Well, I didn’t mind and actually liked how he sounded. It was also nice to hear McGregor singing cause I think that the last movie I heard him singing in was Moulin Rouge more than 15 years ago. The fact that he went from Trainspotting 2 straight to a Disney fairytale is also pretty funny.

Other cast member included Kevin Kline as MauriceIan McKellen as CogsworthAudra McDonald as Madame de GarderobeGugu Mbatha-Raw as Plumette, and Nathan Mack as Chip. All of them did a fine job. Lastly, Stanley Tucci played an original character – Maestro Cadenza. I didn’t really think that the picture needed a new character but his presence didn’t hurt the movie either. That final gag with the teeth and the piano keys was actually quite funny.

In short, Beauty and the Beast is an amazing adaptation of a beloved classic. It’s immensely entertaining and provides a great opportunity for some quality escapism into a fairytale world.

Rate: 4.8/5

Trailer: Beauty and the Beast trailer

KV4K6H3.jpg

Movie review: The Lego Batman Movie

Movie reviews

Hi!

With the DCEU films being critical nightmares, which do not earn as much as they should do, Ben Affleck stepping out as director of the Batman solo movie and The Flash film being completely rewritten, the Warner Bros desperately needs a win concerning its DC properties. Might The Lego Batman Movie be the win? Let’s find out!

IMDb summary: Bruce Wayne must not only deal with the criminals of Gotham City but also the responsibility of raising a boy he adopted.

Writing

The Lego Batman Movie was written by Seth Grahame-Smith (who wrote Dark Shadows, Abraham Lincoln: Vampire Hunter, and the novel version of Pride and Prejudice and Zombies), Chris McKenna (a TV comedy writer), Erik Sommers (Spider-Man: Homecoming writer), Jared Stern (who provided additional story material for Wreck-It Ralph), and John Whittington (a newcomer writer who doesn’t have any significant credits on his IMDb page). The duo of writers/directors behind the uber-successful The Lego Movie – the film that started The Lego franchise – Phil Lord and Christopher Miller – helped to produce this spinoff flick as well. I, personally, absolutely loved the writing for this movie.

Let’s star with the on the nose humor as it was such a huge part of the picture. The Lego Batman was basically Deadpool for kids. Like Deadpool, this film didn’t waste its credits and began mocking the studios and the executives in the first few seconds of its runtime. It then moved on to making fun of the comic book movies cliches, such as ‘the unnecessarily complicated bombs’, ‘the villains who explain their plan aloud’ and other plot conveniences.  Plus, I laughed out loud several times when the characters would start making the shooting noise – ‘pew pew’. I also loved the funny inclusion of the comic book sound effect balloons which showed the origins of Batman. Lastly, the movie also poked fun at merchandise with that merch gun scene (I’m definitely guilty of owning some items myself – I was actually wearing my batman sweatshirt at the screening).

The narrative wise, The Lego Batman Movie didn’t bother with neither the setup nor the basic development and origins of the character and I’m actually really glad that they skipped all of that, cause everybody already knows Batman’s background. Nevertheless, the film still did some cool stuff with its main character, for example, portraying him more as an anti-hero and raising the questions of accountability and legitimacy (basically, Captain America: Civil War storyline). The movie also teased and parodied the Batman’s Rogues Gallery and also mocked his gadgets (while at the same time, showing them on screen just so that they could turn them into toys and merch, which they have also made fun of already).

In addition, this film attempted to do something with the Batman and Batgirl relationship, which was very similar to what The Killing Joke movie did. That development really angered the fans and The Killing Joke really suffered from that addition, so I was worried that this idea might damage The Lego Batman too. However, this film dragged the ship more than pushed it, so everything turned out fine in the end. On the other hand, I really liked the relationship that was created for Batman and The Joker. The were literally like an old married couple. The other little details, like Batman’s password (‘Iron Man sucks), the Hugh Hefner-like dressing gown, and his obsessions with romcoms (shout out to Jerry Maguire) were just amazing. I also loved the fact that they managed to include a Nightwing easter egg and actually used the fact that lego figurines can join together as a plot point in the film.

