Another potential awards contender – the motion picture Lion – has landed in the UK cinemas, so, let’s review it!
IMDb summary: A five-year-old Indian boy gets lost on the streets of Calcutta, thousands of kilometers from home. He survives many challenges before being adopted by a couple in Australia; 25 years later, he sets out to find his lost family.
The biographical drama Lion was written by Luke Davies (an Australian film critic, novelist, and poet) based on the memoir ‘A Long Way Home’ by Saroo Brierley
(co-written by Larry Buttrose). The film’s narrative is divided into two parts. The first hour- long story revolves around the child Saroo. The viewer gets to see Saroo’s relationships with his birth mother, sister, and brother; and witnesses the unfortunate accident of him getting lost and trying to survive alone and away from home. This first-half of the movie is very well written: the audiences are able to form a bond with the main character and become emotionally invested in the boy’s journey.
Lion then flashes 20 years forward: Saroo is now an adult and lives with his adoptive parents in Australia. This part of the film is not as solid when it comes to writing as the first part. To begin with, the audiences don’t get to see a lot of Saroo’s life as an adult, so his change of heart (from not caring about his birth family to desperately trying to find them) seems a bit sudden. A few extra scenes, maybe showing a different stage in his life, like the teenage years, would have helped to solidify the fact that he never really felt at home in Australia and always wanted to find his family. The second part of the narrative also has two other important storylines which don’t get enough of screentime. First one is Saroo’s relationships with his adoptive mother and his adoptive brother (who might have a mental illness?) and the second one is Saroo’s relationship with his on-and-off-again girlfriend. Both of these plotlines had to be included in the film (bio-dramas try to be as accurate as possible) but I wish that they would have been given more screen time because that would have made them more compelling. Maybe the movie could have been 15 minutes longer or maybe the first story could have been shortened by the same amount (if they wanted to keep the film at 2h).
Even though I have found some problems with the technical structure of the narrative, I found the narrative itself to be very interesting and fascinating. The fact that the modern technologies actually brought people together instead of separating them was just amazing. In general, the whole Saroo’s story was both heartbreaking and hopeful. It had more than a few tear-jerker moments, especially at the end. The inclusion of real-life counterparts of the characters was nice too.
From the anthropological perspective (sorry, I can’t turn it off, if you study anthropology you are basically living it), the film was also very valuable. It mostly felt like a documentary with a higher budget and a fancier production design. Nevertheless, the ideas on privilege and poverty and on the adoption across countries/cultures are just two of the concepts that could be considered in an anthropological discussion in relation to this film.
An Australian TV and commercial director Garth Davis made his very successful feature film directorial debut with Lion. I loved how he realized the shots of the nature of India. That whole opening sequence was just beautiful and very classic. The pacing could have been neater but it didn’t bother me much. Basically, if this was his first motion picture, I can’t wait to see what he will do next.
Also, on a side note, guess whose song was playing during the credits. If you said Sia, you either read my blog a lot or just go to the movies a lot. Sia wrote a song called ‘Never Give Up’ specifically for this film. Her songs have also been used in Sing, Star Trek Beyond, The Shallows, The Neon Demon, and Finding Dory. You will also be able to hear her during Fifty Shades Darker.
Dev Patel played Saroo in the second half of the film and did an amazing job. After seeing the film, I finally realized why he is being nominated in the supporting actor category, even though he is playing the lead. Well, the answer is simple – he only plays the lead during the second hour of the film, while the viewer spends the first hour with a 5-year-old Saroo played by an adorable child actor Sunny Pawar. So, on the whole, if we add up Patel’s scenes, his screentime probably comes closer to that of a supporting rather than a lead role. Anyways, despite the fact that he is not in the first half of the film, Patel delivers his best performance yet. He has really matured as an actor since the days of Slumdog Millionaire. His best scenes that were most likely included in his awards reels were 1. the montage in which he finally reaches the breakthrough on Google Earth. The way he whispers ‘Mum’ is just breathtaking. And 2. the final meeting sequence – he showed a lot of acting skills in that one too.
Moving forward, I would love to see Patel cast in a racially blind role, meaning that I would like to see him playing a character whose ethnicity is not his main character trait. Up until this point, Patel played characters whose ethnicity was really important character feature, like in Slumdog Millionaire, The Man Who Knew Infinity and even The Exotic Marigold Hotel films. I’d like to see him take on roles similar to the one he had on Chappie, but it looks like that is not on the horizon, as his next film is also India-centric and based on true events – Hotel Mumbai.
The picture’s supporting cast also delivered brilliant performances. Rooney Mara (Carol) starred as Saroo’s girlfriend and was great in the few scenes she had. David Wenham (recognized him faster than another LOTR alumni – Viggo Mortensen in Captain Fantastic) appeared briefly as Saroo’s adoptive dad but it’s Nicole Kidman as Saroo’s adoptive mother who stole all the attention in their scenes together. Lion also spotlighted some lesser known (in the West) Indian talent (as it should): Abhishek Bharate, Divian Ladwa, Priyanka Bose, Deepti Naval, Tannishtha Chatterjee, and Nawazuddin Siddiqui all co-starred and did a great job with their limited screentime.
In summary, Lion was a lovely picture with an amazing story at its core. Sadly, this story was not represent as cohesively and compellingly as it could have been. However, the flaws in writing were covered up with great directing and amazing acting performances.
Trailer: Lion trailer