Welcome to a review of the best 1960s film made in the 21st century. It’s Jackie.
IMDb summary: Following the assassination of President John F. Kennedy, First Lady Jacqueline Kennedy fights through grief and trauma to regain her faith, console her children, and define her husband’s historic legacy.
Writing and Acting: the main character and the lead actress
Like I did in the review of Elle, I’m going to combine the writing and the acting parts of this review because like Isabelle Huppert and Elle, Jackie and Natalie Portman are inseparable. Also, when watching Elle, I was sure that Huppert will take the Oscar for playing the titular character. Now, having seen Portman’s performance, I’m not that sure. Honestly, I’d be happy if either of them wins because they both deserve it. Portman already has an Academy Award for Black Swan, while it would be the first one for Huppert.
Anyways, let’s focus on Jackie. The picture’s screenplay was written by Noah Oppenheim who previously wrote some so-so YA adaptations, like The Maze Runner and Allegiant. I can’t actually comprehend how he could be the one who wrote all of these differents scripts. Not only are these films all very varied but the quality of the writing also differs drastically, with Jackie, obviously, being his best script yet. He did win ‘Best Screenplay Award’ at the 73rd Venice International Film Festival for it, so that should tell you all you need to know.
Speaking of the writing in more detail, the picture’s narrative was located in a limited timeframe and had a deep focus on the specific events. The movie was structured as a real-time interview with incorporated flashbacks. It portrayed Jackie as a complex and multifaceted individual. The differences between her public and private persona and between the pre-incident and post-incident Jackie were just fascinating to watch.
I’ve always imagined Jacqueline Kennedy as being sort of innocent, poised, and feminine figure. However, in truth, she was very much a strong-willed individual whose public appearances were always performative. Especially after the assassination, there seemed to be a certain amount of bitterness in her being that might have risen from the feelings of self-guilt. Her relationship with her husband was certainly not easy, with JFK having multiple affairs, but, in the end, she did love him and witnessed him being murdered in her arms. The film also raised the political questions of legacy (both hers and his) and also commented on the famous Camelot parable, but also showed Jackie’s more personal side through her adoration of arts and history, so kudos to the scriptwriter for showing multiple sides of the character/the real person. However, it was Natalie Portman who carried this movie and absolutely nailed the performance. The way she manipulated the different layers of the character and the way she transformed her look, behavior and speech were just magnificent to watch. Jackie would go from episodes of almost panic to showing imaginable strength in a heartbeat, so Portman was able to display a wide variety of her acting skills. She played Jackie as so much more than merely a President’s wife because she was indeed so much more than just that.
A Chilean director Pablo Larraín, with whose previous work I’m sadly not familiar with, directed Jackie and did a spectacular job. I loved the temporarily appropriate aspect ratio and the whole old-school feeling of the film. The documentary-like handheld camera work for the flashbacks and the steady mostly 180° shots for the interview sequences also worked. The fact that the interview was shot from the straight-on perspective made the actors’ performances even more effective. The viewers could feel like Jackie was basically speaking directly to them/at them. The filmmakers’ choices of music were also interesting (soundtrack by Mica Levi). The instrumental theme of the picture was very classic with a slightly modern edge. A few moments of it reminded me of the sounds one would hear in a neo-noir thriller.
The supporting cast
The secondary roles of the film (as famous as the role of Jackie herself) were played by moderately known actors. Peter Sarsgaard starred as Robert F. Kennedy, Greta Gerwig played Nancy Tuckerman, Billy Crudup was Theodore H. White/The Journalist, and John Hurt appeared as Father Richard McSorley. The casting director also did a good job in finding an actor who looked quite similar to JFK – Caspar Phillipson. Granted, he appeared in only a handful of scenes, but since everybody knows how JFK looked in real life, it was nice to see the picture trying to be as accurate and as seamlessly realistic as possible.
In short, Jackie was a great personal biopic that showed the complexities of the JFK’s assassination’s aftermath and neatly spotlighted the woman who was in the middle of all of it – Jacqueline Kennedy (Onassis). Portman’s performance as the titular character was just brilliant and spectacular.
Trailer: Jackie trailer