From the thematical standpoint, the movie explored relationships within a family and between friends as well as narcissism. It looked at the fear of human connection which arose from the possibility of being left alone. The final message of the film – that one has to let people in even if they might hurt you by leaving and disappearing – was a neat one.

Directing

Chris McKay, who worked as an animator and editor on The Lego Movie, directed The Lego Batman and did a spectacular job. I just loved the fact that he took the grimmest property from the dark and sophisticated DC and made it work as a comedy. The Lego Batman Movie was, truly, one of the best action comedies I’ve seen. It had the non-stop jokes and the fast action (the film was unbelievably energetic) but it still found time for quieter, more heartfelt moments (every animated movie needs ‘the feels’). The only few moments in the picture, which annoyed me a bit, were all the singing and rapping scenes. They juts seemed of a lower level of humor than all the wonderful meta-references and jokes.

Additionally, the animation was just striking. Every shot looked so densely animated and complex – you could just see how much work it has taken to bring this story to life in this format. The Lego Batman Movie was definitely a perfect match between the material and the format, cause I doubt that this narrative could have worked in live action. It would have just come across as stupid (mostly because of all the rapping), but now it blended the right amount of stupidity and cleverness and was, overall,  extremely fun and very enjoyable.

Speaking more about the visuals of the film, I loved seeing the recreations of all the previous Batman films in the lego form. I also really appreciated the lego versions of all the other DC and non-DC villains that cameoed in the film – crossover all the way! We got to see Voldemort, Sauron, King-Kong, The Wicked Witch, and Doctor Who’s Daleks – basically all properties that belong to WB.

I have also noticed, that the majority of DC films (both live-action and animated) are now team-ups. It also seems that one cannot have a Batman movie without Superman or the other Justice League members (that short scene was a neat surprise and maybe it was there to set-up a sort of solo Lego movies for other DC characters?).

Music

Lorne Balfe was responsible for the soundtrack and he picked some very appropriate, witty, and catchy songs for the film. While I didn’t really like the actual Batman song, I loved the updated version of ‘Man in the Mirror’ and felt that it was a more clever jab at Batman rather than the on the nose Batman song.

Voice Cast

The film had an amazing voice cast. Will Arnett (a long time voice actor and narrator) just killed it as Bruce Wayne / Batman, while Zach Galifianakis (who has also had some experience with voicing) was an equally amazing JokerMichael Cera (Sausage Party) brought a sense of innocence to Dick Grayson / Robin, while Rosario Dawson’s (who voices Wonder Woman in most of the direct to video JL films) voice really fit Barbara Gordon / Batgirl – she sounded as and actually was an efficient go-getter. Ralph Fiennes (Kubo and the Two Strings) oozed class as Alfred PennyworthJenny Slate (Zootopia, The Secret Life of Pets) was the voice of Harley Quinn. It might be the Margot Robbie effect, but I wanted Harley to sound sassier.  The filmmakers also managed to get the big name talent – Channing Tatum and Jonah Hill –  to record a few lines as Superman and Green Lantern, respectively (they voiced these characters in The Lego Movie), while Adam DeVine joined them as The Flash.

In short, The Lego Batman Movie was both a successful spin-off of The Lego Movie as well as a great parody of all the comic book movies. Extremely funny and highly enjoyable!

Rate: 4.7/5

Trailer: The Lego Batman trailer

cym_yo1w8aqqn_z.jpg

5 ideas about a movie: Kubo and The Two Strings

Movie reviews

Hello!

Let’s review a possible Best Animated Feature nominee that came out a few months ago – Kubo and The Two Strings.

IMDb summary: A young boy named Kubo must locate a magical suit of armor worn by his late father in order to defeat a vengeful spirit from the past.

