Since there will be no new releases for a few weeks in the country that I’m currently staying (no big foreign releases – the distributors are pushing a domestic film that I have zero interest in) , I have decided to review a few films that I missed at the beginning of 2016 – Zootopia, Hardcore Henry, and Midnight Special. In this post, I will be taking about the last one on that list.
IMDb summary: A father and son go on the run, pursued by the government and a cult drawn to the child’s special powers.
Midnight Special is an original sci-fi drama. It is not an adaptation, a reboot or a sequel/spin-off. Original movies are unheard of in today’s Hollywood and even a few original films that we do get are usually not that great. However, Midnight Special is an exception – on top of being an original property, the picture is also interesting, intelligent and provides interesting commentary on faith, the people’s need for something to believe in, and the cult mentality. Sadly, despite having a tiny budget, it still did not earn it back.
The film was written and directed by Jeff Nichols who has previously done films like Mud and Take Shelter. This was his first studio production but it still felt like an independent picture.
Writing: The Narrative
The film’s story was kinda vague. It raised more questions than it answered. It didn’t even seem that the filmmaker knew the answers to the questions they were asking, but that also meant that the viewer could be more engaged – when there is no right answer, everyone can participate and be both right and wrong. The fact that nothing was explained fully also gave the film a scary and intense feeling/aura.
The themes explored in the film were the religion (why do we believe or don’t believe? what is the thing that we believe in? what is the power of our belief/disbelief?), home (why do we need to belong somewhere? do we find or create our homes? can you feel at home if you are different?) and family (what is the importance of the father-son relationship? can parents ever let their children go?). The film also explored various ways how people deal with stuff they don’t understand – by worshiping it, dismissing it or seeing it as a threat – fearing the unknown. The film also kinda disproved the notion that seeing is believing, because, at the end of the film, a lot of people saw that other world, but chose to disregard the information that their eyes received. The religious cult ideas also reminded me a bit of True Detective Season 1, which I started watching today.
Writing : The Characters + Acting
- Michael Shannon as Roy Tomlin. This is the third collaboration for Shannon and Nichols. I did enjoy the conflict inside Roy – which force is stronger – his love for his son or his belief in smth greater? While Shannon did a good job playing a loving father, from the outside, he did come across as quite an unlikeable character. I wonder if a more likable, charismatic actor would have been a better choice. Recently, Shannon had a cameo in BvS.
- Joel Edgerton as Lucas. The character of Lucas was a bit strange. I always wondered whether he had an ulterior motive or was he just along for a ride. He ended up being just a really good friend. His transition into the believer was also interesting and hopeful. Edgerton was recently in Black Mass and his next film is also a Jeff Nichols’s picture Loving.
I also liked the juxtaposition of Lucas and Roy. One was rational, another believed in supernatural. One followed science (‘he’s sick’), the other – faith (‘he’s meant for smth else’).
- Kirsten Dunst as Sarah Tomlin. She was okay. She didn’t do much but just reacted to the events happening around her.
- Adam Driver as Paul Sevier. He was excellent in the film. I’m so happy that he is Kylo Ren. In Midnight Special, he showed even more of his acting abilities and I loved his character arc. He went from a disbeliever to a believer, from being lost and out of his element to being basically an expert. On top of being in Star Wars, Driver will also start in Scorcese’s Silence.
- Scott Haze as Levi. He did a good job. He wasn’t as great as Jacob Tremblay in Room, but still much better than other child actors I’ve seen. He had a really difficult job – to portray a child that is also a god-like figure. His demure look and an innocent way of acting were really appropriate choices.
I really appreciated the film’s visuals. The cinematography (by Adam Stone) was simple but refined. The color palette – similar to Gone Girl’s – interesting: cool blue, black and white tones with yellowed and golden details, shadowy or bright with white lights shots. The ambient music (by David Wingo) was also really effective. The pace of the film was also great – Nichols managed to create a slow picture that explores various themes but never drags or becomes boring. The subtle camera movements to reveal something were also great (especially the shot of the meteors falling behind the boy’s head).
The CGI was also pretty neat. It didn’t always look good – the meteor shower looked kinda fake, however, the otherworldly architecture was spectacular. Both realistic and majestic. It was not only visually pleasing but visually interesting – I noticed a lot of circular and round shapes and bent lines. With this kind of a budget, the CGI definitely looked better than I expected.
In short, Midnight Special was an impressive sci-fi film that was overlooked by the majority of cinema goers. It explored engaging topics and asked questions in a simple yet visually pleasing and interesting way.
Trailer: Midnight Special trailer
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