5 ideas about a movie: The Beguiled

Movie reviews

Hello!

A festival favorite and one of the strongest summer contenders for the awards season – The Beguiled – has premiered, so, let’s review it!

IMDb summary: The unexpected arrival of a wounded Union soldier at a girls’ school in Virginia during the American Civil War leads to jealousy and betrayal.

  1. The Beguiled was both written and directed by Sofia Coppola, latter of which was awarded at the Cannes Film Festival – she became the second woman ever to the Best Director Award. I’ve seen some of her films (The Bling Ring and Lost in Translation), but I’ve always had her other pictures on my ‘To watch’ list. I really need to do a movie marathon consisting of not just hers but of The Coppola’s family tree films.
  2. The movie’s script was based on a book A Painted Devil by Thomas P. Cullinan and the main topic being explored was the taboo issue of female sexuality and, especially, the repressed female sexuality and its dangers. Thus, all the character development mostly revolved around this issue, with not much attention being paid to anything else. The actions of the women did not make them into likable characters, while their choices at the end of the film were really quite shocking, which, I guess, was the intention. I did like the jab at the ‘Southern Comfort’, though – it’s the food that kills you. Literally.
  3. The writing for the lone male character was the best and he was the most well-rounded individual. His slay manipulations could really be seen in Colin Farrel’s (The Lobster, Fantastic Beasts) performance: he knew what each of the ladies wanted him to be and fulfilled that role. He was the older brother and an adult of the world to talk to, he was someone to impress and a potential suitor. Mostly, though, he was the personification of the budding sexual fantasies. These type of manipulations in his demeanor and the bursts of anger made me kinda see his demise as weirdly justified.
  4. Coppola’s directing was full of classical elements, like the steady camera, the old school ratio, and the long shots. These long shots really dictated the pacing of the film. The Beguiled was slow but carefully crafted, however, I did feel that, on a few occasions, some shots were lingering for too long without any intensity in them to make up for the lack of literal action. Nevertheless, I did enjoy the way Coppola realized the setting of the Civil War, with the noises of the battle going off in the background, but never allowed it to overpower the romantic drama happening within the house. The Beguiled wasn’t a Civil War film but a romantic thriller set during it. For the first hour, it was quite innocent (flirty and cute), while the last half hour was full of unforeseen cruelty and insane choices (all those repressed feelings were just bubbling over).
  5. I’ve already briefly touched upon Farrel’s smooth performance, so, now let’s look at the female cast. Nicole Kidman (Genius, Lion), Coppola’s usual partner Kirsten Dunst (Hidden Figures, Midnight Special), Elle Fanning (Trumbo, The Neon Demon), Angourie Rice (The Nice Guys, Spider-Man), and Oona Laurence (Southpaw, Bad Moms, Pete’s Dragon) all starred in the picture. The sexual tensions and frustrations were palpable in all of their performances with the exception of the youngest cast member Laurence.

In short, The Beguiled is a beautiful and slow art-house cinema offering that focuses on a theme that is still not as widely discussed as it should be, in the year 2017.

Rate: 4/5

Trailer: The Beguiled trailer

beguiled.jpg

Advertisements

5 ideas about a movie: Free State of Jones

Movie reviews

Hello!

Before 2016 comes to a close, I would like to catch up on smaller movies and their reviews. Some of the films that I’m going to talk about in the next two weeks might become awards contenders, so I’m basically kickstarting the reviews of the awards season early. First movie on my list – Free State of Jones.

IMDb summary: A disillusioned Confederate army deserter returns to Mississippi and leads a militia of fellow deserters, runaway slaves, and women in an uprising against the corrupt local Confederate government.

  1. Free State of Jones premiered in June and was supposed to be the summer movie season’s awards contender (there is always one film that gets released super early in the year and then pops up again during the awards season). However, the critics didn’t really like the film, so it faded into oblivion quickly. In addition, Free State of Jones was considered to be the ‘it’ American Civil War movie of the year, but it got quickly dethroned by The Birth on a Nation. Sadly, that movie fell off everyone’s radar too but because of its filmmaker’s past rather than the picture’s quality.
  2. I didn’t particularly enjoy Free State of Jones. Firstly, it is not the movie that one can enjoy in the true sense of the word – films like this usually make me really emotional, angry, and quite depressed. Secondly, from the technical filmmaking standpoint, I do not think that Free State of Jones was a well-made picture for a few reasons.
  3. Free State of Jones’s story was based on fascinating real life events. However, all the potential of this historical narrative was butchered on the big screen. The film felt unfocused and drawn out. It was slow and, frankly, bored me most of the time. The suspenseful and interesting moments would last a second and then we would get more funeral speeches, which were interesting at first but became repetitive really quickly.
  4. Gary Ross, who has received a few Oscar nominations for writing, both directed and wrote the film, so I was quite surprised that the story was one of the weakest points of the film. He is probably best known to the mainstream audiences for directing and writing the first Hunger Games movie, though. His directing of Free State of Jones was fine – the shots looked nice and I did appreciate the realism and the grit with which the Civil War was portrayed – it wasn’t a glamourized version of the war by any means. However, I think that he kinda ruined the film in the editing room – the picture felt like a collection of scattered scenes that didn’t flow together. The time jumps in the past as well as the occasional jump to scenes 85 years later didn’t make much sense either and made the film even more confusing.
  5. By far, the best aspect of Free State of Jones was the performances of the whole cast. Matthew McConaughey (Mud, Dallas Buyers Club, True Detective, Interstellar) was great in the lead. Mahershala Ali (who I loved on Luke Cage) was amazing too and showed a lot of acting range. Gugu Mbatha-Raw (Concussion) and Keri Russell (Dawn of the Planet of the Apes) were also stellar in their supporting roles.

In short, Free State of Jones was a forgettable movie that wasted its waste potential. The film’s only redeeming quality was the acting.

Rate: 2.75/5

Trailer: Free State of Jones trailer

freestateposter.jpg