  1. 2016 has been a strong year for animation, especially financially: Zootopia and Finding Dory both earned over a million dollars, while The Secret Life of Pets came super close. Kubo might not have been as big of a financial hit as the other animated pictures but it definitely appealed to the critics and the cinephiles.
  2. Kubo and The Two Strings is the latest stop-motion picture from Laika. I’ve always been a fan of this type of animation and of this particular studio and their product. Coraline is still one of my favorite animated films of all time and I also enjoyed 2014’s The Boxtrolls. Kubo is their least financially successful but the best (quality-wise) film. It differs from the other pictures with its Japanese setting. Kubo feels like a blend of Western and Eastern animation – the anime of the West.
  3. Kubo was written by Marc Haimes and Chris Butler. I loved the adventure story that they crafted for the film. The feeling of the deeper underlying mythology was present and enriched the narrative nicely. The themes discussed were serious and universal, like family, love, and memories. I also loved the writing for the main character (his powers were so cool and unique) and the writing for the supporting cast (the choice of animals for the secondary roles was really extraordinary- haven’t seen many beetle and monkey team-ups before). The dialogue was good too: the heartfelt emotional moments mixed well with the funny bickering (and flirting). The super positive ending was also lovely.
  4. The film was directed by Travis Knight, who has worked as an animator on a bunch of stop-motion animated pictures. I loved the atmosphere and the overall look of Kubo: it was eerie and scary but also adorable and really beautiful. The character design was magnificent too:  I loved that the main character appeared to be of ambiguous gender and that the character’s look corresponded with the character’s traits (e.g. the ability to fly came from the kimono top). Kubo actually reminded me a lot of Mulan (and yes, I know one comes from Japan and the other from China). Lastly, touching more on the animation – I loved how origami (the next level origami, while I don’t even remember how to make a swan) – a distinctly Japanese art of folding that is popular globally – was used in a stop-motion animation setting. It was truly a great combination of tecniques and ideas.
  5. The film featured great performances from the A-list voice cast, which included Charlize TheronMatthew McConaughey (Sing), Ralph Fiennes (will voice Alfred in The Lego Batman), and Rooney MaraArt Parkinson (GOT’s Rickon) was great as the titular lead character as well. The movie’s soundtrack by Dario Marianelli was spectacular too.

In short, Kubo and The Two Strings is another great animation of 2016. However, this one is the most unique because of its style, setting, and characters.

Rate: 4,5/5

Trailer: Kubo and The Two Strings trailer

kubo.jpg

BEST, WORST, and MISSED movies of 2016!

Movie previews, Movie reviews

Hello!

Yes, it’s that time of the year again for me to list my favorite and least favorite pictures. Like last year, I will also give you a top 5 of the films that you might have missed because of various reasons but which are worth a watch. 2015’s lists are here.

A short warning before we start: I have not seen all the pictures released this year, especially the majority of the awards contenders, so do not expect to find a lot of them here. Also, this is not an objective ranking of films – these are my subjective personal preferences. That means that the movie you hated might have been one of my favorites and vice versa. Similarly, a film that the critics bashed or a movie that bombed at the box office might also find itself on my best list. Without further ado, let’s begin:

Best:

  1. Captain America: Civil War
  2. Deadpool
  3. Rogue One: A Star Wars Story
  4. Fantastic Beasts and Where To Find Them
  5. Doctor Strange
  6. Hell or High Water
  7. Sully
  8. Arrival
  9. Zootopia
  10. Hacksaw Ridge

The first 5 places on my list are all occupied by big blockbusters. Not surprisingly, two Marvel movies managed to squeeze into the list at number 1 and 5, respectively. The fact that a Harry Potter and a Star Wars film made the list at 4th and 3rd place isn’t unexpected either. The biggest shocker of this year and the first half of my list finds itself at number 2. I was extremely worried about Deadpool but it totally blew my mind. Even though it came out back in February, I still cannot forget it and that’s why it is a runner-up on my favorite movie list.

The second half on the Top 10 spotlights a few ‘regular’ movies. Here we have my favorite indie picture at number 6, my favorite drama at number 7 and the best sci-fi I’ve seen in years at number 8. The list closes with my favorite animation of the year from none other than Disney at 9th place (it was so hard to pick the best animated picture – we had a few good ones in 2016) and the best historical film of the year at 10th place.

Worst:

  1. Jack Reacher: Never Go Back
  2. The Divergent Series: Allegiant
  3. Independence Day: Resurgence
  4. Assasin’s Creed
  5. Jason Bourne
  6. Mike and Dave Need Wedding Dates
  7. Alice Through The Looking Glass
  8. Miss Peregrine’s Home for Peculiar Children
  9. The BFG
  10. The Girl on the Train

I wouldn’t necessarily state that these films are the worst that I have seen this year but rather the most disappointing. The problem that I had with the majority of them was the fact that they wasted their potential and were extremely generic.

