Welcome to a movie review of a film that would have made my top 10 list if I had seen it last year. However, since distribution companies have not yet figured out that global day-in-day releases are desired by movie fans worldwide, I was only able to see the 8th film by Quentin Tarantino – The Hateful Eight – in January. So, since I am already late to the party, let’s do not waste any more time and review this motion picture.
IMDb summary: In the dead of a Wyoming winter, a bounty hunter and his prisoner find shelter in a cabin currently inhabited by a collection of nefarious characters.
The Hateful Eight is the 5th Tarantino’s film that I have seen (I still have Kill Bill Volumes 1 and 2 (considered to be a single film), Jackie Brown and Death Proof to go). I do not think that I would be able to pick my favorite film of his. I actually cannot even decide if I like his early work – crime thrillers – more than I like his later historical movies. I also really applaud Tarantino for endorsing the work of other creators. For example, he has worked really hard to introduce Western audiences to Asian cinema. One of the directors that he has spoken highly of is Wong Kar-Wai from Hong Kong. I did my midterm essay on his film – Chunking Express. While I did not get that great of a mark (low B), I loved the process of watching the film, doing research and the finally putting my thoughts on paper (the same as I do in here, only in a more formal fashion). One of the sources that I used in my essay was Tarantino’s commentary on that particular film. He did a casual intro for the film’s DVD with zero formalities and a relaxed attitude – as an everyday person talking to his friends about movies.
And that is one of the reasons why I am a fan of his – he is just like us – a movie fan first and a filmmaker second. His knowledge of films and their history is infinite. More importantly, he respects those who came before him and expresses that in his work. Tarantino blends the cinema’s past (70 mm film gauge, narrative’s division into chapters, intermission, overture, manual focus/racking) and his own creativity and signature style (non-linear narrative (flashbacks), bloody and shocking scenes and ideas, one of a kind characters) perfectly. It all just somehow fits together, no questions asked.
Visually, the film looked beautiful. Both the outdoor and indoor mise-en-scenes were wonderful and utilized very well. Character outfits were also memorable and unique (the furs, the hats, the red tie). I also applaud him for doing a nude scene with a male as we have seen enough naked female bodies on screen already. Speaking about the cinematography, the wide shots looked amazing because of the wide film gauge (although I wish I would have seen the film on a bigger screen – my local theater was showing it on the 5th screen, which is middle sized – it would have been more pleasant to see it on the biggest – no.1 – screen). In addition, Tarantino’s usage of long and steady takes was also wonderful – although there was only a slight movement, present on the screen, the viewers were fully engaged because of the dialogue.
While this film did not have any iconic monologs (Pulp Fiction), it definitely did have some nice lines, which were brought to life by amazing actors and actresses. The subtle humor and irony were also present and done in a cool way. The build up and the opening were a bit slow, but they did an amazing job of setting everything up before the real action and mystery started. I also appreciated the narration by Tarantino itself – it was a bit surprising but an interesting creative choice – it broke the 4th wall but also sucked you into a story more, by explaining the setup but not really telling anything that would ruin the surprise that would come later.
The Hateful Eight’s score was created by Ennio Morricone, and he won a Golden Globe Award for Best Original Score for this soundtrack. I especially liked the usage of the song There Won’t Be Many Coming Home by Roy Orbison during the credits, but the whole score was amazing and build tension perfectly.
The film had a huge bunch of unique characters. I won’t be able to talk about all of them but all the actors deserve highest praises and at least a mention.
The titular eight:
- Samuel L. Jackson as Major Marquis Warren a.k.a. “The Bounty Hunter” was amazing as always. I don’t think I have ever seen a film where I did not like his character or where Jackson did a poor job and that certainly has never happened in a Tarantino film. I loved the calm face and the sneaky and amused smile he was doing while telling that graphic story. It was a bit disturbing to listen but captivated you nonetheless. His Lincoln letter was not only a unique prop but an interesting story device. Samuel L. Jackson has had a long and rewarding career and I can’t wait to see what he does next. I hope he will re-team with Tarantino once more and if not – I still have MCU movies to look forward to.
