Hello!
And welcome to a review of one peculiar little picture. This is Isle of Dogs.
IMDb summary: Set in Japan, Isle of Dogs follows a boy’s odyssey in search of his lost dog.
- Isle of Dogs was written and directed By Wes Anderson and was undeniably his picture. His style of filmmaking is just so unique and different that it is impossible to confuse his films with anyone else’s. While Anderson did write the screenplay himself, the story credits went to Roman Coppola, Jason Schwartzman (two of Anderson’s frequent collaborators), and Kunichi Nomura (a Japanse actor/writer who was also one of the two casting directors for this film).
- I have seen a lot of articles and comments online about Isle of Dogs in relation to the appropriation of Japanese culture. I certainly had a similar thought when watching the movie. I wasn’t entirely sure why the setting had to be Japan, though I found the interplay between the languages – English and Japanese – quite an interesting choice for the film. I also wouldn’t like to state that the filmmaker was definitely appropriating something as I believe that cultures should be shared. And yet, where is the line between respectful homage and appreciation versus malevolent appropriation?
- In my mind, Isle of Dogs’ story unfolded on two plains: the surface and the hidden one. The surface story was an elaborate but clear adventure narrative about some dogs and a boy fighting an evil empire. That story was a bit slow but the humor was still snappy (the comedic timing was quite impeccable). The deeper meaning that I took from the picture was the commentary on the modern society, which enjoys nothing more than othering and excluding people that it finds unsuitable for a whole number of reasons (a lot of which relate to the person’s identity).
- I highly enjoyed the format of Isle of Dogs. I have always been a fan of the stop-motion animation and I sill find it just so captivating. The amount of work that goes into this style of animation blows my mind every time I see a new film using it. The design of the animals was also great – real but not really. Every shot felt just so material: saturated with objects, colors, and textures. The symmetrical steady shots also felt very Anderson. The film was also very musical in that its score had an underlying beat, constantly ringing in the background, which provided a sort of rhythmic backdrop for the story. The animation, art, and music departments should get as much recognition for this movie as Anderson himself does.
- Isle of Dogs’ voice cast was full of Hollywood’s most recognizable and expressive voices that added so much to the picture. Bryan Cranston (Trumbo, Power Rangers), Edward Norton (Collateral Beauty), Bill Murray (The Jungle Book), Jeff Goldblum (ID2, Thor 3), Bob Balaban, Greta Gerwig (Lady Bird), Frances McDormand (Three Billboards), Scarlett Johansson (Ghost in the Shell, MCU), and Tilda Swinton (Okja, Doctor Strange) all had roles of varying sizes. On the Japanese front, Koyu Rankin, Kunichi Nomura, Akira Takayama and even Yoko Ono lent their voices to some characters.
In brief, Isle of Dogs was a bizarre and fascinating Wes Anderson-y ride that might or might not have been culturally insensitive.
Rate: 3.5/5
Trailer: Isle of Dogs trailer
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Great review. I have a hit and miss relationship with Wes Anderson films but this was one I really connected with. I don’t really see it as cultural appropriation but rather a filmmaker who loves Japanese culture and set his film in that setting because of it. I mean does that mean any film set in Europe or Africa or Madagascar by a filmmaker not from those parts of the world is appropriating culture for financial or artistic gain? I respect people’s feelings if they feel offended in this case but Wes Anderson is one of those filmmakers who takes styles and form from cinema and the world to feed his own artistic vision. Is Grand Budapest Hotel disrespectful of European culture because the hotel was there?