This list has a few sequels that nobody asked for (1st, 3rd, 7th). It also has a couple of YA adaptations that should not have been made the way they were at number 2 and number 8. It has a film that was basically destined to be bad at number 4. Plus, the list has my biggest disappointment of the year at number 5. Lastly, at the 6th place, we find a generic comedy that was not that funny; at number 9 – the worst Spielberg movie possibly ever and, in the last place, we have another bland thriller that was not that thrilling.

Missed Movies:

  1. Everybody Wants Some!! – the latest coming of age drama from Richard Linklater and the spiritual successor to Dazed and Confused, Everybody Want Some!! was a great film that not a lot of people saw. It came out in spring and had a neat story, nice directing, and great performances from a whole cast.
  2. Eye in the Sky – a modern and very topical thriller about contemporary warfare. It was suspenseful and intriguing. The film also featured the last on-screen performance by Alan Rickman.
  3. Eddie the Eagle – the feel-good film of the year. It had an inspiring story about a loveable underdog played by Taron Egerton. Wolverine himself provided the support.
  4. Nocturnal Animals – the second feature from the designer Tom Ford that had one of the most inventive and exciting narratives this year. The film was engaging, it asked questions, and was visually stunning.
  5. The Nice Guys – an actually funny comedy from this summer that nobody saw! It had both style and substance! The lead duo – Ryan Gosling and Russell Crowe – were amazing too!

So, these are my lists for the year! What movies did you love or hate in 2016? What is a film that you think I should watch that came out this year? Leave the answers in the comments bellow! I am looking forward to reviewing and discussing movies with you in 2017!

Bye!

My dorm room’s wardrobe

5 ideas about a movie: Storks

Music

Hello!

Welcome to the last animation review of this year! This time, I want to briefly talk about one of the best overlooked animated movies of 2016 – Storks.

IMDb summary: Storks have moved on from delivering babies to packages. But when an order for a baby appears, the best delivery stork must scramble to fix the error by delivering the baby.

  1. Storks was written by Nicholas Stoller, who also co-directed the picture. Stoller has worked on The Muppets movies as well as recent comedies such as Neighbors 1 +2Sex TapeZoolander 2, and The Brothers Grimsby. Storks, to my mind, might be his best movie yet because of its neat and inventive story. Stoller and his co-director Doug Sweetland (a longtime Pixar animator) created a really adorable animated picture.
  2. Advertised as a super childish film, Storks actually dealt with pretty adult problems, such as finding and building a career, parenting, and consumerism. It also touched upon the ideas on how to show one’s feeling and how to find one’s place. The film also had a very liberal, open and worth celebrating view on a family. In general, its story was very heart warming.
  3. I’d like to also celebrate Storks for taking such an old and traditional myth and revamping it for a new generation. The fact that the film had adults jokes that weren’t raunchy or sexual should also be praised. Nevertheless, the film had enough funny moments that were understandable to kids. The wolf pack, as well as the pigeon lad, were probably the easiest jokes that the movie made.
  4. The voice cast did a good job, the standouts to me were Katie CrownKelsey Grammer, and Andy Samberg
  5. Before the main feature, The Lego Ninjago short was screened so as to promote all the upcoming The Lego Movie spin-offs, namely The Lego Batman movie that comes out in February and The Lego Ninjago film that will premiere in September. The short picture was cute and funny. I’m still amazed by this style of animation and I can’t wait to see the feature flicks next year.

In short, Storks was a lovely little movie that was both funny and engaging. The adorable animation didn’t hurt the picture either.

Rate: 3.75/5

Trailer: Storks trailer

Storks_(film)_poster_2.jpg

5 ideas about a movie: Sing

Movie reviews

Hello!

Welcome to one of the last reviews of this year. Without further ado, let’s start discussing Illumination Entertainment’s latest feature – SING!

IMDb summary: A koala named Buster Moon has one final chance to restore his theater to its former glory by producing the world’s greatest singing competition.