- Kurt Russell as John Ruth a.k.a. “The Hangman” was also another wonderful character and an amazing performance by Russell. His mustache was also on point. His best scenes were the ones with his prisoner – they had amazing chemistry and wonderful back and forth banter.
- Jennifer Jason Leigh as Daisy Domergue a.k.a. “The Prisoner” was also really good in this role. I liked the fact that she was a female prisoner and that nobody cared about that and treated her terribly. I also like the fact that she looked awful by the end of the film – this movie broke every ‘beauty’ standard of Hollywood.
- Walton Goggins as Sheriff Chris Mannix a.k.a.”The Sheriff”. He was my favorite character. While I did not agree with his racist remarks, I loved his genuine reaction to everything and the infinite excitement. Goggins has worked with Tarantino before back in 2012’s Django Unchained. He was also in last year’s awful action comedy American Ultra – he definitely can do better than that and I am so happy that he was great in this film.
- Demián Bichir as Bob (Marco the Mexican) a.k.a. “The Mexican” – while nothing really stood out to me about his character or the performance of the actor, I did love the reveal involving him and a sign above the bar.
- Tim Roth as Oswaldo Mobray (English Pete Hicox) a.k.a. “The Little Man”. Another actor who has worked with Tarantino in the 90s. He was good in the film and I loved the sneaky attitude of his – from the very beginning, you could feel that there was something odd about him.
- Michael Madsen as Joe Gage (Grouch Douglass) a.k.a. “The Cow Puncher” – the quietest of the bunch – looks can be deceiving and the characters in this film learned that.
- Bruce Dern as General Sanford “Sandy” Smithers a.k.a. “The Confederate” – a spectator of the action that just happened to be in a wrong place, at a wrong time. The character seemed to be a terrible person but I kinda felt bad for him when he had to endure that story.
- James Parks as O.B. Jackson – the driver of the stagecoach who also had no need to be there and met a sad faith. I loved the tassels on his hat.
- Channing Tatum as Jody Domergue – I knew that Tatum would be in this film because I was very happy for him when the casting announcement was made public. He was not present in the trailer, so I was hoping that his part would be an important one because it might have been spoiler-y. And that’s exactly what it was. I loved the reveal of his character but I also wish that we could have spent more time with him. Tatum has also had a promising career so far. He has a loyal mainstream fanbase (Step Up, Magic Mike and its sequel, 21 and 22 Jump Street) and an Oscar-nominated film on his resume – 2014’s Foxcatcher. Next year, he will star in the comedy Hail, Caesar! and will also start shooting the new Gambit film – while I am excited about that film and the fact that he got the role, I still think that Taylor Kitsch was a perfectly fine Gambit. I guess we will see if Tatum can do it better.
- The flashback sequence also included a few nice characters who only had a few scenes each. Their names and the actors who portrayed them deserve to be mentioned: Dana Gourrier as Minnie Mink, Zoë Bell as Six-Horse Judy, Lee Horsley as Ed, Gene Jones as Sweet Dave and Belinda Owino as Gemma.
All in all, The Hateful Eight was an amazing film and another great example of the greatness of Tarantino. It was the perfect blend of old and new, known and fresh. It had all the trademarks/cliches of Tarantino but it never got boring or predictable. I would love for it to win or at least get a nomination in the Best Ensemble category at the Academy Awards because all the members of the cast did a stellar job. Well, if they don’t get that nomination, the film will probably/definitely get one in Best Picture category.
Trailer: The Hateful Eight trailer
P.S. This has nothing to do with The Hateful Eight (well, not directly at least), but I just can’t shake the idea that a new Adam Sandler movie Ridiculous 6 sounds like a parody of this film. I don’t think it is and I do not plan on watching it, but I just found it funny how both of these names kinda sound similar in my mind and wanted to share my thoughts with you. Bye!