  1. Sing was written and directed by Gareth Jenkins. This was his first solo project after working with Nick Goldsmith on a number of films and music videos. Jenkins made this movie for Illumination Entertainment – a relative newcomer to the animation scene. However, this company has already established itself: they made the successful Despicable Me films and the crazy lucrative Minions movie. Just this summer, they had another huge hit – The Secret Life of Pets. So, Sing has to meet fairly high expectations, both financial and critical ones.
  2. Sing was advertised as an animated musical. We already had a couple of those this year, like Trolls and Moana. Since it focused on singing animals, Sing also made an impression of being Zootopia: The Musical. However, the film surprised me because it had a strong story with organic music number rather than being a straight-up musical that a story had to accommodate.
  3. Thus, the writing for Sing was actually quite good. The story itself wasn’t the most original but it was executed well. It had the emotional appeal (the ‘feels) and was also interesting intellectually because of a varied bunch of great characters. All of them were underdogs but in a unique and different way. I really liked the opening sequence which set up all of their individual plots. In general, the picture both celebrated the love for music and performance but also showed the hardships of show-biz. The film was not as light or childish as I expected it to be.
  4. The musical numbers and the audition ideas of the film obviously tried to capitalize on the success of music competitions, such as The X Factor and The Voice. Nevertheless, the audition montage was still funny and entertaining. The twerking bunnies, as well as the K-Pop group, were my favorite. I also fell in love with Gunter. I want him to be my spirit animal or my best friend. The other funny scene that I’d like to spotlight was the car wash sequence. The final performances were also cute. The short snippet of George Michael’s ‘Wake Me Up Before You Go-Go’ also made me tear up a bit.
  5. The original voice cast was full of Hollywood A-listers. I was only able to hear their voices during the singing performances, as the rest of dialogue was dubbed (the joys of spending the holidays in a non-English speaking country). Nonetheless, I enjoyed listening to the singing performances by Reese WitherspoonSeth MacFarlaneScarlett JohanssonTori KellyTaron Egerton, and Nick Kroll. I would have loved to hear what Matthew McConaughey did with the leading role as well, but as his voice is so distinct, I think I still imagined him speaking in my head. 

In short, Sing was a great animated film, perfect for the holiday season. It had a lovely narrative at its center, while the equally nice musical numbers occupied a secondary role.

Rate: 4/5

Trailer: Sing trailer

sing-one-sheet-566b27010f4eb-1

Movie review: Moana

Movie reviews

Hello!

The long awaited and newest Disney Princess movie – Moana – has reached theaters, so, let’s talk about it!

IMDb summary: In Ancient Polynesia, when a terrible curse incurred by Maui reaches an impetuous Chieftain’s daughter’s island, she answers the Ocean’s call to seek out the demigod to set things right.

Moana is, technically, a 13th Disney Princess film. It has been truly amazing to see how this brand evolved in the past 80 years. I feel that the biggest changes started with 2010’s Tangled and all the films following it have been adapting their stories and characters to fit the contemporary world and I’m excited to see what will Disney do next.

Moana is also Disney’s return to musicals, since Frozen 3 years ago. Can Moana’s soundtrack replicate the success of Frozen’s soundtrack? It is gonna be a bit harder for Moana, as this year, we already had one fairly successful animated musical – Trolls – and we also have another one coming up – Sing.

Lastly, Moana is Disney’s attempt at presenting an indigenous – Polynesian culture – to the global market. Thier last attempt at this with Pocahontas wasn’t the most successful, but I think that Disney learned from their mistakes. They went an extra mile to cast voice actors from appropriate backgrounds and also employed anthropologists to help portray Polynesian culture as accurately as possible. As a student of anthropology and a lover of films, I found that fascinating – maybe this can be my job in the future?

Moana’s story also appealed to me on two personal levels. First of all, I, as a longtime professional(-ish) swimmer, sometimes do feel better in the water than on land, so I loved seeing Moana’s connection to the ocean. Secondly, Moana reminded me of two different books that I read as a kid that both revolved around islands and island culture. One of them was Whale Rider (1987) by Witi Ihimaera about a Maori girl and her journey to becoming her clan’s chief. The other was called Island of the Blue Dolphins (1960) by Scott O’Dell about a Native American girl who gets stranded on an island near California. Both books have been turned into movies, in 2002 and 1964 respectively.

Writing and Story

Jared Bush, who has previously worked on Big Hero 6 and also co-wrote and co-directed Zootopia, wrote the screenplay of Moana but a lot of people got the credits for the story, including the directors of this film Ron Clements and John MuskerBig Hero 6’s directors Chris Williams and Don HallWreck-It Ralph 2’s writer Pamela Ribon, and twin Hawaiian screenwriters Aaron and Jordan Kandell.

For the most part, I really enjoyed the writing for Moana. I loved that the movie opened with a lesson in Polynesian mythology. In general, I thought that this specific culture was represented with respect but it was still made fun. The writing for the two main characters was also great. Where the movie’s magic kinda broke down was in the actual narrative of the film. The first act felt a bit drawn out – I wanted to get onto the adventure part quicker. I felt that the movie was just basically checking things off a list in during the set-up: Moana had Disney staples such as the dead relative/teacher, the overprotective parents, and the idea that everyone should stay in their place. The ending was also a bit predictable and I wish they would have done without the cliches like failing at first try and leaving and coming back in the heat of the battle. Nevertheless, a few narrative ideas that I thought were great was the fact that Moana didn’t have or need a love interest. Also, the final confrontation was female-centric, similarly to Frozen, and I would have had a problem with that if Moana didn’t have strong and cool male character – Maui – as well.

Directing and Animation

Ron Clements and John Musker, who have made such Disney classic as The Little MermaidAlladinHercules, and Princess and the Frog, directed the film and did a wonderful job. The pacing of the film could have been better but I absolutely adored the visuals and the animation. All the environment, especially the ocean, were brought to life just magnificently – the water looked both realistic and magical – so much better than another recent water based animation Finding Dory. The character design was also super cool. Moana actually looked like a real person, with realistic body proportions! Maui looked super cool too – I liked that his tattoos were not only a visual prop but a part of the plot. Moana’s sidekicks were good too. The chicken was mostly used for comic relief which was neither a hit or a miss for me. I wish, however, that they would have brought the piggy along for the ride, as he was super cute. The baby Moana was also so adorable. You couldn’t not fall in love with her. Lastly, one of my favorite parts of the film was the good old training montage for both Moana and Maui.

Music

Tarzan’s composer Mark MancinaHamilton’s Lin-Manuel Miranda, and a member of Oceanic music group Te Vaka – Opetaia Foa’i – all worked on the soundtrack and did an amazing job. To being with, I loved hearing some of the songs in Tokelauan language – it added more authenticity to the film’s atmosphere. The more mainstream pop-songy numbers were also great. I see a lot of potential in one song especially in finally making the world let go of Let it Go – I’m talking about the main song of MoanaHow Far I’ll Go. I liked the version sung by Cravalho much more than Alessia Cara’s credits version. Even though I love Cara and her lyrics, I felt that Cravalho voice just had more emotion and fit the song better. But I can see why Disney wanted a more well-known singer to record a version of the song. Let it Go was also recorded by Idina Menzel and a more mainstream choice Demi Lovato.

Other two songs that I’d like to name are You’re Welcome by Dwayne Johnson. I was super impressed with Johnson’s voice – is there anything he can’t do? The song itself kinda reminded me of another Disney tune whose name I don’t remember, but it just sounded so familiar. The last song I’m gonna mention was the one sung by the crab – that was the only part of the score that I didn’t feel on board with.

Voice cast

  • Auli’i Cravalho was amazing as Moana. Her voice just had so much emotion and fit the character perfectly. I think she has a long career ahead of her, at least I hope so.
  • Dwayne Johnson as Maui was great too. He just had so much charisma in his voice alone. This was only his second voice role. Next year, he has 3 big movies coming up – Fast 8Baywatch, and Jumanji.

In short, Moana was another great picture from Disney. It had spectacular characters, nice thematical ideas and gorgeous animated visuals. I only wish they would have made the story a bit more original.

Rate: 4/5

Trailer: Moana trailer

P.S. Before Moana, a new Disney short called, Inner Workings, was screened. It was kinda the Inside Out of the body rather than the mind. It was both funny and cute as well as sad and depressing (like Pixar levels sad). Loved the main message – treat yourself, escape the routine and enjoy life!

csky6rmviaenstq-jpg-large.jpg

Movie review: Trolls

Movie reviews

Hello, everyone!

Usually, I go to the cinema on a Friday or during the weekend. However, I made an exception this week and went to see a film on a Monday afternoon as a reward for finishing a very depressing anthropology essay (I wrote about race and racism). As a result, I chose a movie that I hoped would make me smile and would lift my spirits – Trolls. So, let’s see if the film succeeded in that regard!!

IMDb summary: Enter a colorful, wondrous world populated by hilariously unforgettable characters and discover the story of the overly optimistic Trolls, with a constant song on their lips, and the comically pessimistic Bergens, who are only happy when they have trolls in their stomach

Writing

Jonathan Aibel and Glenn Berger, writers of the Kung Fu Panda series and The SpongeBob Movie: Sponge Out of Water, penned the script for Trolls and did a good job. The narrative was not the most original – it had the basic rescue plot, a storyline of hero’s growth, a dead relative (a Disney/Pixar staple in a DreamWorks film?) and even a Cinderella-esque plot-line on a side. However, it was executed effectively. Trolls was cheesy and had heart: it was pleasing to the eye, the mind, and the soul. It portrayed universal topics of friendship and family and looked for the balance between positivity and negativity. It overcame the problematic and a tiny bit cruel premise that one can only be happy by hurting others with a concluding notion that happiness is inside all of us, but sometimes we need others to bring it out. The film’s jokes were mostly aimed at children, but a few more adult lines were also slipped in, including ‘Little slappy, make daddy happy’ moment. I also appreciated ‘the happiness equals pizza’ scene.

Directing

Mike Mitchel (worked on the Shrek movies and the new SpongeBob film) and Walt Dohrn (co-wrote the Shrek series, the Madagascar series and Rise of the Guardians) directed the film and did a nice job. I loved the fact that they and the DreamWorks animators just went all out with the colors. Trolls was an absolute explosion of the rainbow – all big and bright. I loved the troll’s hair and the way they used it as a tool or a weapon. Both the hair and all other surrounding textures appeared to be very furry and soft – I really wanted to physically touch that world. The structure/appearance of the trolls’ bodies reminded me a bit of smurfs, although it was actually based on the Danish woodcutter’s Thomas Dam’s designs. Because of the way trolls acted, they also had some similarities to minions. I wish that Trolls would become the new Minions because I am so tired of those yellow fire-hindrents – they are literarly everywhere. Trolls’ movements (or singing, dancing, hugging, and scrapbooking) were realized nicely as well: they moved realistic enough but also had the right amount of fantasy’s fluidity. Lastly, the movie had a mid-credits scene, so make sure you stay through the first part of the credits to watch it.

Music and Voice Work

Christophe Beck was responsible for the music and he did a fairly good job. The film had a good mixture of well-known pop songs and, since I enjoy pop music and different covers of it, I liked the overall soundtrack. My favorite performances were the sadly happy ‘True Colors’ scene and the unapologetically bright and explosive finale with ‘Can’t Stop The Feeling’. That song was literally everywhere this past summer (and will probably re-appear after the release of this picture) and was the best marketing for the film. However, I wish they would have released the movie’s version with both Kendrick’s and Timberlake’s vocals, instead of it just being sung by Timberlake. Both of them did a good job with their songs and dialogue, though. Kendrick (Mike and Dave Need Wedding Dates, Pitch Perfect and upcoming The Accountant) was bubbly and sweet as Poppy and Timberlake (Friends with Benefits, In Time, upcoming Woody Allen project) was moody and whiny enough to be Branch. Branch’s character was probably the one that I related the most to. I also liked the meta-moment when Branch said ‘I don’t sing’ even though the person behind his voice is literally one of the greatest singers/entertainers of out generation.

The supporting voice cast included a few actors, a few comedians, a few singers and even a few YouTubers: Zooey DeschanelRussell BrandJames CordenGwen Stefani, and Icona Pop all had characters to bring to life. Youtube was represented by Ricky Dillon, Kandee JohnsonGloZell GreenCarrie Hope Fletcher, and Connie Glynn (Noodlerella). All of them were supposed to have voice cameos in the film, although I’m not sure in which versions. I definitely know that Carrie and Connie aurally appeared in the UK version – the one I saw.

Rate: 3.75/5

In short, Trolls was a delightful little film. It had superb animation, some nice songs, and good performances from the voice cast. The story lacked originality but entertained me in that familiar kinda way. Next similar film – an animated musical comedy SING will be coming out in December/January!

Trailer: Trolls trailer

Trolls_poster_goldposter_com_9.jpg

Extraordinary Cinema Review II (The Shows of Shows + Persepolis)

Movie reviews

Hello!

I’m continuing my series of indie foreign films that I’ve started yesterday. My previous post and the reasons behind me doing this review series are here.

The previous two films I discussed both belong to the narrative cinema genre, so they were fairly close the mainstream. However, these two are more outside the box: one of them is a stock footage documentary and the other – black and white 2D animated feature.

The first film I’m discussing today is The Show of Shows: 100 Years of Vaudeville, Circuses, and Carnivals. It’s an Icelandic director’s Benedikt Erlingsson’s musical documentary from 2015. The whole film is one giant found footage montage. Erlingsson just pieced together various National Fairground Archive clips of circus and carnival performances. The picture has no dialogue, no narrative – it just a spectacular combination of music and visuals and the upbeat tempo of the soundtrack really adds a lot of liveliness to the already spectacular video recording. The film is kinda divided into different sections – you get 10 minutes of dance acts at the start, then the movie spotlights the different animal performers, jugglers, gymnasts, clowns and all kinds of other circus personnel.  The Show of Shows ends with the sequence of people laughing and drives home the idea that circus wouldn’t exist without the spectators.

The feature is definitely amusing and entertaining (just like the carnival), though, the animal parts are quite hard to watch. The previously heard stories about animals being treated badly at the circus kinda ruined the enjoyment of the film for me just a bit.

Watching this film was not only a great experience because of its content – the location added some flavor to the mix too. I actually got to see this film outside during the night. During the summer, the Lithuanian international film festival Kino Pavasaris (eng. Cinema Spring) in partnership with the Kaunas’ Art Cinema Romuva put on a screening of this particular picture in the Old Town of Kaunas. The event attracted a lot of people and we all got a chance to spend a nice summer evening watching a movie underneath the stars.

Rate: 5/5

Trailer: The Show of Shows trailer

scv73txa1bu4rnb69cyezyfluff

The second film I want to mention was made in 2007 but skipped my attention until two days ago. It’s the animated feature Persepolis, directed by Marjane Satrapi and Vincent Paronnaud, based on Satrapi’s autobiographical graphic novel of the same name. I have read the novel – it was one of the first comics I have read – and absolutely loved it, so I decided to check out the movie as well.

To begin with, I loved the film because it was so close to graphic novel – the animated graphics looked exactly like the comic book panels. In addition, although all the characters were animated and lacked any coloring, they were so full of life and expressive.

I also appreciated the fact that the picture was respectful to the subject but also dared to make some jokes. The film revolves around a girl’s (Satrapi’s) life – how she lives through a war and through a revolution in Iran, how she eventually has to leave her native country and has to build a new home abroad. All of the facts are laid out neatly and clearly, the problems and horrors are showed unflinchingly, but the comic-relief and the everyday funny situations also find a place in the picture. In short, Persepolis is both heartwarming and anger-inducing. It kinda makes everyday problems of my own life seem unimportant.

One of the most interesting aspects of the film (and the original novel) was the concept of Westernization of Iran. It was interesting to see that Iranian people weren’t actually that different from people in the West – they liked the same music and films. It was also captivating to see the items of the Western world being sold as contraband on the streets – the situation was pretty similar in the Soviet block, where my parents grew up, so it was fascinating to see the same things happen in a different part of the world. I guess, for better or for worse, one cannot escape Westernization, be it a voluntary or involuntary process.

Rate: 5/5

Trailer: Persepolis trailer

persepolis

I hope you enjoyed this slight break from the mainstream films. I will return to reviewing them tomorrow with a post on Deepwater Horizon. In the meantime, let’s go back to binge-watching Luke Cage.